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Tuesday, July 10, 2012

Manifesting masculinities in Italian statuary of the naked male body

Speranza

This Thing of Ours: Investigating The Sopranos


books.google.comDavid Lavery - 2002 - 285 pagine - Anteprima
This text investigates both the wide appeal and controversial reception of this highly-debated drama.

Sculpture and the pursuit of a modern ideal in Britain, c. 1880-1930 - Pagina 219


books.google.comDavid Getsy - 2004 - 331 pagine - Anteprima






My argument will centre on the implications of Frampton's monument for images of femininity and masculinity in a period ... was published in April 19182 but completion was held up until after the war when Italian marble for the statue became ...

Classical Sculpture and The Culture of Collecting in Britain Since ... - Pagina ccxxxiii


books.google.comViccy Coltman - 2009 - 336 pagine - Google eBook - Anteprima
English Masculinities, 1660–1800 (London and New York, 1999). HODGKINSON, T. ... HONOUR, H., 'Canova's statues of Venus', Burlington Magazine, 114 (1972), 658–70. ... The Impact of Italy: The Grand Tour and beyond (London, 2000).

Italian Film - Pagina 148


books.google.comMarcia Landy - 2000 - 434 pagine - Anteprima
comes to the fore as the men (who have built a sand sculpture of a nude woman with large breasts) ask Antonio about ... Antonio's paying his debt to the don by killing a man in New York, thus fulfilling the codes of paternalism, masculinity, and ...

Encyclopedia of 20th century photography - Pagina 1261


books.google.comLynne Warren - 2006 - 24 pagine - Anteprima
Artists in the early 1990s continued to use the combination of photography and sculpture to articulate political concerns. ... Matthew Barney's production stills of his surrealistic video and film epics on the crises of masculinity at the end of the millennium were placed within sculptural ... Italian artist Guiseppe Gabellone's photographs of the elaborately constructed sculptures that he fabricates become the ...

Modern Architectural Theory: A Historical Survey, 1673-1968 - Pagina 263


books.google.comHarry Francis Mallgrave - 2005 - 503 pagine - Anteprima
Sartoris was also one of the first historians of the modern movement to stress the connection of architecture with painting and sculpture. Italy, of course, differed from other European countries in that its political rule was neither socialist nor Marxist but Fascist, and nearly ... as the national style while at the same time insisting that rationalist architecture should "respond to the character of masculinity, force, ...

100 Most Influential People of All Times (Mobi History)


books.google.comMobileReference - 2007 - 2321 pagine - Google eBook - Anteprima
He believed that every stone had a sculpture within it, and that the work of sculpting was simply a matter of chipping ...

In part, this was an expression of the Renaissance idealization of masculinity. ... in his sculpture, drawing and his poetry, too, for among his other accomplishments Michelangelo was also a great Italian lyric ...

Sex pots: eroticism in ceramics - Pagina 187


books.google.comPaul Mathieu - 2003 - 224 pagine - Anteprima
In the 1980s, Jeff Koons commissioned large figurative porcelain sculptures (Capodimonte, Italy), which were made by expert ... Their fragmented bodies, reassembled as broken parts, combine the heroicism of the pose, the masculinity of the ...

In Corpore: Bodies in Post-Unification Italy


books.google.comLoredana Polezzi, Charlotte Ross - 2007 - 284 pagine - Google eBook - Anteprima
The essays included in the present volume assume a plurality of conceptions of "culture" and of "the body.

Italy's eighteenth century: gender and culture in the age of the ...


books.google.comPaula Findlen, Wendy Wassyng Roworth, Catherine M. Sama - 2009 - 490 pagine - Anteprima
Anna Riggs Miller, Letters from Italy, describing the manners, customs, antiquities, paintings, ... I was directed to Miller's book by Chloe Chard, “Effeminacy, Pleasure and the Classical Body,” in Femininity and Masculinity in Eighteenth-Century Art and Culture, ed. ... of the discourse surrounding the Farnese Hercules and several other famous classical sculptures during the latter eighteenth century. 23.

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