Monday, March 26, 2012

Turiddù e compagnia: il tenore mascagnano rivisitato

Speranza




Pietro Mascagni and his operas - Page 241







books.google.com.arAlan Mallach - 2002 - 378 pages - Preview



The premiere was set for May 2. It had been a difficult opera to cast.
Not only does it have a typically taxing Mascagni tenor role as well as highly demanding roles for soprano and bass, but it also calls for two first-rate baritones ...


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Mascagni: an autobiography







books.google.com.arPietro Mascagni, David Stivender - 1988 - 372 pages - Snippet view



DE LUCIA:

Italian tenor. Born
in Naples, he made his debut at the San Carlo in Faust (1883). He soon became one of Italy's most admired singers.

He created no less than four Mascagni tenor roles:

Fritz ("Di primavera somiglia a un fiore fragrante e roseo")
Giorgio Rantzau,
Silvano and
Osaka ---> "Apre la tua finestra"


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Pietro Mascagni: a bio-bibliography - Page 204







books.google.com.arRoger Flury - 2001 - 414 pages - Preview



Martinelli suggests that Mascagni's notoriously high
tenor parts were partly due to the fact that
the maestro had a high speaking voice. See also D266. B177 Marvin, G. Pietro Mascagni, appimti biografici. Palermo, l904.


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Fernando De Lucia: son of Naples : 1860-1925







books.google.com.arMichael Edward Henstock, Michael Edward Henstock - 1990 - 505 pages - Snippet view



J9 Mascagni's tenor roles are characterised by their high tessitura.TM

Although, unlike those of Bellini and Donizetti, they do not abound in very high notes, they often stay for relatively long periods above the stave as, for example, ...


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Mascagni's Cavalleria rusticana: Rustic chivalry. Leoncavallo's I ... - Page 53







books.google.com.arBurton D. Fisher - 2005 - 120 pages - Preview



Principal Characters in I Pagliacci Canio, leader of a traveling company of actors Tenor Nedda, Canio's wife Soprano Tonio, a hunchbacked actor in the company Baritone Silvio, a local villager and secret lover of Nedda Baritone Beppe, ...


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Musical compositions: Part 3







books.google.com.arLibrary of Congress. Copyright Office - 1912 - No preview





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The rough guide to opera







books.google.com.arMatthew Boyden, Nick Kimberley, Joe Staines - 2002 - 735 pages - Preview



For Mascagni, it was ideal.

L' amico Fritz could hardly be less like Cavalleria: it is a benign comedy, ... Fritz himself is unrealistically wholesome but

his high-lying tenor is a gem of a part - and he has the distinction of being one ...


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The Opera Lover's Companion - Page 205







books.google.com.arCharles Osborne - 2007 - 640 pages - Preview



PIETRO MASCAGNI (b. Livorno, 1863 - d. Rome, 1945)

Cavalleria rusticana (Rustic Chivalry) opera in one act (approximate length: 1 hour, 15 minutes) Santuzza, a young peasant woman soprano Turiddu, a young peasant tenor Alfio, ...


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The gramophone: Volume 80, Issues 957-961; Volume 80, Issues 957-961







books.google.com.arSir Compton Mackenzie, Christopher Stone, Sir Compton Mackenzie - 2002 - Snippet view



The main parts are the tenor-lover and baritone- husband, the latter adequately sung until it comes to the climax of his principal solo where something altogether more opulent is needed.

Mascagni had his own way of writing for tenor, ...


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Gramophone: Volume 80, Issues 958-961; Volume 80, Issues 958-961




books.google.com.ar2002 - Snippet view



The main parts are the tenor-lover and baritone- husband, the latter adequately sung until it comes to the climax of his principal solo where something altogether more opulent is needed. Mascagni had his own way of writing for tenor, ...


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