Brunelleschi's composition is a light one.
It is closely adapted to the surrounding quadrilobe, which was modlled on those onthe first set of doors of Florence's baptistery by Andrea Pisano.
But there it is a true frame, not a decorative motif.
Wednesday, June 27, 2012
Brunelleschi, Sacrificio d'Isacco -- 1401, Bargello, Firenze
Speranza
Brunelleschi's composition is a light one.
It is closely adapted to the surrounding quadrilobe, which was modlled on those onthe first set of doors of Florence's baptistery by Andrea Pisano.
But there it is a true frame, not a decorative motif.
Brunelleschi's composition is a light one.
It is closely adapted to the surrounding quadrilobe, which was modlled on those onthe first set of doors of Florence's baptistery by Andrea Pisano.
But there it is a true frame, not a decorative motif.
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