Parlour Songs -- REFERENCES to Scott's essay, "The Singing Bourgeois: Songs of the Victorian drawing room and parlour (Aldershot, Hants.: Ashgate)

Speranza


Acland, Alice.
1948
"Caroline Barton"
London: Constable.

Allen, Reginald.
"The First Night Gilbert & Sullivan" --------------------- KEYWORD: SULLIVAN
London: Chappell, 1958, 1976. Limited Editions Club.


Anon.
"Century and a Half in Soho"
"A Short History of the Firm of Novello"
London: Novello, 1961.

Arundell, Dennis, D.
"The Story of Sadler's Wells"
"1683-1977"
Newton Abbot: David & Charles,
London: H. Hamilton. 1965, 1978.

Atlas, Allan W.
"The Wheatstone English Concertina in Victorian England"
Oxford: Clarendon Press, 1996.

Austin, William A.
"Susannah", "Jeanie", and "The Old Folks at Home":
"The Songs of Stephen C. FOSTER from His Time to Ours" ----- KEYWORD: FOSTER
New York: Macmillan, 1975.

Bailey, Peter.
"Leisure & Class in Victorian England"
"Rational Recreation & the Contest for Control"
London: Methuen, 1978, 1987.
 London: Routledge and Kegan Paul.

Bailey, Peter, ed.
"Music Hall"
"The Business of Pleasure"
Milton Keynes: Open University Press, 1986.

Bailey, Peter,
'"Champagne Charlie":
"Performance and Ideology in the Music-Hall "Swell" Song"
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"Music Hall: Performance and Style".

Bailey, Peter.
 "Conspiracies of Meaning"
"Music Hall and the Knowingness of Popular Culture"
Past and Present 1994.

Baily, Leslie.
"The Gilbert & Sullivan Book" ----- KEYWORD: SULLIVAN
London: Spring Books, 1952, 1956, 1996;  London: Cassell.

Bashford, Christina & Leanne Langley (eds).
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"1785-1914"
"Essays in Honour of Cyril Ehrlich"
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Bayly, Thomas H.
"Songs of the Affections"
by Thomas Haynes Bayly. ----------------- KEYWORD: BAYLY, "BUTTERFLY BAYLY"
Ed. W. L. Hanchant.
London: Desmond Harmsworth, 1932.

Beedell, Ann V.
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"1788-1888"

A Family of English Musicians in
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Best, Geoffrey.
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London: Weidenfeld & Nicolson. 1971, London Fontana 1979.

Blake, Andrew.
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Music, Culture and Society in Twentieth-Century Britain.
Manchester: Manchester University Press, 1997.

Boon, Brindley.
"Sing the Happy Song":
"A History of Salvation Army Vocal Music"
London: Salvationist Publishing & pplies, 1978
.
Boosey, William.
"Fifty Tears of Music"
London: Ernest Benn, 1931. ------------------ KEYWORD: THE BOOSEY BALLAD

Booth, Charles.
"Charles Booth's London"
"A Portrait of the Poor at the Turn of the Century.
Drawn from his Life and Labour of the People in London"
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Harmondsworth: Penguin, 1971; London: Hutchinson. 1969.

Borrof, Edith.
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American Music 1986

Bowers, Jane & Tick, Judith (eds).
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The Western Art Tradition, 1150-1950.
Urbana: University of Illinois Press, 1986.

Boydell, Brian.
"Four Centuries of Music in Ireland" ---- KEYWORD: IRISH MUSIC
London: BBC Publications, 1979.

Bradley, Ian, ed.
"The Complete Annotated Gilbert & Sullivan" -------- KEYWORD: SULLIVAN.
Oxford: Oxford University Press, 1982, 1996; revd edn, Harmondsworth: Penguin.

Brahms, Caryl.
Gilbert & Sullivan:
Lost Chords and Discords. ------ KEYWORD: SULLIVAN
London: Weidenfeld and Nicolson, 1975.

Bratton, Jaqueline S.
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London: Macmillan, 1975.

Bratton, Jaqueline S., ed.
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"Performance and Style"
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Burney, Charles.
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New York: Dover, 1957; reprint of 1789 edn.

Caldwell, John.
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Oxford: Clarendon Press, 1999.

Cannadine, David.
"Gilbert and Sullivan" ------ KEYWORD: SULLIVAN
"The Making and Un-Making of a British "Tradition"'"

Roy Porter (ed.),
"Myths of the English"
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Carse, Adam.
"The Life of Jullien" -------------------------------------------- KEYWORD: JULLIEN
Adventurer, Showman-Conductor and Establisher of
The Promenade Concerts in England,
Together with a History of those Concerts up to 1895.
Cambridge: Heffer, 1951.

Chappell, William.
"Popular Music of the Olden Time" -------------KEYWORD: CHAPPELL BALLAD
New York: Dover, 1965; London: Cramer, Beale & Chappell, 1859.

Chase, Gilbert.
"American Music, from the Pilgrims to the Present".
Urbana: University of Illinois Press, 1966, 1987; revd 3rd edn,  New: McGraw-Hill.

Chorley, Henry F.
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 New York: Da Capo, 1984; London: Hurst and Blackett 1862.

Clinkscale, Martha Novak.
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Oxford: Clarendon Press, 1993.

Citron, Marcia J.
"Gender and the Musical Canon"
Cambridge: Cambridge University Press, 1993.

Cockrell, Dale, ed.
"Excelsior"
Journals of the Hutchinson Family Singers,
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Colles, Henry and Cruft, John.
"The Royal College of Music"
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London: Royal College of Music, 1983.

Coils, Robert and Philip Dodd (eds).
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Coover, James.
"Music Publishing, Copyright and Piracy in Victorian England"
London: Mansell, 1985.

Coover, James.
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Puttick and Smpson (of London), 1794-1971.
Warren, Michigan: Harmonic Park Press, 1988.

Corder. Frederick.
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London: F. Corder, 1922.

Cowgill, Rachel.
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Cox, Gordon
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'The History of an Idea'"
British Journal of Music Education (1992)

Cox, Gordon.
"A History of Music Education in England"
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Cox, John E.,
"Musical Recollections of the Last Half-Century"
London: Tinsley Brothers, 1872.

Dahlhaus, Carl.
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Day, James.
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London: Thames Publishing, 1999.
cfr. italianità.

Dibdin, Charles,
"The Professional Life of Mr Dibdin" ------- KEYWORD: CHARLES DIDBIN.
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Dillard, Philip H.
Sir Arthur Sullivan: A Resource Book.  ------ KEYWORD: SULLIVAN
London: Scarecrow Press, 1996.

Disher, Maurice W.,
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Donaldson, William,
"The Highland Pipe and Scottish Society"
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Dribble, Jeremy C.
"Hubert Parry, the author of "Jerusalem"". ---------------- KEYWORD: PARRY.
Oxford: Oxford University Press, 1992.

Ehrlich, Cyril.
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Oxford: Clarendon Press, 1990; revd edn, London: Dent.

Ehrlich, Cyril.
"The Music Profession in Britain since the Eighteenth Century"
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Ehrlich, Cyril.
"Harmonious Alliance"
A History of
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Oxford: Oxford University Press, 1989.

Ehrlich, Cyril. First Philharmonic: A History of
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Ehrlich, Cyril & Dave Russell.

"Victorian Music"
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Elkin, Robert. Royal Philharmonic: The Annals of
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Elkin, Robert.
The Old
"Concert Rooms"
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Epstein, Dena J.
Music Publishing in Chicago Before 1871: The Firm of Root & Cady 1858-1871.
Detroit: Information Coordinators, 1969.

Epstein, Dena J.
"Sinful Tunes and Spirituals"
"Black Folk Music to the Civil War"  ------------ KEYWORD: BLACK MUSIC
Urbana: University of Illinois Press, 1977.

Ewen, David, compiler.
"Popular American Composers from Revolutionary Times to the Present"
New York: H. W. Wilson, 1962.

Ewen, David.
"All the Years of American Popular Music"
Englewood Cliffs, NJ: Prentice Hall, 1997.

Farson, Dan.
"Marie Lloyd and Music Hall" ------- KEYWORDL MARIE LLOYD
London: Tom Stacey, 1972.

Finson, Ion W.
"The Voices that are Gone"
"Themes in 19th-century Popular Song"
New York: Oxford University Press, 1984.

Fisher, William A.
"One Hundred and Fifty Years of Music Publishing in the United States"
St. Clair Shores, Mich.: Scholarly Press, 1933; Boston: Oliver Ditson, 1977.

Fiske, Roger.
"Scotland in Music" ---------------------------- KEYWORD: SCOTCH MUSIC
Cambridge: Cambridge University Press, 1983.

Fiske, Roger.
"English Theatre Music in the Eighteenth Century"
2nd edn. Oxford: Oxford University Press, 1986. orig. pub. 1973.

Fitz-Gerald, S. J. Adair.
"The Story of the Savoy Opera"
A Record of Events and Productions. London: Stanley Paul, 1924.

Fleming, Timothy J.

"Awfully Affecting"
The Development of a Sentimental Tradition in the
Lyrics of British and North American Popular Song.'
PhD thesis, University of Strathdyde, 1999.

Fletcher, Tom.
"100 Years of the Negro in Show Business"
New introduction and index by Thomas L. Riis. New York: Da Capo Press, 1984;  Burdge. 1954.

Forsyth, Cecil.
"Music and Rationalism"
"A Study of English Opera"
London: Macmillan, 1911.

Foster, Morrison.
"Biography,
Songs and Musical Compositions of Stephen C. Foster" ----------------KEYWORD: FOSTER
New York: AMS Press, 1977; orig. pub. Pittsburgh: Smith, 1896.

Fuller, Sophie.
"Unearthing a World of Music"
"Victorian and Edwardian Women Composers"
Women: A Cultural Review (1992)

Gilbert, Douglas.
Lost Chords: The Diverting Story of American Popular Song.
New York: Doubleday, 1942.

Gilbert, William Schwenck.
"The Story of the Mikado" ----------------- KEYWORD: SULLIVAN
London: Daniel O'Connor, 1921.

Girdham, Jane.
"English Opera in Late Eighteenth-Century London"
"Stephen Storace at Drury Lane" -------------------- KEYWORD: STORACE.
Oxford: Clarendon Press, 1997.

Glasstone, Victor.
"Victorian & Edwardian Theatres"
"An Architectural & Social Survey"
London: Thames and Hudson, 1975.

Golby, John M. (ed.),
"Culture and Society in Britain"
1850-1890:
A Source Book of Contemporary Writings.
Oxford: Oxford University Press in association with The Open University.

Goldberg, Isaac.
"Tin Pan Alley"
"A Chronicle of'American Popular Music"
New York: Atlantic, 1961; orig. pub. John Day. 1930.

Gorrell, Lorraine.
"The Nineteenth-Century Lied"
Portland, Or: Amadeus Press, 1993.

Green, Benny, ed.
"The Last Empires"
"A Music Hall Companion"
London: Pavilion Books, 1986.

Greig, John, ed.
"The Musical Educator"
"A Library of Musical Instruction by Eminent Specialists"
5 vols. London: Caxton, 1910.

Halker, C. D.
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"Labour Song-Poems and Labour Protest"
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Halle, Charles.
"The Autobiography of Charles Halle with Correspondence and Diaries"

Michael Kennedy, ed. London: Paul Eiek, selected from C. E. and Marie Halle, (eds), 1896
"The Life and Letters of Sir Charles Halle"
London: Smith, Elder.

Hamm, Charles.
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Popular Song in America. New York: Norton, 1979.

Hamm, Charles.
"Music in the New World -- from Columbus onwards".
 New York: Norton, 1983.

Harding, Rosamond E. M.
"The Piano-forte"
"Its History Traced to the Great Exhibition of 1851"
London: Heckscher, 1989; orig. pub. Cambridge: Cambridge University Press. 1933.

Harker, Dave.
"Fakesong"
"The Manufacture of British Folk Song
"1700 to the Present Day"
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Milton Haweis, Hugh R.
"Music and Morals"
London: Longmans, Green, 1900; orig. pub. Statham, 1871.

Haweis, Hugh R.
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London: Longmans, Green, 1912; orig. pub. Alien, 1884.

Henderson, William, ed.
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A Selection of Popular Ballads Sold in the Street in the Nineteenth Century.
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Herbert, Trevor, ed.
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Hogarth, George, ed.
The Songs of Charles Dibdin. --------------- KEYWORD: CHARLES DIDBIN
London: Davidson, 1842.

Hogarth, George, 1862
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London: Cocks.

Hoher (now Kift), Dagmar. 1986
"The Composition of Music Hall Audiences 1850-1900"
 in Bailey, Music Hall: The Business of Pleasure: 73—92.

Holmes, Frederic M.,
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London: Hodder and Stoughton, 1881.

Hueffer, Francis,
"Half a Century of Music in England"
1837-1887.
London: Chapman and Hall, 1889.

Hughes, Gervase.
"The Music of Arthur Sullivan" -----------------KEYWORD: SULLIVAN
London: Macmillan, 1960.

Humphries, Charles and Smith, William C.
Music Publishing in the British Isles. London: Cassell, 1954.

Hurd, Michael.
"Vincent Novello and Company"
London: Granada, 1981.

Hyde, Derek.
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Women in 19th-century English Music.
3rd ed. Aldershot: Ashgate, 1998; originally pub. Canterbury: Tritone.

Hyman, Allan.
"Sullivan and His Satellites" ------------------KEYWORD: SULLIVAN
"A Survey of English Operettas"
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London: Chappell, 1978.

Jackson, George P.
White and Negro Spirituals. New York: Da Capo Press, 1975; orig. pub. 1943.

Jacobs, Arthur.
"Arthur Sullivan: A Victorian Musician" ---------------KEYWORD: SULLIVAN
2nd ed. Aldershot: Scolar Press, 1992; originally published Oxford: Oxford University Press, 1984.

Johnson, James and Burns, Robert.
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"The 'Cockney' and the Nation"
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Joyce, Patrick.
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Industrial England & the Question of Class
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Julian, John.
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Kallaway, Bill.
"The London Philharmonic"
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Kidson, Frank.
British Music Publishers, Printers and Engravers"
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Kift, Dagmar.
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King, A. Hyatt.

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1820-1885"
The Library (1949)

Klamkin, Marian.
"Old Sheet Music"
New York: Hawthorn Books, 1975.

Klein, Hermann.
"Thirty Years of Musical Life in London"
"1870-1900"
London: Heinemann, 1903.

Koza, Julia E.
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Images of Women as Musicians in Godey's Lady's Book, 1830-1877"
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Kramer, Lawrence.
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Lamb, Andrew. 1988
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Lawrence, Vera B.
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New York: Oxford University Press, 1988.

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A Study of Popular Music in Great Britain.
London: Barrie and

Jenkins, 1970.

Lee, Edward.
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 London: Roudedge and Kegan Paul, 1982.

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Domesticity, Ideology & Socio-cultural Formation in Eighteenth-Century England.
Cambridge: Cambridge University Press, 1988.

Leppert, Richard.
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Music, Representation, and the History of the Body.
Berkeley: University of California Press, 1993.

Levine, Lawrence W.
"Highbrow/Middlebrow/Lowbrow"
The Emergence of a Cultural Hierarchy in America.
Cambridge, Mass.: Harvard University Press, 1988.

Levy, Lester S.
"Grace Notes in American History"
"Popular Sheet Music"
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Norman: University of Oklahoma Press, 1967.

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Lott, Eric.
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Black Face, Minstrelsy and the American Working Class.
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Lubbock, Mark and Ewen, David.
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London: Putnam, 1962.

Lunn, Henry C.
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Mabel, Norman.
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Macdonnell, J. B.
"Classical Music & British Musical Taste"
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Mackemess, Eric D.
"Social History of English Music"
Westport, CT: Greenwood Press, 1976-74; orig. pub.
London: Routledge and Kegan Paul, 1964.

Mackinlay, Sterling.
"Origin and Development of Light Opera" ---- KEYWORD: LIGHT OPERA
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Mair, Carlene.
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London: Chappell, 1961.

Maitland, Sara.
"Vesta Tilley"
London: Virago, 1986.

Marsh, J. B. T.
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Mayhew, Henry.
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McGuirk, Carol (ed.).
Critical Essays on Burns. New York: Hall, 1998. ---- KEYWORD: AULD LANG SYNE

McVeigh, Simon.
"Concert Life in London from Mozart to Haydn"
Cambridge: Cambridge University Press, 1993.

Mellor, Geoffrey J.
"The Northern Music Hall"
A Century of Popular Entertainment. Newcastle upon Tyne: Graham, 1970.

Meyer, Leonard B.
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"Theory, History, and Ideology."
Chicago: University of Chicago Press, 1996.

Middleton, Richard.
"Popular Music of the Lower Classes'"
in Temperley, The Romantic Age (1988)

Nalbach, Daniel.
"The King's Theatre" ------- KEYWORD: "ITALIAN OPERA HOUSE, HAYMARKET".
1704-1867. London: Society for Theatre Research, 1972.

Nathan, Hans.
"Dan Emmett & the Rise of Early Negro Minstrelsy"
2nd edn. Norman: University of Oklahoma Press, 1977; orig. pub. 1962.

Nettel, Reginald.
"Music in the Five Towns"
1840-1914. London: Oxford University Press, 1944.

Nettel, Reginald.
"The Orchestra in England"
A Social History. London:
Cape, 1956; orig. pub. 1946.

Nettel, Reginald.
"A Social History of Traditional Song"
London: Phoenix House, 1969; orig. pub. as
"Sing a Song of England"
1954.

Nettel, Reginald.
"Seven Centuries of Popular Song"
"A Social History of Urban Ditties"
London: Phoenix House, 1956.

Newsome, Roy.
"Brass Roots"
"A Hundred Tears of Brass Bands and Their Music"
1836-1936. Aldershot: Ashgate Publishing, 1998.

Newsome, Roy.
"The 19th Century Brass Band in Northern England"
PhD thesis, University of Salford, 1999.

Palmer, Roy (ed.).
"A Touch on the Times"
Songs of Social Change
1770-1914. Harmondsworth: Penguin, 1974.

Palmer, Roy.
"A Ballad History of England"
London: Batsford, 1979.

Palmer, Roy.
"The Sound of History"
Songs and Social Comment.
Oxford: Oxford University Press, 1988.

Parkinson,J. A.
"Victorian Music Publishers"
Michigan: Harmonic Park Press, 1990.

Pearce, Charles E.
Tenor Sims Reeves.  --------------------- KEYWORD: SIMS REEVES, TENOR.
London: Stanley Paul, 1924.

Pearsall, Ronald.
Victorian Sheet Music Covers.
Newton Abbot: David and Charles, 1972.

Pearsall, Ronald.
"Victorian Popular Music"
Newton Abbot: David and Charles, 1973.

Pendle, Karin.
Women and Music: A History.
Bloomington: Indiana University Press, 1991.

Pickering, Michael.
"White Skin, Black Masks"
in Bratton, Music Hall: Performance and Style (1986). 70-91.

Pike, G. D.
"The Jubilee Singers and Their Campaign for Twenty Thousand Dollars"
 London: Hodder and Stoughton, orig. pub. Boston, USA: Lee and Shepard, 1874.

Pirie, Peter J.
"The English Musical Renaissance" -- not the Italian one!
London: Gollancz, 1979.

Poole, Robert.
"Popular Leisure & the Music Hall in Nineteenth-Century Bolton"
Lancaster: University of Lancaster, 1982.

Pound, Reginald.
"Sir Henry Wood"
London: Cassell, 1969.

Preston, Katherine K.
"Music for Hire"
"A Study of Professional Musicians in Washington"
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Rainbow, B.
"Land Without Music"
Music Education in England 1800-1860 and its Continental Antecedents.
London: Novello, 1967.

Raynor, Henry.
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Since 1815. London: Barrie and Jenkins, 1976.

Reid, Charles.
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A Biography of James William Davison, Music Critic of 'The Times' of London, 1846-78, with Excerpts from His Critical Writings. London: Quartet Books, 1984.

Rice, Charles.
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London: The Diaries of Charles Rice for 1840 and 1850. Laurence Senelick (ed.), London: Society for Theatre Research, 1997.

Rigby, Charles.
"Sir Charles Halle"
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London: Tinsley, 1869; enlarged edn, orig. pub. William Tweedie, 1857.

Ritter, Fanny R.
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Rosenthal, Harold.
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Russell, Dave.
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Russell, Henry.
"Cheer, Boys, Cheer!" -------- KEYWORD: HENRY RUSSELL, A LIFE ON THE OCEAN WAVE.
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"An Analysis of the Relationship Between the Social Dance & Society in England from the Middle Ages to the Present Day."
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Schmitz, Oskar, A. H., and Th.
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"Das Land ohne Musik"
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Scholes, Percy A.
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1844-1944:
A Century of Musical Life in Britain as Reflected in the Pages of the 'Musical Times'. 9,
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Scott, Derek B.
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Scott, Derek B.
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Shaw, George Bernard.
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Dan H. Laurence (ed.),
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Shepherd, John.
"Tin Pan Alley"
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Simon, Herbert.
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"A History of the Curwen Press"
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Simpson, Harold.
"A Century of Ballads"
1810-1910"
  London: Mills and Boon, 1910.

Smith, Geoffrey.
"The Savoy Operas"
"A New Guide to Gilbert and Sullivan" ------ KEYWORD: SULLIVAN
London: Hale, 1983.

Solie, Ruth A. (ed.)
"Music in Its Social Contexts"
special edn of 19th Century Music (1992).


Southern, Eileen.
"The Music of Black Americans"
A History
New York: Norton, 1997; 3rd edn, orig.pub. 1971.

Southern, Eileen (ed.).
Readings in Black American Music. New York: Norton, 1983;
2nd edn, orig. pub. 1971.

Southworth, James, G.
"Vauxhall Pleasure Gardens" --------------------- KEYWORD: VAUXHALL PLEASURE GARDEN
"A Chapter in the Social History of England"
New York
Columbia University Press, 1941.

Spaeth, Sigmund.
"Read 'Em and Weep"
New York: Doubleday Page, 1926.

Spaeth, Sigmund.
"Weep Some More My Lady"
London: Heinemann, 1927.

Spaeth, Sigmund.
"A History of Popular Music in America"
London: Phoenix House, 1960, orig. pub.
New York: Random House, 1948.

Spellman, Doreen and Sidney.
"Victorian Music Covers"
London: Evelyn, Adams & Mackay, 1969.

Stedman, Jane W.
"W. S. Gilbert"
"A Classic Victorian and His Theatre" -------------- KEYWORD: SULLIVAN
Oxford: Oxford University Press, 1996.

Stevens, Richard J.
"Recollections of R. J. S. Stevens"
"An Organist in Georgian London"
1992. Mark Argent (ed.), London: Macmillan.

Stradling, Robert and Meirion Hughes.
"The English Musical Renaissance"
1860-1940:
"Construction and Deconstruction"
London: Routledge, 1993.

Stratton, Stephen
"Women in Relation to Musical Art"
Proceedings of the Royal Musical Association (1882)

Sullivan, Herbert and Rower, Newman.
"Sir Arthur Sullivan" --------------------------- KEYWORD: SULLIVAN
His Life, Letters and Diaries.
London: Cassell, 1950.

Summerfield, Penny.
"Patriotism and Empire"
"Music-Hall Entertainment"
1870-1914', in
John M. Mackenzie (ed.). Imperialism and Popular Culture. Manchester: Manchester University Press, 1986.

Sweeney-Tumer, Steve.
"Pagan Airts: Reading Critical Perspectives on the Songs of Burns and Tannahill"
in McGuirk, Critical Essays on Burns (1996): 182-207; orig. pub. in Scotland, vol. 2, no. 2: 36-68.

Sweeney-Tumer, Steve.
"The Political Parlour"
"Identity and Ideology in C 19th Scottish National Song"
In
"Music and rationalism"
"Re-evaluations of the History and Ideology of European Musical Culture"
Michael Murphy and Harry White (eds), Cork: Cork University Press, 2000.

Taylor, Arthur R.
"Labour and Love"
"An Oral History of the Brass Band Movement"
London: Elm Tree, 1983.

Tawa, Nicholas.
"A Music for the Millions:"
Antebellum Democratic Attitudes and the Birth of American Popular Music"
New York: Pendragon Press, 1984.

Tawa, Nicholas.
"Sweet Songs for Gentle Americans"
"The Parlour Song in America"
1790-1860"
 Ohio: Bowling Green University Press, 1985.

Tawa, Nicholas.
"The Way to Tin Pan Alley"
American Popular Song, 1866-1910"
 New York: Schirmer, 1990.

Temperley, Nicholas.
The Music of the English Parish Church.
2 vols, Cambridge: Cambridge University Press, 1983; orig. pub. 1979.

Temperley, Nicholas (ed.).
"The Blackwell History of Music in Britain"
vol. 5:
Music in Britain: The Romantic Age 1800-1914.
Oxford: Blackwell, 1988; orig. pub. London: Athlone Press, 1981.


Temperley, Nicholas (ed. 'Music in Victorian Society and Culture', special edn of Victorian Studies (Autumn 1986).

Temperley, Nicholas.
"The Lost Chord"
"Essays in Victorian Music"
Bloomington: Indiana University Press, 1989; with cassette recording.

Thompson, Edward P.
The Making of the English Working Class. Harmondsworth: Penguin, 1991; new edn, orig. pub. London: Gollancz, 1963.

Tick, Judith.
American Women Composers Before 1870. 2nd ed. New York: University of Rochester Press, 1995; orig. pub. Ann Arbor, MI: UMI Research Press, 1983 from PhD diss., 1979.

Tick, Judith.
"Passed Away Is the Piano Girl"
"Changes in American Musical Life"
1870-1900"
in Bowers and Tick, Women Making Music (1986). 325-48.

Toft, Robert.
"Heart to Heart"
"Expressive Singing in England"
1780-1830"
Oxford: Oxford University Press, 2000.

Toll, Robert C.
"Blacking Up"
The Minstrel Show in Nineteenth Century America"
London: Oxford University Press, 1977; orig. pub. New York (OUP), 1974.

Toll, Robert C.
"On with the Show"
"The First Century of Show Business in America"
New York: Oxford University Press, 1976.

Traubner, Richard.
"Operetta: A Theatrical History"
Oxford: Oxford University Press, 1990; London: Gollancz, 1984.

Upton, George P.
Woman in Music: An Essay.
London: Paul and Chicago: McClurg, 1909; Boston: Osgood, 1880.

Van der Merwe, Peter.
"Origins of the Popular Style"
"The Antecedents of Twentieth-Century Popular Music"
Oxford: Clarendon Press, 1989.


Walker, Ernest.
"History of Music in England."
New York: Da Capo Press, 1978; orig. pub. Oxford: Clarendon Press, 1907.

Watson, Ian.
"Song and Democratic Culture in Britain"
"An Approach to Popular Culture in Social Movements" London: Croom Helm, 1983.


Weber, William,
"Mass Culture and the Reshaping of European Musical taste"
1770-1870', International Review of the Aesthetics and Sociology of Music (1877)


Weber, William.
"Music and the Middle Class
"The Social Structure of Concert Life in London, Paris and Vienna"
"Between 1830 and 1848"
New York: Holmes and Meier, 1975.


Weber, William.
"The Rise of Musical Classics in Eighteenth-Century England"
"A Study in Canon, Ritual, and Ideology"
Oxford: Clarendon Press, 1996; orig. pub. 1992.

Weber, William, 'The Muddle of the Middle Classes', 19th Century Music 3 (1979-80): 175-85.


Whitcomb, Ian.
"After the Ball"
"Pop Music from Rag to Rock"
New York: Limelight Editions, 1986; orig. pub. London: Alien Lane, 1972.

White, Eric W.
"A History of English Opera"
London: Faber, 1983.

Williams, Raymond.
"Culture and Society"
1780-1950"
New York: Columbia University Press, 1983; London: Chatto and Windus, 1958.

Williams, Raymond.
"Keywords"
London: Fontana, 1990;  Fontana and Croom Helm. 1976.

Williams, William H. A.
"'Twas Only an Irishman's Dream"
The Image of Ireland & the Irish in American Popular Song Lyrics"
"1800—1920"
Urbana: University of Illinois Press, 1996.


Williamson, Audrey.
"Gilbert and Sullivan Opera" ------ KEYWORD: SULLIVAN
"A New Assessment"
Rev. ed. London: Boyars, 1982; Rockliff, 1953.


Winstock, Lewis.
"Songs and Music of the Redcoats"
"A History of War Music of The British Army"
1642-1902"
London: Leo Cooper, 1970.


Wittke, Carl.
"Tambo and Bones"
"A History of the American Minstrel Stage"
Westport, CT: Greenwood Press, 1968; orig. pub. Durham, NC: Duke University Press, 1930.

Woll, Alien L.
"Black Musical Theatre"
"From Coontown to Dreamgirls"
New York: Da Capo Press, 1991; orig. pub. Baton Rouge: Louisiana State University Press, 1989.

Wroth, Warwick.
"The London Pleasure Gardens of the Eighteenth Century" -- Marylebone, Vauxhall, Ranelagh.
London: Macmillan, 1979; orig. pub. 1886.

Wroth, Warwick.
"Cremome and the Later London Pleasure Gardens"
London: publisher unknown, 1907.

Wyndham, Henry S.
"The Annals of Covent Garden Theatre"
"From 1732 to 1897" -- including the Royal Italian Opera. London: Chatto and Windus, 1906.

Wyndham, Henry S.
"August Manns and the Saturday Concerts"
London: Walter Scott, 1909.

Yeo, Eileen and Stephen, eds.
"Popular Culture and Class Conflict"
1590-1914:
Explorations in the History of Labour and Leisure.
Brighton: Harvester, 1981.

Young, Kenneth.
"Music's Great Days in the Spas and Watering-places"
London: Macmillan, 1968.

Young, Percy M.
"The Concert Tradition"
"From the Middle Ages to the Twentieth Century"
London: Dobson, 1976; Routledge and Kegan Paul, 1965.

Young, Percy M.
"Sir Arthur Sullivan" ---------- KEYWORD: SULLIVAN
London: Dent, 1971.

Zon, Bennett, ed.
"Nineteenth-Century British Music Studies"
vol. 1. Aldershot: Ashgate Publishing, 1999.

-------------------------------------------------------

Collections of nineteenth-century British and American popular songs


Bush, Geoffrey and Nicholas Temperley.

"English Songs"
"1800-1860"
Musica Britannica vol. 43. London: Stainer and Bell, 1979.

Crawford, Richard, ed.

"The Civil War Song Book"

New York: Dover, 1977.

Davison, Peter, ed.

"Songs of the British Music Hall"
New York: Oak Publication, 1971.

Gammond, Peter,
"The Good Old Days Songbook"
London: EMI Publishing, 1983.

Garrett, John M.,

"Sixty Years of British Music Hall"
London: Chappell, 1976.

Graves, Richard, ed.
"Victorian Christmas Song Book"
London: Macmillan, 1980

Hitchcock, H. Wiley, ed.
"Songs of Henry Clay Work"
vol. 19 of Earlier American Music New York: Da Capo Press, 1974.

Jackson, Richard, ed.
"The Stephen Foster Song Book" ----------------- KEYWORD: FOSTER
 New York: Dover Publications, 1974.


Jackson, Richard, ed.
"Popular Songs of Nineteenth-Century America"
New York: Dover Publications, 1976.


Turner, Michael R. and Miall, Antony (eds).

"The Parlour Song Book"
"A Casquet of Vocal Gems"
London: Pan, 1974; Michael Joseph. 1972.

Turner, Michael R. and Antony Miall (eds). 1975
"Just a Song at Twilight"
"The Second Parlour Song Book"
London: Michael Joseph.


Waites, Aline and Hunter, Robin.
"The Illustrated Victorian Song Book"
 London: Michael Joseph, 1984.

Wallace, lan, compiler.
The EMI Book of Parlour Songs.
London: EMI Publishing, 1981.


British and American periodicals covered by The "Répertoire International de la Presse
Full-text 35mm microfilm and RIPM hardbound indexes to each tide available from UMI (http://www.umi.com).

The Quarterly Musical Magazine and Review

The Harmonicon

The Musical Examiner

The Musical Tunes

The Musical Standard

Musical World

Musical Journal

Musical Directory

Monthly Musical Record

Musical Opinion

Dwight's Journal of Music

The Message Bird

The New York Musical World

The Musical Gazette (1856-59) and The Lute (1883-99) are included
in British Periodicals in the Creative Arts (UMI Microfilm Collection).

---------------------------------------------------------------

Data Bases and the Internet


"Concert Use in Nineteenth-Century London"

Database Project

Simon McVeigh, Christine Bashford, and Rachel Cowgill.

An inter-university project linking Goldsmiths College, London with Oxford Brookes University and the University of Huddersfield.

For information on its methodology and rationale, see Christina Bashford

"Introducing the Concert Life in 19th-century London Database"
 Brio (1999)

The website: http://www.brookes.ac.uk/schools/apm/music/19thc_m.htm

Gilbert and Sullivan Archive
(Boise State University, Idaho): http://diamond.boisestate.edu/gas

Public Domain Music (Benjamin Tubb)
-- a site containing songs (with sound files)
by 19th-century popular composers.

The website:

http://www.pdmusic.org


Women Song Composers: A Listing of Songs Published in the United States and England
c. 1890—1930.
Compiled by Christopher Reynolds, Department of Music, University of California, Davis

-- a searchable database containing 5116 songs (and song sets and cycles) by 515 women composers active in North America and England.

The information in the bibliography includes tide, composer, poet, publisher, date and city of publication, and (for some of the songs) also serial number.

The database can be accessed at:

http://musdra.ucdavis.edu/faculty/reynolds/Women_songs_home.html

----------------------------------------------


Catalogues, Dictionaries, &  Indexes

Brown, James D. and Stephen S. Stratton.

"British Musical Biography"
Birmingham: Stratton, 1897

"Catalogue of Printed Music in the British Library"
 to 1980.
62 vols. London: Saur, 1981-87.

Dictionary of National Biography.

Oxford: Oxford University Press, new edn forthcoming, 1921-22.

Ebel, Otto.

Women Composers: A Bio-bibliographical Handbook of Woman's Work in Music
 Brooklyn.


NY: Chandler, 1902.

Fuld, James J.

The Book of World Famous Music, Classical, Popular and Folk.

4th ed. New York: Dover, 1995; orig. pub. Crown. 1966.

Fuller, Sophie.

The Pandora Guide to Women Composers: Britain and the United States
1629-Present. London: Pandora, 1995.

Gänzl, Kurt.

"The British Musical Theatre"
2 vols. vol. 1: 1865-1914, Basingstoke: Macmillan, 1986.

Hixon, Donald L. and Don A. Hennessee.

Women in Music:
An Encyclopedic Bio-bibliography.
2nd ed. Metuchen, NJ: Scarecrow Press, 1993; orig. pub. 1975.

Humphries, Charles and William C. Smith,

Music Publishing in the British Isles from the EarliestTimes to the Middle of the 19th Century.

A Dictionary of Engravers, Printers, Publishers and MusicS ellers. 2nd ed. Oxford: Blackwell, 1970; orig. pub. London: Cassell. 1954.

Kilgarriff, Michael.

"Sing Us One of the Old Songs"
"A Guide to Popular Song"
1860-1920.
Oxford: Oxford University Press, 1998.

Larkin, Colin (ed.),

"The Encyclopedia of Popular Music"
8 vols.
London: MUZE, orig. pub. Enfield: Guinness, 1992, in 4 vols.

Matthews, Betty, compiler.

The Royal Society of Musicians of Great Britain
List of Members, 1738-1984.
London: Royal Society of Musicians, 1985.

Includes members of the Royal Society of Female Musicians, 1840-66


The Music Catalog.
Washington: Library of Congress
100 microfiches held at Bodleian Library, Oxford, 1991.

Poladian, Sirvart.
Sir Arthur Sullivan: An Index to the Texts of His Vocal Works.  ----- KEYWORD: SULLIVAN
Detroit Studies in Music Bibliography No. 2 Detroit: Information Services. 1961.

Redway, Virginia L.
Musical Directory of Early New York City.
New York: New York Public Library, 1941.

Sadie, Julie Anne and Rhian Samuel, eds.
The New Grove Dictionary of Women Composers. London: Macmillan, 1994.

Sadie, Stanley, ed. 1980
The New Grove Dictionary of Music and Musicians, London, §IV-§X ; (London: Macmillan): 158-217.

[Opera, Pleasure Gardens, Concert Life, Education, Music Publishing, Instrument Making, and Libraries.]

Sampson, Henry T.
Blacks in Blackface:
A Source Book on Early Black Musical Shows. Metuchen, NJ: Scarecrow Press, 1980.

Sears, Minnie E.
"Song Index"
2 vols. New York: Wilson, 1926-34.

Senelick, Laurence, David F. Cheshire, and Ulrich Schneider.
British Music Hall
1840-1923.
A Bibliography and Guide to Sources, with a Supplement on European Music-Hall, Hamden, CT: Archon, 1981.

Southern, Eileen.
Biographical Dictionary of Afro-American and African Musicians.
Westport, CT: Greenwood Press, 1982.

Stem, Susan.
Women Composers: A Handbook, Metuchen, NJ: Scarecrow Press, 1978.

Wagstaff, John, ed.

British Union Catalogue of Music Periodicals.
2nd ed. Aldershot: Ashgate Publishing, 1998.

The Wellesley Index to Victorian Periodicals 1824-1900.
4 vols. London: Routledge, 1979-87.

--
Scott has tried to ensure that the places of publication and publishers of the latest editions of books are given below, but in order to preserve an idea of publishing chronology, he also provides details of the original publications.

When the publisher remains the same as for the original publication, that publisher's name is not repeated.

Similarly, if the place of publication remains the same (though the publisher may differ), that location is not repeated.

Where there are intervening publishers between the original and latest editions, they are not cited.

Some work dealing with the eighteenth century has been cited where that seems to throw interesting light on developments in the succeeding century.

-----