Thursday, January 17, 2013

Donizetti's Tudor Trilogy

Speranza

-- Stricty a tetralogy?

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Gaetano Donizetti
A grayscale portrait of a man in his late thirties. He has wavy, dark hair and a neat mustache and beard.
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Elisabetta al castello di Kenilworth) is a melodramma serio in three acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto after Victor Hugo's play Amy Robsart (1828) and Eugene Scribe's play Leicester, both in their turn following after Scott's novel Kenilworth (1821). Daniel Auber composed another opera on the same subject, Leicester, ou Le chateau de Kenilworth in 1823.

This opera was the first of Donizetti's excursions into the Tudor period of English history, and it was followed in 1830 by Anna Bolena, (which was based on the life of Ann Boleyn, the second wife of King Henry VIII), then by Maria Stuarda (named for Mary, Queen of Scots) which appeared in different forms in 1834 and 1835.

All represented the interests (even obsessions) of many Italian composers of the era, Donizetti's included, in the character of Elizabeth I, whose life he was to explore further in 1837 in his opera Roberto Devereux (named for a putative lover of Queen Elizabeth I.

The leading female characters of the operas Anna Bolena, Maria Stuarda, and Roberto Devereux are often referred to as the "Three Donizetti Queens."

Il castello di Kenilworth received its first performance on the 6 July 1829 at the Teatro San Carlo, Naples.

RoleVoice typePremiere Cast, 6 July 1829
(Conductor: Nicola Festa)
Elisabetta, Queen of England [1]sopranoAdelaide Tosi
Roberto Dudley, Earl of LeicestertenorGiovanni David
Amelia Robsart, his secret consortsopranoLuigia Boccabadati
WarneybaritoneBerardo Winter
LambournebassGennaro Ambrosini
Fannymezzo-sopranoVirginia Eden
Knights of the queen, domestic servants of Leicester, guards, soldiers, people

[edit] Synopsis


Kenilworth Castle depicted in 1866
Time: The reign of Queen Elizabeth I
Place: Kenilworth Castle
It is announced that Queen Elizabeth is to visit Kenilworth, the Earl of Leicester's castle. Leicester is a favourite of the Queen, but now has a new bride, Amelia Robsart, with whom he is in love. Fearing the Queen's displeasure, he asks his servant Lambourne to arrange for Amelia to be hidden until Elizabeth departs. Amelia is taken to a small cell in the castle by Leicester's equerry, Warney. He then tries to seduce her and tells that she has been placed there because her husband no longer loves her. When Amelia rejects his advances, Warney vows revenge.
Amelia manages to escape from the cell and in a secret garden of the castle encounters the Queen. She tearfully tells the Queen about her troubles with Leicester, whom she believes has betrayed her. The Queen goes to Leicester and Warney angrily demanding an explanation. Leicester reveals his marriage with Amelia to the Queen who becomes even more angry and dismisses him.
Warney, still desiring revenge, tries to poison Amelia, but is foiled by her faithful servant, Fanny. In the end, Elisabeth orders the arrest of Warney, pardons Leicester and Amelia, and approves their marriage to the jubilation of all. [2]

[edit] Recordings

YearCast
(Queen Elisabeth I,
Amelia Robsart,
Leicester, Warney)		Conductor,
Opera House and Orchestra		Label[3]
1977Janet Price,
Yvonne Kenny,
Maurice Arthur,
Christian Du Plessis		Alun Francis,
Philomusica of London and the Opera Rara Chorus
(Recording of a performance in the Collegiate Theatre, London as part of the Camden Festival)		Audio CD: MRF Records
Cat: MRF 143-S
1989Mariella Devia,
Denia Mazzola (Gavazzeni),
Jozef Kundlák,
Barry Anderson		Jan Latham-Koenig,
Radio Televisione Italiana Orchestra and Chorus		Audio CD: Ricordi/Fonit Cetra
Cat: RFCD 2005

[edit] References

Notes
  1. ^ Premiere cast from Casaglia
  2. ^ Synopsis based on Gelli (2007)
  3. ^ Source for recording information: Recording(s) of Il castello di Kenilworth on operadis-opera-discography.org.uk
Cited sources
Other sources
  • Ashbrook, William, "Elisabetta al castello di Kenilworth (1829)", Opera Quarterly, 1998; 14, pp. 116 – 119.
  • Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam, 2001. ISBN 0-14-029312-4
  • Osborne, Charles, The Bel Canto Operas of Rossini, Donizetti, and Bellini, Portland, Oregon: Amadeus Press, 1994 ISBN 0-931340-71-3
  • Weinstock, Herbert, Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century, New York: Pantheon Books, 1963. ISBN 63-13703


 

 

 
 

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