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Those who heard Richard
Tucker "live" in recital in April, 1972, in Lincoln, remember it as specially memorable
event.
At the age of 58, Mr. Tucker sounded 20 years younger.
His flawless
technique had kept his voice young and his artistry only expanded.
To this day one
can hear his "Vesti la giubba" from Pagliacci that evening, and "If with all
your hearts" from Mendelssohn's oratorio Elijah.
The beauty of his voice and the
ringing brass-like high notes remain in many people's memory. R
udolf Bing had said of Mr.
Tucker, in 1955,
"Caruso, Caruso. That's all you hear around here (the Met
Opera). Someday we are going to be proud to say we heard Tucker."
Indeed. He had a
30-year career at New York's Metropolitan Opera where he was a leading tenor and
was always welcome in Chicago as a guest star tenor.
In later years he sang at
Covent Garden in London and in South America and Italy.
His great tenor roles
were primarily in Verdi:
Aida
Il Trovatore
Rigoletto
La Traviata
La Forza del Destino
Simon
Boccanegra and
Luisa Miller, --
all were Tucker specialties.
While it is
regrettable that he made so few complete opera recordings, including duplicates
of several of the operas, they are cherished today by every one who loves great
tenor singing.
In a letter he sent in November, 1974, in response to a "fan" letter he
graciously replied about upcoming opera season plans and also sent a signed
photo. S
adly, he was gone within two months from a massive heart attack, which
he suffered while on tour with his baritone friend Robert Merrill.
At the age of
61 he was still in fine fettle and had a busy upcoming schedule all over the
world.
His funeral was held on the stage of the Metropolitan Opera House, his
artistic home for three decades.
His legacy even
thirty years later remains secure.
portrait below: Richard Tucker
as Radames in Verdi's "Aida"
photo circa
1965
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A Great Verdi Tenor of the second
half of the 20th-century
One
of Richard Tucker's greatest dramatic tenor roles was Radames in Verdi's "Aida,"
a role he assumed in 1965.
He had recorded it "live" in 1949 with Toscanini/NBC
Symphony co-starring Herve Nelli, Giuseppe Valdengo and Eva Gustafson and it was
released in 1955 on RCA Victor.
He recorded it again in August, 1955, for EMI,
co-starring Maria Callas, Tito Gobbi and Fedora Barbieri, with the La Scala
Opera conducted by Tullio Serafin. I asked him which he prefered--he paused,
thought a few moments (and seemed like he'd never been asked that before!) and
then said simply, "this one (1949) is younger." So, there you have it! But to
hear a finished portrayal we must turn to one of the post-1965 Met Opera
performances. He sang the role with Leontyne Price, Renata Tebaldi, Birgit
Nilsson, Martina Arroyo and other great Aida interpreters.
portrait photo of Mr. Tucker as Verdi's Radames, purchased from La Scala
Autographs. http://www.musicautographs.com/.
studio casual portrait below sent to this author from Mr.Tucker's management
upon his request, 1974.
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Richard Tucker Records/CDs--A Select List
Without a doubt the five RCA Victor Red Seal complete operas he made
on loan-out from Columbia Masterworks from 1959-1964 are valuable to the
Tucker "fan." They include Verdi's "Il Trovatore" (1959) with young Leontyne
Price and his friend Leonard Warren as well as Rosalind Elias and Giorgio Tozzi;
and "La Traviata" (1960) with Anna Moffo and Robert Merrill, the favorite "La
Traviata" even today of many. I am now on my third edition of the 1961 "La
Boheme" taped in Rome with the Opera. Leinsdorf conducts Tucker, Anna Moffo,
Robert Merrill, Mary Costa, Philip Maero and Giorgio Tozzi in a splendidly
realized performance, full of glorious singing and passion! I have owned it on
records since the 1970s and purchased all three CD editions. The latest is a
super audio hybrid and it sounds like it was recorded yesterday. I don't know
how they retrieve so much sound from nearly 50 year old tapes but they have
found a way. Only $20. Buy it! I also have a special fondness for the "Madama
Butterfly"(1962), with Leontyne Price, Rosalind Elias and Philip Maero.
Leinsdorf/Rome Opera, again. It is my personal favorite recording of this lovely
opera. Finally, of the RCA sets, the 1964 "La Forza del Destino is still the
standard recording for many Verdi buffs; Leontyne Price is superb, and Robert
Merrill, Shirley Verrett, Giorgio Tozzi and Ezio Flagello join Mr. Tucker (at
his best...and he is nearly 50 years old at the time!) under the direction of
the great American conductor Thomas Schippers. The singing and conducting are
matchless. I've played all of these sets dozens of times over the decades and
never tire of them. There's just ...something...about those glorious
voices of the 50s/60s. Interestingly, all five of these RCA Victor sets were
known as the All-American casts, as all the lead singers were Americans.
Bravo, RCA, for that! His Columbia Masterworks "Rigoletto" is an
under-appreciated set, with the San Carlo Opera in Naples in 1958. His voice as
the Duke, another of his great roles for twenty-five years, is thrilling. His
colleagues are Gianna d'Angelo and Renato Capecchi. The "Il Trovatore," "Forza"
and "Rigoletto" are not available at this time so check Amazon and Ebay for the
records or CDs.
His other, earlier, Columbia Masterworks sets (1947-1954) including "La
Boheme," "Lucia di Lammermoor," "Cavalleria Rusticana," "I Pagliacci," and "Die
Fledermaus" interest me less--the casting is not as strong as what RCA Victor
gave him--although the English-language "Cosi fan Tutte" based on the Met Opera
production is very well sung by him, Frank Guerrara, Eleanor Steber and others.
And the 1949 "Madama Butterfly" with Steber and Guarrera holds up very well. He
also recorded "La Forza del Destino" in 1954 with Callas for EMI but I find it
less -engaging than the RCA version. The two "Aida" recordings are mentioned
elsewhere.
A top Verdi "Requiem" is the 1964 Columbia Masterworks set with Ormandy and
Philadelphia Orchestra with the Westminster Choir. Mr. Tucker is joined by
Lucine Amara, Maureen Forrester and George London. There is an "air-check" of
this dramatic work circulating on CD these days with him, Herve Nelli, Nan
Merriman and Jerome Hines--Guido Cantelli conducting the New York Philharmonic
Orchestra. Pretty exciting and worth finding.
Mr. Tucker's "Starring Richard Tucker" (1955), "Famous Puccini Arias" (1959),
"Verdi Arias" (1964), and The Soul of Italy (1965) are simply superb. The Jewish
sacred music recordings of Goldfaden songs (late 1940s), Welcoming the Sabbath
(195) and Yom Kippur (1959) are excellent, too. He once said if one could sing
that music, he could sing anything! I believe it. He even did two "pop"
albums--"The Fabulous Voice of Richard Tucker" (1962) and "What Now My Love"
(1966) which are examples of a great voice singing lighter material. His "Exodus
Song" from the first one is a classic.
In 1973 Richard Tucker and Robert Merrill brought their duo recital to
Carnegie. "Old Lions" at 59 and 56 years of age, they gave a memorable concert.
The 2-record London set is long gone but was available some years back on the
Teldec label on one CD. His final recording was a 1974 highlights Lp of Halevy's
"La Juive," with Anna Moffo, Martina Arroyo and Bonaldo Giaotti. It is an
interesting souvenir of Tucker in his penultimate role but several complete
opera "live" performances exist on CD of him in "La Juive"and those are
preferable.
There are television appearances from the 1950's/60s also on VHS and DVD from
The Voice of Firestone; Bell Telephone Hour; Camera 3 and the Ed Sullivan Show
with him in resplendant voice. |
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