Speranza
Statue of BACCO leaning on a female figure ("Hope BACCO")
Restored by
Pacetti, Vincenzo
Period: Augustan or Julio-Claudian
Date: 27
B.C.-A.D. 68
Culture: Roman
Medium: Marble
Dimensions: H.
210.2 cm
Classification: Stone Sculpture
Credit Line: Gift
of The Frederick W. Richmond Foundation, Judy and Michael Steinhardt, and Mr.
and Mrs. A. Alfred Taubman, 1990
Accession Number: 1990.247
This
artwork is currently on display in Gallery 162
The head of BACCO is ancient but, oddly, from another statue.
Restorations by
the eighteenth-century Italian sculptor Vincenzo Pacetti: on BACCO include the ivy
wreath, neck, both arms, lower right leg, calf and boot of left leg, hanging
drapery on right side; on the archaistic image of SPERANZA: uplifted corner of drapery,
both arms, lower half of lower legs, feet, pedestal, entire base.
This is, typically, a Roman
copy of Greek original.
Adaptation of a Greek work of the 4th century
B.C.
BACCO, god of wine and divine intoxication, wears a panther skin
over his short chiton and his high sandals with animal heads on the overhanging
skin flaps.
BACCO stands beside an archaistic female image whose pose and dress
imitate those of statues carved in the sixth century B.C.
It is difficult
to know whether the original bronze statue of Bacco, of which this is a
copy, included the female figure.
Supports in the form of pillars, herms, and
small statues were not uncommon in Classical art, but this figure may have been
added to support the outstretched arm and may represent Spes, a Roman
personification of Hope, who was commonly shown as an archaistic
maiden.
*************
Provenance
1796, March: acquired by Vicenzo Pacetti from the
Aldobrandini Palace, Rome.
1796: acquired by Henry Philip Hope from Vicenzo
Pacetti
1917, July 23, purchased by Francis Howard from Christie's,
London. It remained in the collection of Howard until 1954.
1955: acquired for a private collection in Palm Beach.
1990, July 10: acquired from Sotheby's, New York, gift
of The Frederick W. Richmond Foundation, Judy and Michael Steinhardt and Mr. and
Mrs. A. Alfred Taubman.
*******************************
References:
Guattani, G.A. 1806
"Memorie
Enciclopediche Romane sulle belle arti, antichità Ec.", III. P. 91, no. 58.
Hope, T. 1807.
"Household Furniture and Interior Decoration",
executed from
designs by Thomas Hope. London, pl. I.
Hope, T. 1812.
"Costume of the
Ancients".
2nd ed. London: William Miller, pl. 167.
Westmacott, C.M. 1824.
"British Galleries of Painting and Sculpture". London,
p. 221.
The Society
of Dilettanti. 1835.
"Specimens of Ancient Roman Sculpture",
Selected from Several
Collections in England,
by the Society of Dilittanti,
vol. II. London, plate
53.
Clarac, F. de. 1826-1853.
"Musée de Sculpture Antique et Moderne",
Paris. Vol. IV, pl. 695, no. 1614.
Müller, K.O. 1854-1869.
Denkmäler der
alten Kunst: Nach der Auswahl und Anordnung von C. C. Müller. 2nd edition.
Göttingen, pl. 33, 372.
Michaelis, A. 1874.
"Die Privatsammlungen antiker
Bildwerke in England."
Archäologische Zeitung 32: 16, no. 11.
Michaelis,
A. 1882.
"Ancient Marbles in Great Britain".
Cambridge: University Press, p. 280,
no. 3.
Roscher, W.H. 1884.
Ausführliches Lexikon der Griechischen
und Römischen Mythologie.
Leipzig: B.G. Teubner, p. 1133, fig.
14.
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Scribner's Sons, p. 323, no.5.
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412-413.
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Christie's, London.
Sale catalogue, July 23-24, 1917, lot 257, plate
20.
Bulle, H. 1918.
Archaisierende griechische Rundplastik.
Münich:
Bayerische Akademie der Wissenschaften, p. 13, no. 23.
Zancani, D. 1924.
"Della testa di Bacco del museo capitolino e del tipo statuario al quale
appartiene."
Bullettino della Commissione Archeologica Comunale di Roma
52:
65-90, plate 3.
Waldhauer, O. F. 1928.
Die antiken Skulpturen der Ermitage
II. Archäologische Mitteilungen aus Russischen Sammlungen. Berlin: W. de
Gruyter, nos. 128 and 129.
Waldhauer, O. 1931.
Die Antiken Skulpturen
der Ermitage II. Berlin: W. de Gruyter, nos. 128, 129.
Lippold, G.
1950.
"Die griechische Plastik."
In Handbuch der Archäologie III, edited by Otto
and Herbig. München: Beck, p. 224, no. 10.
Muthmann, F. 1951.
Statuenstützen und dekoratives Beiwerk an griechischen und römischen Bildwerken:
ein Beitrag zur Geschichte der römischen Kopistentätigkeit. Heidelberg: C.
Winter, p. 20.
Vermeule, C.C. 1955.
"Notes on a New Edition of
Michaelis:
Ancient Roman Marbles in Great Britain."
American Journal of Archaeology
59: 134.
Pochmarski, E. 1974.
Das Bild des Bacco in der Rundplastik
der klassischen Zeit Griechenlands.
Wien: Verb. d. Wissenschaftl. Gesellschaften
Österreichs, pp. 69-72.
Hartmann, J. and K. Parlasca. 1979.
Antike Motive
bei Thorvaldsen: Studien zur Antikenrezeption des Klassizismus. Tübingen: E.
Wasmuth, pp. 73-74, pl. 20,1.
Waywell, G.B. 1986.
The Lever and Hope
Sculptures:
Ancient Roman Sculptures in the Lady Lever Art Gallery, Port Sunlight, and
A Catalogue of the Ancient Sculptures formerly in the Hope Collection, London
and Deepdene. Berlin: Mann, no. 6, pp. 72-3, pl. 49,1.
Sotheby's, New
York. Sale cat., June 20, 1990, lot 40.
1991.
One Hundred Twenty-first
Annual Report of the Trustees for the Fiscal Year
July 1, 1990 through June 30,
1991.
New York: The Metropolitan Museum of Art, pp. 31-32.
Picon, C.
A. 1991.
"Recent Acquisitions: A Selection 1990-1991."
The Metropolitan Museum
of Art Bulletin 49, pp. 10-11.
Ramage, N. 1999.
"The Pacetti Papers
and the Restoration of Ancient Sculpture in the 18th Century."
In Von der
Schönheit weissen Marmors: Zum 200.
Todestag Bartolomeo Cavaceppis, Weiss, T.,
ed. Mainz: P. von Zabern, vol. 2, pp. 81-2, fig. 54.
Picon, C. A. et
al. 2007. Art of the Classical World in the Metropolitan Museum of Art. New
York: The Metropolitan Museum of Art, no. 429, pp. 369, 489-90.
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