Speranza
I. PARTE A: CINQUECENTO ***** CASA MARTA ***** CASTELFRANCO VENETO --- GIORGIONE
1 -- frieze, particolare: with musical instruments.
2 -- frieze -- particolare: with the 'sphera-mundi'
3 -- frieze -- particolare: with cartouches and the head of a sage
4 -- frieze -- particolare: with astrological symbols.
5 -- frieze -- particolare: with symbols of war.
6 -- frieze -- particolare: symbols of painting
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II. PARTE A: CINQUECENTO ****** GALLERIA DELL'ACCADEMIA ****** VENEZIA --- GIORGIONE
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III. PARTE A: CINQUECENTO -- DOGE'S PALAZZO -- VENEZIA --- TIZIANO
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IV. PARTE A: CINQUECENTO **************** Villa DEI VESCOVI ************************ LUVIGLIANO DI TORREGLIA --- Lamberto SUSTRIS
7 -- Imperatore Romano
8 -- Roman noblewoman
9 -- particolare: imperatore romano
10 -- Female nude sleeping in a landscape
11 -- Returning fishermen
12 -- Spoils of war: vases
13 -- Spoils of war: Arms.
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V. PARTE A: CINQUECENTO -- Villa GODI MALIVERNI ------ (a) Central Hall -- (a) Hall of the Gods. ------ (b) Hall of the Triumphs ------ (c) Hall of the Sacrifices ----- (d) Loggia -- (e) Hall of Olimpo -- (f) Hall of the arts -- -- (g) hall of the muses. -- LONEDO DI LUGO VICENTINO --- Two groups: (A) Gualterio PADOVANO -- and (B) ZELOTTI and DEL MORO.
14 -- Overall view of THE HALL OF THE GODS.
15 -- Particolare: APOLLO, faux door and decoration above the door with grotesques, HALL OF THE GODS.
16 -- Particolare: TELAMON figures and an attendant drawing aside the curtain of a faux door, HALL OF THE TRIUMPHS.
17 -- detail of the monochrome frieze, HALL OF THE TRIUMPHS
18 -- detail of the monochrome frieze, HALL OF THE TRIUMPHS
19 -- FULL VIEW of Landscape with an ideal view of RHODES, hall of the triumphs.
20 -- particolare: landscape with an ideal view of Rhodes, hall of the triumphs.
21 -- details of architectural spaces and landscapes -- hall of the Caesars.
22 -- details of architectural spaces and landscapes -- hall of the Caesars
23 -- detail of monochrome paining above the door, hall of the sacrifices.
24 -- CEILING detail of "FLORA E MERCURIO", Loggia
50 -- ZELOTTI -- HERCOLE at the crossroads, particolare -- a painting above a door, central hall.
51 -- ZELOTTI -- Episodes from the life of ALESSANDRO, central hall.
52 -- ZELOTTI -- Episodes from the life of ALESSANDRO, central hall.
53 -- ZELOTTI -- FULL VIEW: Hall of OLIMPO.
54 -- ZELOTTI -- particolare: wall frescoes with GIOVE and other gods -- hall of OLIMPO
55 -- ZELOTTI -- particolare: CERES, MERCURIO and PERSEFONE -- hall of Olimpo
56 -- ZELOTTI -- particolare: BACCO and other gods -- hall of OLIMPO
57 -- ZELOTTI -- particolare: wall frescoes with a monochrome PRIMAVERA, and above, Architecture and Poetry, flanking the bust of a Roman emperor, HALL OF THE ARTS.
58 -- Zelotti: detail of a prisoner, HALL OF THE ARTS
59 --Zelotti: detail: wall frescoes with a monochrome SUMMER, and above, painting and music, flanking the bust of a Roman emperor, HALL OF THE ARTS.
60 -- Zelotti: particolare: Turkish prisoner -- hall of the arts
61 -- ZELOTTI AND DEL MORO -- particolare: wall with two muses inspiring a poet -- hall of the muses.
62 -- FULL VIEW: Hall of the Muses
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VI. PARTE A: CINQUECENTO -- Palazzo CHIERICATI (not to be confused with Villa Chiericati) -- Vicenza --- BRUSASORCI
25 -- FULL VIEW of the vault: at the centre: the chariots of Apollo and Diana, or "DAY AND NIGHT".
26 -- particolare -- CEILING -- "EAGLE AND THUNDERBOLT" and "DOLPHIN".
27 -- particolare -- CEILING -- "SERPENT" and "URSA MAJOR"
28 -- particolare: CEILING -- "SHIP", "CANIS MAJOR", "WHALE", "RIVER ERIDANO".
29 -- particolare: ceiling -- "KRATER", "HYDRA", "AQUARIUS", "PISCES".
30 -- particolare -- ceiling: PEGASO -- EQUICULO.
31 -- particolare: ceiling -- CANIS MINOR
32 -- particolare -- ceiling: monochrome section depicting a crocodile chained to a palm tree.
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VII. PARTE A: CINQUECENTO -- Villa BARBARO -- Maser --- VERONESE
33 -- FULL VIEW: transept hall.
34 -- ALMORO BARBARO, Hall of OLIMPO
35 -- DANIELE BARBARO, Hall of Olimpo
36 -- GIUSTINIANA GIUSTINIANI BARBARO with a wet nurse, Hall of OLIMPO
37 -- Landscape -- hall of OLIMPO
38 -- landscape -- hall of OLIMPO
39 -- FRANCESCO BARBARO leaning out of a door -- transept hall.
40 -- Woman musician -- transept hall.
41 -- BACCO revealing the secret of wine to men -- HALL OF BACCO
42 -- Landscape -- HALL OF BACCO
43 -- HYMEN between GIUNO and VENERE with a betrothed couple -- CEILING -- Hall of the Judgement of CUPIDO.
44 -- Holy family with SANTA CATARINA and infant SAN GIOVANNI and landscape -- Room of the Dog.
45 -- Ceiling: FORTITUDE defending the CORNUCOPIA held by ABUNDANCE, threatened by DISCORD -- Room of the dog.
46 -- FEDE E CHARITA -- ceiling -- room of the lantern
47 -- Madonna della papa -- Room of the lantern
48 -- Full view: GENTLEMAN returning from the hunt -- corridor.
49 -- particolare: GENTLEMAN returning from the hunt -- corridor.
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VIII. PARTE A: CINQUECENTO -- Villa EMO CAPODILISTA ---- (a) Central Hall ---- (b) Hall of the Arts -- Fanzolo di Vedelango
--- ZELOTTI
63 -- detail of a panel, small room of grotesques
64 -- detail of a panel, small room of grotesques
65 -- SCIPIO RETURNING LUCIO's bethroted, central hall
66 -- The killing of VIRGINIA -- central hall
67 -- SCIPIONE returning Lucio's betrothed, central hall
68 -- particolare: prisoner -- central hall.
69 -- detail of music, HALL OF THE ARTS
70 -- detail of architecture, hall of the arts.
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IX. PARTE A: CINQUECENTO -- Villa DA PORTO COLLEONI -- Thiene --- FASOLO -- ZELOTTI
71 -- Banquet of Antonio e Cleopatra
------ SCIPIONE returning LUCIO's betrothed
72 -- SOFONISBA asking MASSINISSA for mercy
------ MUCIUS SCAEVOLA before PORSENA
73 -- particolare: banquet of Antonio e Cleopatra
74 -- particolare: SCIPIONE returning Lucio's betrothed.
75 -- particolare: SOFONISBA asking Massinissa for mercy.
76 -- particolare: MUCIUS SCAEVOLA before Porsena.
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X. PARTE A: CINQUECENTO -- Villa CALDOGNO, Caldogno -- FASOLO -- ZELOTTI.
(a) central hall -- (b) room of Scipione -- (c) room of Sofonisba.
77 -- FASOLO -- the banquet, central hall
78 -- FASOLO -- particolare: the banquet, central hall.
79 -- FASOLO -- the invitation to dance -- central hall
80 -- FASOLO -- particolare: the invitation to dance, central hall.
81 -- FASOLO -- the concert, central hall
82 -- FASOLO -- the card game -- central hall
83 -- FASOLO -- particolare: the concert, central hall.
84 -- ZELOTTI -- FULL VIEW: room of Scipione.
85 -- ZELOTTI -- Sofonisba receiving poison -- room of Sofonisba.
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XI. PARTE A: CINQUECENTO -- Villa Chiericati (not to be confused with Palazzo Chiericati) -- Longa di Schiavoni -- POZZOSERRATO
86 -- particolare: page with the page with a greyhound.
87 -- particolare of SPRINGTIME landscape under the sign of ARIES and TAURUS
88 -- particolare of WINTER landscape under the sign of Aquarius and Pisces
89 -- springtime landscape under the sign of aries and taurus
90 -- landscape between spring and summer under the sign of GEMINI and CANCER
91 -- summer landscape under the sign of LEO and VIRGO
92 -- autumn landscape under the sign of LIBRA and SCORPIO
93 -- landscape between autumn and winter under the sign of Sagittarius and Capricorn
94 -- winter landscape under the sign of Aquarius and Pisces
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XII. PARTE B: SEICENTO -- Villa Caldogno -- CALDOGNO --- CARPIONI
95 -- The coronation of the NYMPH Amaryllis, winner of the kissing competition
96 -- detail of the corner candelabra
97 -- detail of the corner candelabra
98 -- THE PURSUIT OF CORSICA BY A SATYR
------ THE STRUGGLE BETWEEN EROTE AND ANTEROTE
------ fresco by a sixteenth-centrury artist.
99 -- THE WOUNDING OF DORINDA, mistaken by the shepherd Silvio for one of his prey.
------ OMNIA VINCIT AMOR
------ fresco by a sixteenth-century artist.
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XIII. PARTE B: SEICENTO -- Villa SELVATICO EMO CAPODILISTA -- Battaglia Terme --- FERRARI
100 -- FULL VIEW: transept hall
101 -- the flight of ANTENOR from TROY
102 -- LYCAON consecrating the dagger of APOLLO, full view.
103 -- particolare: LYCAON consecrating the dagger of Apollo.
104 -- full view: the victory of ANTENOR over VALESIO, king of the Illyrians.
105 -- particolare: the victory of ANTENOR over VALESIO, king of the Illyrians
106 -- full view: the founding of PADOVA
107 -- particolare: the founding of PADOVA
108 -- eloquence
109 -- kindness
110 -- prudence
111 -- nobility
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XIV. PARTE B: SEICENTO: Villa Foscarini Negrelli Rossi -- STRA --- LIBERI -- BRUNI
112 -- LIBERI -- ceiling -- particolare: allegory of ETERNITY of the FOSCARINI family name
113 -- full view of main room
114 -- full view of ceiling -- the faux architecture was painted by BRUNI; the figures by LIBERI
115 -- view of a wall with frescoes by BRUNI (faux architecture) and LIBERI (the figures) -- full view: MARTE accompanied by learning, eloquenc, and truth.
116 -- particolare: wall with frescoes with faux architecture (BRUNI) and figures (LIBERI): MARTE accompanied by learning, eloquence, and truth.
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XV. PARTE B: CINQUECENTO -- CA' ZENOBIO (not to be confused with VILLA Zenobio in Santa Bona di Treviso) -- VENEZIA --- DORIGNY
117 -- full view of main hall
118 -- full view of ceiling: AURORA.
119 -- particolare of ceiling with the personifications of AURORA, ZEPHYR, some creatures of the night, and the horses of the chariot of APOLLO.
120 -- particolare of the ceiling with a vase of flowers.
121 -- particolare of the ceiling with a composition with musical scores, instruments, and carpets.
122 -- particolare of wall frescoes with DWARF smoking a pipe.
123 -- particolare of wall frescoes with the personification of SCULPTURE and PAINTING.
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XVI. PARTE B: SEICENTO -- Casino CORRER -- MURANO --- PELLEGRINI
124 -- Alessandro e CLITO
125 -- Alessandro e PORO
126 -- Alessandro before the body of DARIO
127 -- DIANA ed ENDIMIONE -- ceiling -- bedroom.
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XVII. PARTE B: SEICENTO -- Casino ZANE -- Venezia --- RICCI
128 -- full view of the ceiling of the portego: the central compartment depicts ERCOLE between GLORIA and VIRTU; in the four corners, monochromes of Olympian gods.
129 -- Cupids at play, painted inside stucco shells
130 -- Cupids at play, painted inside stucco shells
131 -- Time carrying off truth -- on the staircase ceiling.
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XVIII. PARTE B: SEICENTO -- Villa Alessandri -- MIRA --- PELLEGRINI
132 -- particolare: NARCISSO AT THE SPRING,
133 -- particolare: IL RATTO DI DEIANIRA
134 -- ENDIMIONE
135 - ERMAFRODITA E SAMACIDE
136 -- DANAE and the shower of gold
137 -- particolare: PAN e SYRINX
138 -- APOLLO e DAFNE
139 -- particolare: VENERE weeping over the death of ADONE.
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XIX. PARTE B: SEICENTO -- Villa Zenobio (not to be confused with Ca' Zenobio in Venezia)
Santa Bona di Treviso --- LAZZARINI (Seicento) --- FONTEBASSO (Settecento)
140 -- Lazzarini (Seicento) -- ANGELICA e MEDORO
141 -- Lazzarini (Seicento) -- ERCOLE ed OMFALE
142 -- Lazzarini (Seicento) -- RINALDO ED ARMIDA
143 -- Lazzarini (Seicento) particolare: dog observing a lizard
215 -- FONTEBASSO (Settecento) -- full view, ballroom
216 -- FONTEBASSO (Settecento) -- the magnanimity of SCIPIONE, ceiling
217 -- FONTEBASSO (Settecento) -- banquet of LUCIO and his betrothed
218 -- FONTEBASSO (Settecento) -- particolare: orchestra -- banquet of Lucio and his betrothed
219 -- FONTEBASSO (Settecento) -- particolare: guests -- banquet of LUCIO and his betrothed
220 -- FONTEBASSO (Settecento) -- The jester and the bearer of arms
221 -- FONTEBASSO (Settecento) -- the lovers
222 -- FONTEBASSO (Settecento) -- il trionfo di SCIPIONE
223 -- FONTEBASSO (Settecento) -- particolare: prisoner king -- il TRIONFO DI SCIPIONE
224 -- FONTEBASSO (Settecento) -- particolare: Scipione's chariot -- IL TRIONFO DI SCIPIONE
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XX. PARTE B: SEICENTO -- PALAZZO REPETA -- VICENZA --- DORIGNY
144 -- full view: MINERVA casting out the vices, ceiling of the grand staircase
145 -- SPERANZA
146 -- GIUSTIZIA with the peacock of PRIDE, which falls, pierced by an arrow
147 -- SLOTH and LUST
148 -- DECEPTION and AVARICE
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XXI. PARTE B: SEICENTO -- Palazzo ORSETTI DOLFIN GIACOMELLI -- Treviso --- DORIGNY
149 -- The bacchanal, depicted in the central compartment of the ceiling
150 -- particolare of the central compartment of the ceiling: FAUN SQUEEIZING a cluster of grapes to sate BACCO's thirst.
151 -- particolare of the central compartment of the ceiling: a pair of musicians
152 -- Pan and the hours -- first side compartment
153 -- PAN uncovering the nakedness of a sleeping nymph -- particolare of the second side compartment
154 -- Monochrome male figure perched on an illusionistic architectural volute, wall fresco on the balcony of the room.
155 -- wall fresco of the balcony with cartouches that enclose puttis' games
156 -- wall fresco of the balcony with cartouches that enclose puttis' games
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XXII. PARTE B: SEICENTO -- CA' DOLFIN -- VENEZIA BAMBINI
157 -- Personification of ABUNDANCE, particolare, ceiling
158 -- Full view, ceiling. BAMBINI (figurative portion) and FERRARI and MENGOZZI-COLONNA (for the faux architecture).
159 -- MERCURIO, particolare, ceiling.
160 -- wall fresco with NOBILITA, and the personification of two rivers.
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XXIII -- PARTE C: SETTECENTO -- Villa CORNARO -- PIOMBINO DESE --- BORTOLINO -- THE BIBLE
161 -- The flood
162 -- the sacrifice of the golden calf
163 -- the gathering of the harvest
164 -- the juddgment of SOLOMON
165 -- the transport of the ARK
166 -- ESAU selling his birthright to JACOB
167 -- JACOB tricking ISAAC and receiving his blessing
168 -- sacrifice of ISAAC
169 -- Hagar in the desert
170 -- the construction of the tower of BABEL
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XXIV. PARTE C: SETTECENTO -- VILLA ALLEGRI ARVEDI -- Cuzzano di Grezzana
--- DORIGNY
171 -- THE BATTLE of the CENTAURS and the LAPITHS. full view: wall frescoes in the main hall, with faux architecture.
172 -- THE BATTLE OF THE CENTAURS and the LAPITHS, particolare of the wall frescoe in the main hall, with faux architecture.
173 -- full view: PERSEO displaying the head of MEDUSA, wall fresco in the main hall, with faux architecture.
174 -- particolare: PERSEO displaying the head of MEDUSA, wall fresco in the main hall, with faux architecture.
175 -- full view of the ceiling of the main hall
176 -- AEOLO, detail of ceiling
177 -- MINERVA and DIANA, detail of ceiling
178 -- full view of the oratory ceiling: ELISHA AND THE CHARIOT OF HELIOS
179 -- full view: THE HOLY SPIRIT (centre)
-------- THE FOUR EVANGELISTS (pendentives)
-------- the ceiling of the presbytery in the oratory.
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XXV. PARTE C: SETTECENTO -- VILLA BAGLIONI -- Massanzago --- Battista TIEPOLO
180 -- IL TRIONFO D'AURORA, ceiling.
181 -- full view: FETONTE asking his father, APOLLO, to let him drive the chariot of the sun.
182 -- particolare: FETONE asking his father APOLLO to let him drive the chariot of the sun.
183 -- CADUTA DI FETONTE --
------- The Heliads changed into poplar trees.
184 -- particolare: CADUTA DI FETONTE.
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XXVI -- PARTE C: SETTECENTO -- Villa Loschi Zileri dal Verme Biron di Monteviale
--- Battista TIEPOLO
185 -- full view: TIME REVEALING TRUTH AND CASTING OUT ENVY: staircase ceiling.
186 -- particolare: TIME REVEALING TRUTH & CASTING OUT ENVY: staircase ceiling
187 -- VIGILANCE triumphing over sleep -- staircase
188 -- Innocence casting out Deception -- staircase
189 -- full view, liberality dispensing gifts, main hall
190 -- particolare: liberality dispensing gifts, main hall
191 -- virtue crowning honour, main hall
192 -- humility casting out pride, main hall
193 -- full view: marital harmony, main hall
194 -- particolare: marital harmony, main hall
195 -- INTELLECT, detail, main hall, ceiling, main hall
196 -- VALORE -- detail, ceiling, main hall
197 -- GLORIA among the cardinal virtues -- ceiling -- main hall
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XXVII. PARTE C: SETTECENTO -- Villa POMPEI CARLOTTI -- ILLASI --- Ballestra
198 -- THE KILLING OF ACHILLE -- full view. Compartment
199 -- particolare: THE KILLING OF ACHILLE -- compartment
200 -- IL RATTO D'ELENA -- full view -- compartment
201 -- IL RATTO D'ELENA -- particolare -- compartment
202 -- Cupido's chariot -- particolare
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XXVIII. PARTE C: SETTECENTO -- Palazzo SAGREDO -- VENEZIA --- LONGHI
203 -- THE FALL OF THE GIANTS, ceiling
204 -- particolare: the fall of the giants -- GIOVE
205 -- particolare: the fall of the giants
206 -- particolare: the fall of the giants
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XXIX. PARTE C: SETTECENTO: Palazzo LABIA -- VENEZIA -- Battista Tiepolo --
207 -- full view, ballroom
208 -- meeting of ANTONIO E CLEOPATRA
209 -- banquet of ANTONIO E CLEOPATRA
210 -- particolare: meeting of ANTONIO E CLEOPATRA
211 -- particolare: banquet of ANTONIO E CLEOPATRA
212 -- PERSEFONE rapita da PLUTONE -- ceiling
213 -- NOBILITA conquering ENVY, ceiling
214 -- BELLEROFONTE ascending toward glory and eternity, ceiling
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XXX. PARTE C: SETTECENTO -- Villa VALMARANA ai Nani -- Vicenza --- Domenico TIEPOLO
225 -- ORLANDO FURIOSO -- room -- full view
226 -- sacrifizio d'IFIGENIA -- entrance hall
227 -- detail with the stage -- sacrifizio d'IFIGENIA -- entrance hall
228 -- detail with AGAMMENONE -- sacrifizio d'IFIGENIA -- entrance hall
229 -- particolare -- the Greek fleet in AULIS --
230 -- particolare -- the Greek fleet in AULIS.
231 -- MINERVA restraining ACHILLE from killing Agammemnon -- room of the ILIAD
232 -- EURYBATES and TALTHYBIUS leading BRASEIS away from Agamemnon -- room of the ILIAD
233 -- Landscape with CUPID -- room of the ILIAD
234 -- THETIS consoling ACHILLE -- room of the ILIAD
235 -- ANGELICA and MEDORO taking leave of the peasants -- room of ORLANDO FURIOSO
236 -- MEDORO -- particolare: ANGELICA e MEDORO taking leave of the peasants -- room of ORLANDO FURIOSO
237 -- ANGELICA COMING TO THE AID OF THE WOUNDED MEDORO -- room of ORLANDO FURIOSO
238 -- particolare: peasant -- ANGELICA COMING TO THE AID OF THE WOUNDED MEDORO -- room of Orlando Furioso
239 -- RUGGERO FREEING ANGELICA -- Room of ORLANDO FURIOSO
240 -- Angelica carving Medoro's name into a tree -- room of ORLANDO FURIOSO
241 -- ENEA presents CUPID, disguised as ASCANIO, to DIDONE -- room of ENEIDE
242 -- particolare: DIDONE: ENEA presents ASCANIO (disguised as CUPIDO) to DIDONE -- room of ENEIDE
243 -- MERCURIO exhorts ENEA to leave CARTHAGO -- room of ENEIDE
244 -- VENERE's farewell to ENEA -- room of ENEIDE
245 -- RINALDO ed ARMIDA surprised by UBALDO AND GUELFO -- Room of Gerusalemme liberate --
246 -- RINALDO ABANDONS ARMIDA -- Room of Gerusalemme liberata---
247 -- ARMIDA ABDUCTS the sleeping RINALDO -- room of GERUSALEMME liberata ---
248 -- RINALDO ashamed of his past -- Room of GERUSALEMME liberata.
249 -- Guest quarters -- full view, room of the gothic pavilion
250 -- guest quarters -- the offering of fruit to a lunar deity -- Chinese room -- full view
251 -- guest quarters -- the offering of fruit to a lunar deity -- Chinese room -- particolare
252 -- guest quarters -- the mandarin's walk -- Chinese room
253 -- guest quarters -- the textile merchant -- Chinese room
254 -- guest quarters -- the peasant family's table -- room of country scenes -- full view
255 -- guest quarters -- the peasant family's table -- room of country scenes -- particolare
256 -- guest quarters -- the peasants' repose -- room of country scenes
257 -- guest quarters -- three peasants seen from the back -- room of country scenes
258 -- guest quarters -- the winter walk -- room of the gothic pavilion
259 -- guest quarters -- the summer walk, particolare -- room of the gothic pavilion
260 -- guest quarters -- the new world, particolare -- room of the carnival scenes
261 -- guest quarters -- the charlatan, detail, room of the carnival scenes
262 -- guest quarters -- Moorish servant with a tray -- room of the carnival scenes.
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XXXI. PARTE C: SETTECENTO: CA' REZZONICO -- Venezia --- Battista TIEPOLO --- Domenico TIEPOLO (frescos transferred from his own villa).
263 -- Battista TIEPOLO -- MERIT, particolare, nuptial allegory, room of the nuptial allegory
264 -- Battista TIEPOLO -- full view: nuptial allegory, ceiling, room of the nuptial allegory
265 -- Battista TIEPOLO -- full view: MERIT accompanied by NOBILITY and VIRTU ascends to the temple of IMMORTAL GLORY -- room of the throne.
266 -- Battista TIEPOLO -- particolare: FEDE -- MERIT, accompanied by NOBILITA and VIRTU, ascends to the tempoe of IMMORTAL GLORY, room of the throne.
267 -- Battista TIEPOLO -- central detail: merit accompanied by nobility and virtue ascends to the temple of immortal glory, room of the throne.
268 -- Battista TIEPOLO -- detail of putto holding the golden book: MERIT, accompanied by nobility and virtue ascends to the temple of immortal glory, room of the throne.
307 -- Domenico TIEPOLO -- The new world, portego
308 -- Domenico TIEPOLO -- the nobles's stroll at the villa, portego
309 -- Domenico TIEPOLO -- the nobles's minuet at the villa, portego
310 -- Domenico TIEPOLO -- the unchinellos's swing -- ceiling -- room of punchinells
311 -- Domenico TIEPOLO -- Punchinello in love -- room of punchinellos
312 -- Domenico TIEPOLO -- Punchinello and the acrobats -- room of punchinellos
313 -- Domenico TIEPOLO -- the departure of the punchinellos -- room of punchinellos
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XXXII. PARTE C: SETTECENTO -- Villa Marcello -- LEVADA DI PIOMBINO DESE --- CROSATO
269 -- full view, ballroom
270 -- the marriage of ALESSANDRO and ROXANE
271 -- Alessandro before the corpse of DARIO
272 -- the family of DARIO before Alessandro, particolare.
273 -- particolare: APELLES making a portrait of a the courtesan Campaspe
274 -- the family of DARIO before Alessandro -- particolare
275 -- APELLES making a portrait of CAMPASPE
276 -- full view of the ceiling, with OLIMPO.
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XXXIII. PARTE C: SETTECENTO -- Villa WIDMANN -- MIRA -- ANGELI
277 -- SACRIFIZIO d'IFIGENIA
278 -- RATTO D'ELENA, particolare
279 -- RATTO D'ELENA
280 -- full view of ceiling with THE GLORY OF THE WIDMANN FAMILY
281 -- COROLIANO accepts the command of the Roman troops against Hannibal.
282 -- CURTIUS RUFUS on his horse, falling into a chasm.
283 -- SCIPIONE combats the Carthaginians
284 -- MUCIUS SCAEVOLA before PORSENA.
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XXXIV. PARTE C: SETTECENTO -- Villa VENDRAMIN Grimani Calergi -- Noventa Padovana
--- URBANI
285 -- Swan attacked by dogs -- particolare. ROOM of Astrea
286 -- landscape in the portego
287 -- landscape in the portego
288 -- landscape in the portego
289 -- landscape in the portego
290 -- the mandarin's procession, Chinese room
291 -- the judgment of the mandarin, Chinese room
292 -- particolare with figure of mandarin -- the judgement of the mandarin -- Chinese room
293 -- particolare: elefante -- the mandarin's procession -- the Chinese room
294 -- swan attacked by dogs -- room of Astrea
295 -- EROS with a putto and doves in a starry landscape -- room of Astrea
296 -- ceiling, ASTREA, Room of Astrea.
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XXXV. PARTE C: SETTECENTO -- Palazzo GRASSI -- Venezia --- MORLAITER
297 -- Venetian reception, wall opposite the grand staircase
298 -- particolare, Venetian reception
299 -- particolare: Venetian reception
300 -- particolare: Venetian reception
301 -- particolare: Venetian reception
302 -- particolare: Venetian reception
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XXXVI. PARTE C: SETTECENTO -- Palazzo dell'OSPEDALETTO -- Venezia --- GUARANA
303 -- full view of ceiling, IL TRIONFO DELLA MUSICA
304 -- Apollo directing the orchestra of putte.
305 -- particolare: putte -- Apoll directing the orchestra of putte
306 -- Putte watching the concert.
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