Speranza
Together with Giotto in Florence, Duccio in Siena was one of the founders of European painting. But his art was concerned less with constructing a rigorously rational space and solid, three-dimensional figures than with exploring a realm of tender emotion and refined color. He was Matisse to Giotto's Picasso. His pupil Simone Martini—whose work combines naturalistic observation with exquisitely elaborated details—followed the papal court to Avignon, where he died in 1344, and thereby extended Duccio's influence throughout Europe. In Sienese art, there is a persistent tension between the rational and irrational; the hyperbeautiful and the grotesque; tenderness and violence. Not surprisingly, the appreciation for Sienese painting is closely allied with the advent of modernism: Giovanni di Paolo has been seen as a precursor of the twentieth-century Surrealists.
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