DON CARLO DI VERDI, tratto da Schiller.

Speranza

Don Carlo 

Don Carlo
Don Karlos, Leipzig, 1787
Written by	Friedrich von Schiller
Characters	Carlos, Prince of Asturias Philip II of Spain Duke of Alba Elisabeth of Valois Princess of Eboli Marquis of Posa
Original language	German
Subject	conflict between Don Carlos and his father, King Philip II
Genre	drama
Setting	Spanish Court at Aranjuez

This article may be expanded with text translated from the corresponding article in German. (June 2011) Click [show] for important translation instructions. [show]

Don Carlos (German: Don Karlos, Infant von Spanien) is a historical tragedy in five acts by Friedrich Schiller; it was written first produced in Hamburg in 1787.

The title character is Carlos, Prince of Asturias and the play as a whole is loosely modeled on historical events in the 16th century under the reign of King Philip II of Spain.

Several operas have been composed on the basis of the tragedy by Schiller:

-- 1844 opera by Michael Costa (libretto Leopold Tarentini, Londra)
-- 1847 opera by Pasquale Bona (libretto Giorgio Giacchetti, Milano)
-- 1850 opera by Antonio Buzzolla (libretto Francesco Maria Piave, Venezia)
-- 1862 opera by Vincenzo Moscuzza (libretto Leopold Tarentini, Napoli)
-- 1867 and 1884 Don Carlos and Don Carlo by Giuseppe Verdi (libretto Joseph Méry and Camille du Locle, Paris, Italian translation by Achille de Lauzières and Angelo Zanardini, Milan; German translation by Julius Kapp and Kurt Soldan)

English translations and stage adaptations:

• Don Carlos, Prince Royal of Spain: An Historical Drama from the German of Frederick Schiller (PDF). London: W. Miller. 1798.
• Boylan, R. D. (2007). Don Carlos. DoDo Press. Reprint of an 1872 translation.
• Sy-Quia, Hilary Collier; Oswald, Peter (2008). Don Carlos and Mary Stuart. Oxford University Press. 
• Poulton, Mike (2005). Don Carlos. Nick Hern Books. Poulton's adaptation was directed by Michael Grandage in a well-reviewed staging.^[2][3]
• MacDonald, Robert David (2006). Schiller: Volume Two: Don Carlos, Mary Stuart. Oberon Books. MacDonald's adaptation was first staged in Edinburgh in 1995. It is a verse translation in iambic pentameter; Mary Carole McCauley wrote, "MacDonald creates a sense of ease within his 10-syllable metric lines by using modern idioms, and what the translation lacks in a certain lush richness, it may make up for in accessibility."^[4]

Influence on English-language literature and film[edit]

Jeffrey High has found influences of Schiller's plays on the screenplays for several Hollywood films, and in particular suggests a close correspondence between Don Carlos and the screenplay for Star Wars (1977).^[5]

See also[edit]

Literature portal

• Cultural depictions of Philip II of Spain

Further reading[edit]

• Stevens, Robert (12 November 2004). "Schiller’s Don Carlos: the 'light and warmth' of a timeless play". World Socialist Web Site. Review of a 2004 production in Sheffield, England of Mike Poulton's adaptation from the German, along with an extended discussion of play's history.
• University of Oxford production of Don Carlos at the Oxford Playhouse, 18-21 Feb. 2009

External links[edit]

Wikimedia Commons has media related to Don Carlos (Friedrich Schiller).

Notes[edit]

1. Jump up^ Schiller replaced the Portuguese spelling "Dom" with the Spanish "Don" in 1801, after Christoph Martin Wieland had made him aware of the difference.

References[edit]

1. Jump up^ Thiel, Luzia. Freundschafts-Konzeptionen im späten 18. Jahrhundert: Schillers "Don Karlos" und Hölderlins "Hyperion". Würzburg: Königshausen & Neumann, 2004, ISBN 978-3-8260-2744-4, p. 15.
2. Jump up^ Highfield, John (4 October 2004). "Don Carlos". The Stage: Reviews.
3. Jump up^ Billington, Michael (4 February 2005). "Don Carlos. Gielgud, London". The Guardian.
4. Jump up^ McCauley, Mary Carole (January 23, 2001). "`Don Carlos' gets seal of approval". The Baltimore Sun. Review of the 2001 production in Baltimore.
5. Jump up^ High, Jeffrey L. (2011). "Introduction: Why is this Schiller [Still] in the United States?". In High, Jeffrey L.; Martin, Nicholas; Oellers, Norbert. Who Is This Schiller Now?: Essays on His Reception and Significance. Camden House. p. 15. ISBN 978-1-57113-488-2. Schiller experts unfamiliar with Star Wars could place most of the characters with the corresponding Don Karlos characters at a glance at the movie poster. ... The reader will be hard pressed to distinguish the basic plot and character constellation of Star Wars from that of Don Karlos without reference to the specific period and galaxy in question.

[hide] v t e Works by Friedrich Schiller Plays The Robbers Semele Fiesco Intrigue and Love Körners Vormittag Don Carlos Wallenstein  Wallenstein's Camp The Piccolomini Wallenstein's Death Mary Stuart The Maid of Orleans The Bride of Messina William Tell Die Huldigung der Künste Demetrius Selected poems Ode to Joy Resignation Die Götter Griechenlandes Das verschleierte Bild zu Sais Die Teilung der Erde Xenien Der Handschuh Der Taucher Die Kraniche des Ibykus Ritter Toggenburg Der Gang nach dem Eisenhammer Der Ring des Polykrates Der Kampf mit dem Drachen Die Bürgschaft Das Lied von der Glocke Nänie Der Antritt des neuen Jahrhunderts Das Siegesfest Selected prose works Der Verbrecher aus verlorener Ehre Der Geisterseher Eine großmütige Handlung Selected philosophical works Die Schaubühne als eine moralische Anstalt betrachtet Über den Grund des Vergnügens an tragischen Gegenständen Augustenburger Briefe Über Anmut und Würde Über das Pathetische Kallias-Briefe Über die ästhetische Erziehung des Menschen Über naive und sentimentalische Dichtung Über das Erhabene Historical works Was heißt und zu welchem Ende studiert man Universalgeschichte? Journals Wirtembergisches Repertorium Thalia Die Horen

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