Speranza
Marble funerary altar
Period: Early Imperial,
Julio-Claudian
Date: ca. A.D.
14–68
Culture: Roman
Medium: Marble
Dimensions: H. 80.7 cm
Classification: Stone Sculpture
Credit Line: Fletcher
Fund, 1925
Accession Number: 1925.78.29
This artwork is currently on
display in Gallery 162
The inscription
commemorates a certain Q. Fabius Diogenes and Fabia Primigenia, who lived
together for forty-seven years, and tells that the altar was set up by his
freedmen, freedwomen, and household slaves. Diogenes himself was probably a
freed slave who had acquired a certain wealth and position. This is reflected in
the ornamentation of the altar, which is a deliberate echo of imagery used in
imperial art of the Julio-Claudian period. The heavy garland suspended from
rams’ heads derives from the kind of decoration found on the walls of public
sanctuaries. The three types of birds surrounding the garland were all familiar
from Augustan monuments: at the center, an eagle, bird of Jupiter, ruler of the
gods; at the corners, swans, birds of Apollo, patron god of the emperor; and
below the garland, two songbirds, symbols of bountiful nature.
Signatures,
Inscriptions, and Markings
Inscription: Inscribed to Q. Fabius Diogenes and
Fabia Primigenia
References
Alexander, Christine.
1926. "Classical
Inscriptions: Recent Accessions." Bulletin of the Metropolitan Museum of Art
21(7): pp. 177-78, fig. 3.
Richter, Gisela M.A. 1927.
Handbook of the
classical collection. MMA, NY. New York: Gillis Press.
Pijoán, José, ed.
1934.
El arte romano hasta la muerte de Diocleciano: arte etrusco y arte
helenistico despues de la toma de Corinto. Series: Summa artis, historia gereral
del arte, v.5. Madrid: Espasa-Calpe.
McCann, Anna Marguerite. 1978.
Roman
Sarcophagi in the Metropolitan Museum of Art. New York: The Metropolitan Museum
of Art, p. 19, fig. 7.
The Metropolitan Museum of Art. 1987.
Greece and
Rome. New York: The Metropolitan Museum of Art, no. 86, pp.
114-15.
Milleker, Elizabeth J., ed. 2000. The Year One: Art of the
Ancient World East and West. New York: The Metropolitan Museum of Art, no. 24,
pp. 42-43, 205.
Wardropper, I. B. 2003. "Le piedastal du monument du
coeur de Heni II". Henri II et les Arts. Paris: Ecole du Louvre, p. 69, fig.
6.
Picón, Carlos A., et al. 2007. Art of the Classical World in The
Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, no. 421,
pp. 363, 487-88.
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