skip to main
|
skip to sidebar
Villa Speranza
Subscribe To
Posts
Atom
Posts
Comments
Atom
Comments
Welcome to Villa Speranza.
Welcome to Villa Speranza.
Search This Blog
Translate
Tuesday, December 1, 2015
CIRE-PERDU
Speranza
CIRE-PERDU is a lost-wax technique of bronzecasting.
No comments:
Post a Comment
Newer Post
Older Post
Home
View mobile version
Subscribe to:
Post Comments (Atom)
Villa Speranza
Villa Speranza
Followers
Blog Archive
►
2024
(4776)
►
November
(126)
►
October
(140)
►
September
(79)
►
August
(100)
►
July
(326)
►
June
(342)
►
May
(321)
►
April
(815)
►
March
(698)
►
February
(470)
►
January
(1359)
►
2023
(87)
►
November
(7)
►
October
(33)
►
September
(46)
►
August
(1)
►
2022
(7)
►
November
(1)
►
October
(5)
►
September
(1)
►
2021
(4)
►
November
(2)
►
October
(2)
►
2019
(39)
►
June
(39)
►
2017
(9)
►
October
(1)
►
March
(5)
►
January
(3)
►
2016
(266)
►
May
(3)
►
April
(59)
►
March
(42)
►
February
(106)
►
January
(56)
▼
2015
(1074)
▼
December
(154)
MARCAURELIO
WESLEYANA
WESLEYANA
WESLEYANA -- La Wesleyan venne fondata come colleg...
Maurizio Macrrì -- figlio di Franco Macrì (nato a ...
Macrì, dal greco "macrìs," lungo, alto.
Macrì -- Stefano Macrì -- dal greco, "makris", lun...
GIORGIO VASARI
LELIO ORSI
ITALIAN MANNERISTS IN FRANCE
PARMIGIANINO
EARLY MANNERISM IN ROMA
ITALIAN MANNERISM AND ITS RAPID DIFFUSION
CORREGGIO: INNOVATION IN THE MIDST OF CRISIS
BUONARROTI'S FOLLOWERS
SANZIO'S PUPILS IN ROMA
FLORENTINE ARTISTS OF DA VINCI'S GENERATION
LEONARDO DA VINCI IN MILANO
ITALIAN DRAWINGS AT THE CLOSE OF THE FIFTEENTH CEN...
FRANCESCO FRANCIA AND HUMANISM IN BOLOGNA
SANZIO'S PRECURSORS IN UMBRIA
SOME BELLINI FOLLOWERS IN VENEZIA
BELLINI AND THE EARLY RENAISSANCE IN VENEZIA
MANTEGNA'S INFLUENCE IN FERRARA
ANDREA MANTEGNA
GHIRLANDAIO: A PORTRAITIST IN THE SERVICE OF THE T...
VERROCCHIO AND HIS PUPILS LORENZO DI CREDI AND PIE...
SANDRO BOTICELLI
POLLAIOLO AND THE USE OF OUTLINE
FLORENTINE FIGURE STUDIES
TWO EARLY FLORENTINE PORTRAITS
ALBERTI AND THE EARLY RENAISSANCE IN FIRENZE
PISANELLO AND NATURE STUDIES IN LOMBARDIA
THE ITALIAN TRADITION OF THE MODEL BOOK
GIOTTO AND THE ORIGINS OF ITALIAN DRAWING
THE HISTORY OF ITALIAN DRAWINGS, 1350-1800: MASTER...
THE ART OF ANCIENT ITALY: ETRUSCANS AND ROMANS.
THE PICCOLOMINI LIBRARY IN THE CATHEDRAL OF SIENA....
TREASURES OF THE VATICAN COLLECTIONS
GIOVANNI ANTONIO CANAL, 1697-1768 -- CANALETTO.
THE BRANCACCI CHAPEL, FIRENZE - George Braziller.
THE LATER ITALIAN PICTURES IN THE COLLECTION OF HE...
Walter Pater, "MICHELANGELO"
ETRUSCAN SCULPTURES
GIORGIONE
VENEZIA, 1700-1800: AN EXHIBITION OF VENICE IN THE...
BOTTICELLI DRAWINGS
TIZIANO AS PORTRAITIST
ITALIAN PRIMITIVES: THE CASE HISTORY OF A COLLECTI...
FROM MICHELANGELO TO ROSSO: ENGRAVINGS AND CHIAROS...
ARTE IN ITALIA, 1960-1977: TORNO, Galleria civica ...
ANACRONISMO, IPERMANIERISMO -- Biennale internazio...
A NEW ROMANTICISM: ARTISTS FROM ITALY
C. C. C. P.: BACK TO THE FUTURE
"MATERIA": THE CONTEXT OF "ARTE POVERA"
CONTEMPORARY ITALY
CULTURAL PROVOCATION: ITALIAN ART OF THE EARLY NIN...
FROM THE OPEN WOUND TO THE RESURRECTED BODY: LUCIO...
INFORMEL AND ABSTRACTION IN ITALIAN ART OF THE NIN...
REALISM AND THE POST-WAR DEBATE
HISTORY AND CULTURE IN THE POST-WAR ERA, 1944-1968
ABSTRACT ART OF THE NINETEEN THIRTIES
PERSONALITIES AND STYLES IN FIGURATIVE ART OF THE ...
MARIO SIRONI AND A FASCIST ART
SECOND FUTURISM
GIORGIO MORANDI AND MODERNISM IN ITALY BETWEEN THE...
FASCISM AND CULTURE IN ITALY, 1919-1945
DE CHIRICO, METAPHYSICAL PAINTING, AND THE INTERNA...
DE CHIRICO AND SAVINIO: THE THEORY AND ICONOGRAPHY...
MODIGLIANI: THE COSMOPOLITAN ITALIAN
THE VIOLENT URGE TOWARDS MODERNITY: FUTURISM AND T...
CONCEPTUAL GESTURE AND ENCLOSED FORM: ITALIAN SCUL...
DIVISIONISM AND SYMBOLISM IN ITALY AT THE TURN OF ...
SOCIETY AND CULTURE IN THE ITALY OF GIOLITTI
ITALIAN ART IN THE TWENTIETH CENTURY: Painting and...
Hopper and all the Heddas
MERCURIO CRIOFORO --.
ROMAN STATUARY: A selected bibliography
The implicatures of the alabastron as a statuary a...
The implicatures of the amphora as statuary attribute
VENERE
APOLLO
ARRETINE WARE
DIANA
The implicatures of the aryballos as a statuary at...
AESCULAPIUS
BUCCHERO
BUCRANIA
The implicatures of the chaplets in the statuary t...
The impicature of the chiton as a statuary attribute
The implicatures of the cippus as a statuary attri...
CIRE-PERDU
CLEMENZA
The Roman invention of CONTRAPPOSTO
CERES
The implicatures of the dinos as statuary attribute
BACCO
DIOSCURI
DORIFORO
A Roman Genius
►
November
(143)
►
October
(191)
►
September
(223)
►
August
(93)
►
July
(4)
►
June
(32)
►
May
(99)
►
April
(22)
►
March
(19)
►
February
(66)
►
January
(28)
►
2014
(1748)
►
December
(50)
►
November
(62)
►
October
(30)
►
August
(38)
►
July
(183)
►
June
(280)
►
May
(228)
►
April
(44)
►
March
(326)
►
February
(266)
►
January
(241)
►
2013
(2592)
►
December
(23)
►
November
(14)
►
October
(134)
►
September
(160)
►
August
(339)
►
July
(128)
►
June
(229)
►
May
(350)
►
April
(357)
►
March
(397)
►
February
(255)
►
January
(206)
►
2012
(6850)
►
December
(118)
►
November
(25)
►
October
(65)
►
September
(252)
►
August
(1379)
►
July
(3258)
►
June
(804)
►
May
(428)
►
April
(67)
►
March
(81)
►
February
(183)
►
January
(190)
►
2011
(1353)
►
December
(65)
►
November
(42)
►
October
(75)
►
September
(4)
►
August
(517)
►
July
(633)
►
June
(14)
►
May
(3)
►
2010
(1)
►
January
(1)
About Me
Luigi Speranza
View my complete profile
No comments:
Post a Comment