 |
|
 |
|
On October 22, 2002,
Playbill.com announced
that discussions were underway for composer
Scott
Frankel, lyricist Michael Korie, and
playwright Doug Wright to transform the
story of
the Beales into a Broadway musical.
It was later announced that
Michael Grief
would direct.
This would the first Broadway musical ever based on
a documentary.
Composer Scott Frankel said in a statement,
"I was
attracted to this project because of the
[documentary's] unique blend of humor,
heartache and humanity.
It has always resonated strongly with me.
And the
prospect of the first live raccoon on a legit stage is
irresistible…"
|
|
|
In a letter Little Edie
wrote to
Albert Maysles
prior to her death in January 2002,
she expressed her excitement
about the idea of Grey Gardens
being turned into a stage musical:
"I am thrilled
by what you wrote about
the musical 'g.g!' My
whole life was music and song!
It
made up for everything!
Thrilled - thrilled - thrilled!
I have all of Mother's
sheet music
and her songs she sang.
With all I didn't have, my life was
joyous!" |
|
 |
|
|
Two years later, the
musical was chosen
to participate in the Sundance
Institute Theatre Laboratory
at White Oak in Florida.
The workshop offers
theatre artists the time
and
support to rehearse,
rewrite, and develop their
work over a two-week period in
early December. The workshop
featured actors Christine Ebersole,
Sara
Gettelfinger, John McMartin,
Martin Moran and Mary Louise
Wilson. At the time,
it was
unsure if they would be the
same actors that would
portray characters in
the final production.
Playwrights Horizons, a writer's
theater dedicated
to the support
and development of contemporary
American playwrights, composers
and lyricists, and to the production of
their new work, presented
"developmental
readings" of
the upcoming world premiere of Grey Gardens: A New
Musical
in Manhattan, on October 5-6, 2005.
|
|
|
|
 |
|
|
|
After previews in February,
(by the way, it was
reported that Lee Radziwill attended a preview
and left at
intermission) the official premiere of
Grey Gardens debuted at Playwright
Horizons on March 7, 2006.
The original cast featured Christine
Ebersole
(Edith Bouvier Beale 1941 & Little Edie 1973),
Mary Louise Wilson (Edith
Bouvier Beale 1973),
Matt Cavenaugh (Joe Kennedy Jr. in 1941, Jerry Torre in
1973),
Sara Gettelfinger (Young Edie in 1941),
Sarah Hyland (Jacqueline
Bouvier),
John McMartin (J.V. Major Bouvier, Norman
Vincent Peale), Michael
Potts (Brooks Hire junior and senior),
Bob Stillman (George Gould Strong) and
Audrey Twitchell (Lee Bouvier).
|
|
 |
|
|
|
|
Set at the Grey Gardens
mansion, the musical follows the progression of the lives of the two Edies from
their original social status as wealthy and polished aristocrats to their
eventual existence as penniless eccentrics in a crumbling home.
But, the real
focus is clearly on the unending psychological struggle between a mother and a
daughter.
The story is joyous, heartwarming, sad, and funny at various times.
The show takes place in two acts, the first of which is a largely dramatic take
on what their lives might have been like in their glory days (complete with a
fictionalized portrayal of Little Edie's canceled nuptuals to Joe Kennedy) and
the second of which closely mirrors scenes and dialogue from the original
Maysles documentary (and, yes, Jerry is there).
In the first act, which takes
place in 1941, Little Edie is 24 and Big Edie is 47; in the second act, taking
place in 1973, Little Edie is 56 and Big Edie is 79. Christine Ebersole plays
dual roles: Big Edie in Act One and Little Edie in Act Two. Mary Louise Wilson
portrays Big Edie in Act Two.
|
|
|
|
|
 |
|
Many of the patrons attending the
show were dressed in Edie-inspired fashions as a tribute to their hero.
Al
Maysles, Ben Bradlee, Sally Quinn, and even real-life members of the Beale
family were there opening night.
The after party was at Planet Hollywood.
It
opened to mixed reviews from The Daily Post, The New York Post,
The Washington Post, and Broadway.com.
Many critics felt Act One
was too long and lacked excitement.
They didn't feel that Gettelfinger played a
convincing Little Edie.
The best reviews were for the stars of the show,
Christine Ebersole and Mary Louise Wilson. |
|
 |
|
|
|
| Regardless, the off-Broadway show
was extremely popular and its sold-out run was extended three times. When it
closed on April 30, 2006, it had earned five Lucille Lortel Award nominations
and twelve Drama Desk Award nominations. Christine Ebersole received every
accolade possible including the Obie Award, Drama Desk Award, Outer Critics
Circle Award, a Special Citation from the New York Drama Critics, and the Drama
League Award for Performance of the Year for her dual roles. |
|
|
|
With its small cast and
unpretentious score, "the little musical that could"
moved to the intimate
setting of the Walter Kerr Theater for its
Broadway debut on November 2, 2006.
Opening night saw a who's who of celebrities including
Rosie O'Donnell,
Lee
Radziwill,
Michael Kors,
Albert Maysles,
Duncan Sheik,
Dennis Leary, and
Dana
Delaney.
The suggested dress code for the evening was "
uniquely festive, with
red shoes preferred."
This, because, after all it was Thursday
(and you know
they can get you in East Hampton for
wearing red shoes on a
Thursday)!
|
|
|
|
 |
|
|
The Broadway Grey
Gardens learned from
its previous faults: some songs were cut while
new,
better songs were introduced, some of the
script was rewritten and rearranged,
and the actress for
young Little Edie was replaced by the excellent Erin Davie.
It was rewarded with enthusiastic praise from critics and
theatergoers alike.
Time Magazine hailed Grey Gardens as the #1 show of 2006.
The
production was nominated for 10 Tony Awards in 2007,
winning three, including
awards for both Ebersole and Wilson in leading and featured
actresses categories
respectively.
|
|
|
 |
|
|
|
The show closed July 29,
2007, after 307 performances and 33 previews. The musical closed prematurely;
it was previously announced that Wilson would be leaving early, but Ebersole's
contract was good through the fall. The producers explained that they would
face an uphill battle competing with other shows in the crucial summer months
and it would be difficult to replace Wilson. But insiders say that the show was
mismanaged by producers Kelly and Lou Gonda (East of Doheny Productions). It
was reported that they had trouble making decisions and ignored advice from
marketing, advertising, and theater professionals; as a result, they alienated
the creative team and some of the actors including Wilson and Ebersole (some say
it was no mistake that the Gondas weren't mentioned in Ebersole's Tony
acceptance speech). None of this has been confirmed, though, and things are
never as they seem when it comes to anything related to Grey
Gardens.
|
|
|
|
 |
|
Albert Maysles created a documentary
based on the making of the musical
called Grey Gardens: From East Hampton to
Broadway.
The film was shown on PBS television in late 2008.
And there is
talk that a video recording of the musical
may be for sale at some point, or
that it may be licensed for television. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
No comments:
Post a Comment