Posts
Speranza
The caduceus was the herald's staff, the rod entwined with snakes and winged near the top, an attribute of MERCURIO.
Subscribe to:
Post Comments (Atom)
skip to main |
skip to sidebar
Villa Speranza
Villa Speranza
Followers
Blog Archive
-
▼
2015
(1074)
-
▼
December
(154)
- MARCAURELIO
- WESLEYANA
- WESLEYANA
- WESLEYANA -- La Wesleyan venne fondata come colleg...
- Maurizio Macrrì -- figlio di Franco Macrì (nato a ...
- Macrì, dal greco "macrìs," lungo, alto.
- Macrì -- Stefano Macrì -- dal greco, "makris", lun...
- GIORGIO VASARI
- LELIO ORSI
- ITALIAN MANNERISTS IN FRANCE
- PARMIGIANINO
- EARLY MANNERISM IN ROMA
- ITALIAN MANNERISM AND ITS RAPID DIFFUSION
- CORREGGIO: INNOVATION IN THE MIDST OF CRISIS
- BUONARROTI'S FOLLOWERS
- SANZIO'S PUPILS IN ROMA
- FLORENTINE ARTISTS OF DA VINCI'S GENERATION
- LEONARDO DA VINCI IN MILANO
- ITALIAN DRAWINGS AT THE CLOSE OF THE FIFTEENTH CEN...
- FRANCESCO FRANCIA AND HUMANISM IN BOLOGNA
- SANZIO'S PRECURSORS IN UMBRIA
- SOME BELLINI FOLLOWERS IN VENEZIA
- BELLINI AND THE EARLY RENAISSANCE IN VENEZIA
- MANTEGNA'S INFLUENCE IN FERRARA
- ANDREA MANTEGNA
- GHIRLANDAIO: A PORTRAITIST IN THE SERVICE OF THE T...
- VERROCCHIO AND HIS PUPILS LORENZO DI CREDI AND PIE...
- SANDRO BOTICELLI
- POLLAIOLO AND THE USE OF OUTLINE
- FLORENTINE FIGURE STUDIES
- TWO EARLY FLORENTINE PORTRAITS
- ALBERTI AND THE EARLY RENAISSANCE IN FIRENZE
- PISANELLO AND NATURE STUDIES IN LOMBARDIA
- THE ITALIAN TRADITION OF THE MODEL BOOK
- GIOTTO AND THE ORIGINS OF ITALIAN DRAWING
- THE HISTORY OF ITALIAN DRAWINGS, 1350-1800: MASTER...
- THE ART OF ANCIENT ITALY: ETRUSCANS AND ROMANS.
- THE PICCOLOMINI LIBRARY IN THE CATHEDRAL OF SIENA....
- TREASURES OF THE VATICAN COLLECTIONS
- GIOVANNI ANTONIO CANAL, 1697-1768 -- CANALETTO.
- THE BRANCACCI CHAPEL, FIRENZE - George Braziller.
- THE LATER ITALIAN PICTURES IN THE COLLECTION OF HE...
- Walter Pater, "MICHELANGELO"
- ETRUSCAN SCULPTURES
- GIORGIONE
- VENEZIA, 1700-1800: AN EXHIBITION OF VENICE IN THE...
- BOTTICELLI DRAWINGS
- TIZIANO AS PORTRAITIST
- ITALIAN PRIMITIVES: THE CASE HISTORY OF A COLLECTI...
- FROM MICHELANGELO TO ROSSO: ENGRAVINGS AND CHIAROS...
- ARTE IN ITALIA, 1960-1977: TORNO, Galleria civica ...
- ANACRONISMO, IPERMANIERISMO -- Biennale internazio...
- A NEW ROMANTICISM: ARTISTS FROM ITALY
- C. C. C. P.: BACK TO THE FUTURE
- "MATERIA": THE CONTEXT OF "ARTE POVERA"
- CONTEMPORARY ITALY
- CULTURAL PROVOCATION: ITALIAN ART OF THE EARLY NIN...
- FROM THE OPEN WOUND TO THE RESURRECTED BODY: LUCIO...
- INFORMEL AND ABSTRACTION IN ITALIAN ART OF THE NIN...
- REALISM AND THE POST-WAR DEBATE
- HISTORY AND CULTURE IN THE POST-WAR ERA, 1944-1968
- ABSTRACT ART OF THE NINETEEN THIRTIES
- PERSONALITIES AND STYLES IN FIGURATIVE ART OF THE ...
- MARIO SIRONI AND A FASCIST ART
- SECOND FUTURISM
- GIORGIO MORANDI AND MODERNISM IN ITALY BETWEEN THE...
- FASCISM AND CULTURE IN ITALY, 1919-1945
- DE CHIRICO, METAPHYSICAL PAINTING, AND THE INTERNA...
- DE CHIRICO AND SAVINIO: THE THEORY AND ICONOGRAPHY...
- MODIGLIANI: THE COSMOPOLITAN ITALIAN
- THE VIOLENT URGE TOWARDS MODERNITY: FUTURISM AND T...
- CONCEPTUAL GESTURE AND ENCLOSED FORM: ITALIAN SCUL...
- DIVISIONISM AND SYMBOLISM IN ITALY AT THE TURN OF ...
- SOCIETY AND CULTURE IN THE ITALY OF GIOLITTI
- ITALIAN ART IN THE TWENTIETH CENTURY: Painting and...
- Hopper and all the Heddas
- MERCURIO CRIOFORO --.
- ROMAN STATUARY: A selected bibliography
- The implicatures of the alabastron as a statuary a...
- The implicatures of the amphora as statuary attribute
- VENERE
- APOLLO
- ARRETINE WARE
- DIANA
- The implicatures of the aryballos as a statuary at...
- AESCULAPIUS
- BUCCHERO
- BUCRANIA
- The implicatures of the chaplets in the statuary t...
- The impicature of the chiton as a statuary attribute
- The implicatures of the cippus as a statuary attri...
- CIRE-PERDU
- CLEMENZA
- The Roman invention of CONTRAPPOSTO
- CERES
- The implicatures of the dinos as statuary attribute
- BACCO
- DIOSCURI
- DORIFORO
- A Roman Genius
-
▼
December
(154)
No comments:
Post a Comment