PALAZZI E VILLE VENETE

Speranza

I-CINQUECENTO.Casa MARTA.CASTELFRANCO VENETO. GIORGIONE
1 frieze, particolare: with musical instruments.
2 frieze -- particolare: with the 'sphera-mundi'
3  frieze -- particolare: with cartouches and the head of a sage
4 frieze -- particolare: with astrological symbols.
5 frieze -- particolare: with symbols of war.
6 frieze -- particolare: symbols of painting
II—CINQUECENTO.GALLERIA DELL'ACCADEMIA. VENEZIA --- GIORGIONE
III—CINQUECENTO. DOGE'S PALAZZO.VENEZIA.TIZIANO
IV—CINQUECENTO.Villa DEI VESCOVI.LUVIGLIANO DI TORREGLIA. Lamberto SUSTRIS
7 Imperatore Romano
8 Roman noblewoman
9 parti. imperatore romano
10  Female nude sleeping in a landscape
11 Returning fishermen
12 Spoils of war: vases
13 Spoils of war: Arms.
V.  CINQUECENTO.Villa GODI MALIVERNI (a) Central Hall -- (a) Hall of the Gods. (b) Hall of the Triumphs (c) Hall of the Sacrifices (d) Loggia  (e) Hall of Olimpo (f) Hall of the arts (g) hall of the muses.  LONEDO DI LUGO VICENTINO.Two groups: (A) Gualterio PADOVANO. (B) ZELOTTI and DEL MORO.
14 full view of THE HALL OF THE GODS.
15 part. APOLLO, faux door and decoration above the door with grotesques, HALL OF THE GODS.
16 part. TELAMON figures and an attendant drawing aside the curtain of a faux door, HALL OF THE TRIUMPHS.
17 part. monochrome frieze, HALL OF THE TRIUMPHS
18 part. monochrome frieze, HALL OF THE TRIUMPHS
19 FULL VIEW of Landscape with an ideal view of RHODES, hall of the triumphs.
20 part. landscape with an ideal view of Rhodes, hall of the triumphs.
21 part. of architectural spaces and landscapes -- hall of the Caesars.
22 part. of architectural spaces and landscapes -- hall of the Caesars
23 part.  monochrome paining above the door, hall of the sacrifices.
24 CEILING detail of "FLORA E MERCURIO", Loggia
50 ZELOTTI -- HERCOLE at the crossroads, particolare -- a painting above a door, central hall.
51 ZELOTTI Episodes from the life of ALESSANDRO.central hall.
52 ZELOTTI. Episodes from the life of ALESSANDRO, central hall.
53 ZELOTTI. FULL VIEW: Hall of OLIMPO.
54 ZELOTTI . part.: wall frescoes with GIOVE and other gods -- hall of OLIMPO
55 ZELOTTI -- particolare: CERES, MERCURIO and PERSEFONE -- hall of Olimpo
56 ZELOTTI. Part. BACCO and other gods -- hall of OLIMPO
57 ZELOTTI – part. wall frescoes with a monochrome PRIMAVERA, and above, Architecture and Poetry, flanking the bust of a Roman emperor, HALL OF THE ARTS.
58 Zelotti: detail of a prisoner, HALL OF THE ARTS
59 --Zelotti: detail: wall frescoes with a monochrome SUMMER. Painting and music, flanking the bust of a Roman emperor, HALL OF THE ARTS.
60 Zelotti: particolare: Turkish prisoner -- hall of the arts
61 ZELOTTI AND DEL MORO -- particolare: wall with two muses inspiring a poet -- hall of the muses.
62 FULL VIEW: Hall of the Muses
VI. CINQUECENTO. Palazzo CHIERICATI  (not to be confused with Villa Chiericati. Vicenza. BRUSASORCI.
25 -- FULL VIEW of the vault: at the centre: the chariots of Apollo and Diana, or "DAY AND NIGHT".
26 part. CEILING. EAGLE &  THUNDERBOL. DOLPHIN
27 part.- CEILING -- "SERPENT" and "URSA MAJOR"
28  part. CEILING. SHIP. CANIS MAJO. WHALE. RIVER ERIDANO
29  part. Ceiling. KRATER. HYDRA. AQUARIU. PISCES
30 part ceiling: PEGASO -- EQUICULO.
31 part ceiling CANIS MINOR
32 part ceiling: monochrome: crocodile chained to a palm tree.
VII.   CINQUECENTO. Villa BARBARO. Maser. VERONESE
33 FULL VIEW: transept hall.
34 ALMORO BARBARO, Hall of OLIMPO
35 DANIELE BARBARO, Hall of Olimpo
36 GIUSTINIANA GIUSTINIANI BARBARO with a wet nurse, Hall of OLIMPO
37 -- Landscape -- hall of OLIMPO
38 -- landscape -- hall of OLIMPO
39 FRANCESCO BARBARO leaning out of a door. transept hall.
40 -- Woman musician -- transept hall.
41. BACCO revealing the secret of wine to men.HALL OF BACCO
42 -- Landscape -- HALL OF BACCO
43 -- HYMEN between GIUNO and VENERE with a betrothed couple -- CEILING -- Hall of the Judgement of CUPIDO.
44 -- Holy family with SANTA CATARINA and infant SAN GIOVANNI and landscape -- Room of the Dog.
45 -- Ceiling: FORTITUDE defending the CORNUCOPIA held by ABUNDANCE, threatened by DISCORD -- Room of the dog.
46 -- FEDE E CHARITA -- ceiling -- room of the lantern
47 -- Madonna della papa -- Room of the lantern
48 --  Full view: GENTLEMAN returning from the hunt -- corridor.
49 -- particolare: GENTLEMAN returning from the hunt -- corridor.
VIII. CINQUECENTO -- Villa EMO CAPODILISTA (a) Central Hall (b) Hall of the Arts -- Fanzolo di Vedelango. ZELOTTI
63 -- detail of a panel, small room of grotesques
64 -- detail of a panel, small room of grotesques
65 -- SCIPIO RETURNING LUCIO's bethroted, central hall
66 -- The killing of VIRGINIA -- central hall
67 -- SCIPIONE returning Lucio's betrothed, central hall
68 -- particolare: prisoner -- central hall.
69 -- detail of music, HALL OF THE ARTS
70 -- detail of architecture, hall of the arts.
IX. CINQUECENTO. Villa DA PORTO COLLEONI. Thienee. FASOLO. ZELOTTI
71 -- Banquet of Antonio e Cleopatra. SCIPIONE returning LUCIO's betrothed
72 -- SOFONISBA asking MASSINISSA for mercy. MUCIUS SCAEVOLA before PORSENA
73 – part.: banquet of Antonio e Cleopatra
74 – part.: SCIPIONE returning Lucio's betrothed.
75 – part.: SOFONISBA asking Massinissa for mercy.
76 part. MUCIUS SCAEVOLA before Porsena.
X. CINQUECENTO. Villa CALDOGNO, Caldogno -- FASOLO -- ZELOTTI. (a) central hall -- (b) room of Scipione -- (c) room of Sofonisba.. SEICENTO -- Carpioni
77  FASOLO -- the banquet, central hall
78 FASOLO -- particolare: the banquet, central hall.
79  FASOLO -- the invitation to dance -- central hall
80 FASOLO -- particolare: the invitation to dance, central hall.
81  FASOLO -- the concert, central hall
82 -FASOLO --  the card game -- central hall
83 FASOLO -- particolare: the concert, central hall.
84  ZELOTTI -- FULL VIEW: room of Scipione.
85 ZELOTTI. Sofonisba receiving poison -- room of Sofonisba. 95 –Carpioni. The coronation of the NYMPH Amaryllis, winner of the kissing competition
96 Carpioni. detail of the corner candelabra
97 Carpioni. detail of the corner candelabra
98 Carpioni. THE PURSUIT OF CORSICA BY A SATYR. THE STRUGGLE BETWEEN EROTE AND ANTEROTE. Fresco by a sixteenth-centrury artist.
99 Carpioni. THE WOUNDING OF DORINDA, mistaken by the shepherd Silvio for one of his prey.
XI. CINQUECENTO. Villa Chiericati. Not to be confused with Palazzo Chiericati. Longa di Schiavoni . POZZOSERRATO
86 part. page with the page with a greyhound.
87 part.  SPRINGTIME landscape under the sign of ARIES and TAURUS
88 part. WINTER landscape under the sign of Aquarius and Pisces
89 -springtime landscape under the sign of aries and taurus
90 landscape between spring &  summer under the sign of GEMINI & CANCER
91  summer landscape under the sign of LEO & VIRGO
92 -autumn landscape under the sign of LIBRA &  SCORPIO
93 landscape between autumn and winter under the sign of Sagittarius & Capricorn
94 -winter landscape under the sign of Aquarius and Pisces
XII. SEICENTO. Villa SELVATICO EMO CAPODILISTA. Battaglia Terme. FERRARI
100  FULL VIEW: transept hall
101 the flight of ANTENOR from TROY
102 LYCAON consecrating the dagger of APOLLO, full view.
103 part.: LYCAON consecrating the dagger of Apollo.
104  full view Victory of ANTENOR over VALESIO, king of the Illyrians.
105  part. Victory of ANTENOR over VALESIO, king of the Illyrians
106 full view: the founding of PADOVA
107  part. the founding of PADOVA
108 eloquence
109 kindness
110 prudence
111 nobility
XIII. SEICENTO. Villa Foscarini Negrelli Rossi. STRA. LIBERI. BRUNI
112  LIBERI ceiling – part.: allegory of ETERNITY of the FOSCARINI family name
113 -- full view of main room
114 -- full view of ceiling -- the faux architecture was painted by BRUNI; the figures by LIBERI
115 -- view of a wall with frescoes by BRUNI (faux architecture) and LIBERI (the figures) -- full view: MARTE accompanied by learning, eloquenc, and truth.
116 -- particolare: wall with frescoes with faux architecture (BRUNI) and figures (LIBERI): MARTE accompanied by learning, eloquence, and truth.
XIV. CINQUECENTO. CA' ZENOBIO. Not to be confused with VILLA Zenobio in Santa Bona di Treviso. VENEZIA. DORIGNY
117 -- full view of main hall
118 -- full view of ceiling: AURORA.
119 -- particolare of ceiling with the personifications of AURORA, ZEPHYR, some creatures of the night, and the horses of the chariot of APOLLO.
120 -- particolare of the ceiling with a vase of flowers.
121 -- particolare of the ceiling with a composition with musical scores, instruments, and carpets.
122 -- particolare of wall frescoes with DWARF smoking a pipe.
123 – part. of wall frescoes with the personification of SCULPTURE &  PAINTING.
XV. SEICENTO. Casino CORRER. MURANO. PELLEGRINI
124 -- Alessandro e CLITO
125  Alessandro e PORO
126 Alessandro before the body of DARIO
127 DIANA ed ENDIMIONE -- ceiling -- bedroom.
XVI. SEICENTO. Casino ZANE. Venezia. RICCI
128  full view ceiling portego: the central compartment: ERCOLE between GLORIA and VIRTU; in the 4 corners, monochromes of Olympian gods.
129 Cupids at play, painted inside stucco shells
130 Cupids at play, painted inside stucco shells
131Time carrying off truth -- on the staircase ceiling.
XVII. SEICENTO. Villa Alessandri. MIRA.  PELLEGRINI
132 part. NARCISSO AT THE SPRING,
133 –part. IL RATTO DI DEIANIRA
134 ENDIMIONE
135 ERMAFRODITA E SAMACIDE
136 DANAE and the shower of gold
137 part. PAN e SYRINX
138 APOLLO e DAFNE
139 part. VENERE weeping over the death of ADONE.
XVIII. SEICENTO. Villa Zenobio. Not to be confused with Ca' Zenobio in Venezia. Santa Bona di Treviso. LAZZARINI (Seicento). FONTEBASSO (Settecento)
140 Lazzarini (Seicento) -- ANGELICA e MEDORO
141 Lazzarini (Seicento) -- ERCOLE ed OMFALE
142 Lazzarini (Seicento) -- RINALDO ED ARMIDA
143 Lazzarini (Seicento) particolare: dog observing a lizard
215 -- FONTEBASSO (Settecento) -- full view, ballroom
216  FONTEBASSO (Settecento) the magnanimity of SCIPIONE, ceiling
217. FONTEBASSO (Settecento) banquet of LUCIO &  his betrothed
218 -- FONTEBASSO (Settecento) -- particolare: orchestra -- banquet of Lucio and his betrothed
219 -- FONTEBASSO (Settecento) -- particolare: guests -- banquet of LUCIO and his betrothed
220. FONTEBASSO (Settecento). The jester and the bearer of arms
221 -- FONTEBASSO (Settecento) -- the lovers
222 -- FONTEBASSO (Settecento) -- il trionfo di SCIPIONE
223 -- FONTEBASSO (Settecento) -- particolare: prisoner king -- il TRIONFO DI SCIPIONE
224 FONTEBASSO (Settecento) -- particolare: Scipione's chariot -- IL TRIONFO DI SCIPIONE
XIX. SEICENTO -- PALAZZO REPETA. VICENZA. DORIGNY
144 full view: MINERVA casting out the vices, ceiling of the grand staircase
145 SPERANZA
146 GIUSTIZIA with the peacock of PRIDE, which falls, pierced by an arrow
147 SLOTH and LUST
148 DECEPTION and AVARICE
XX. SEICENTO. Palazzo ORSETTI DOLFIN GIACOMELL. Treviso. DORIGNY
149 Bacchanal, depicted in the central compartment of the ceiling
150 –part. of the central compartment of the ceiling: FAUN SQUEEIZING a cluster of grapes to sate BACCO's thirst.
151 part. of the central compartment of ceiling: a pair of musicians
152 -- Pan and the hours -- first side compartment
153 -- PAN uncovering the nakedness of a sleeping nymph -- particolare of the second side compartment
154 -- Monochrome male figure perched on an illusionistic architectural volute, wall fresco on the balcony of the room.
155 wall fresco of the balcony with cartouches that enclose puttis' games
156 wall fresco ofbalcony with cartouches that enclose puttis' games
XXI SEICENTO. CA' DOLFIN. VENEZIA BAMBINI
157. ABUNDANCE, part., ceiling
158 -Full view ceiling. BAMBINI (figure)/FERRARI- MENGOZZI-COLONNA ( faux architecture).
159 MERCURIO, particolare, ceiling.
160 wall fresco:  NOBILITA, and the personification of two rivers.
XXII SETTECENTO. Villa CORNARO. PIOMBINO DESE. BORTOLINO. THE BIBLE
161 the flood
162 the sacrifice of the golden calf
163 -he gathering of the harvest
164  the juddgment of SOLOMON
165 -the transport of the ARK
166 ESAU selling his birthright to JACOB
167 JACOB tricking ISAAC and receiving his blessing
168  sacrifice of ISAAC
169 -Hagar in the desert
170 the construction of the tower of BABEL
XXIII. SETTECENTO. VILLA ALLEGRI ARVEDI. Cuzzano di Grezzana.  DORIGNY
171 THE BATTLE of the CENTAURS and the LAPITHS. full view: wall frescoes in the main hall, with faux architecture.
172 THE BATTLE OF THE CENTAURS and the LAPITHS, part. of the wall frescoe in the main hall, with faux architecture.
173 -- full view: PERSEO displaying the head of MEDUSA, wall fresco in the main hall, with faux architecture.
174 – part. PERSEO displaying the head of MEDUSA, wall fresco in the main hall, with faux architecture.
175 -- full view of the ceiling of the main hall
176 -- AEOLO, detail of ceiling
177 -- MINERVA and DIANA, detail of ceiling
178 -- full view of the oratory ceiling: ELISHA & THE CHARIOT OF HELIOS
179-full view: HOLY SPIRIT. FOUR EVANGELISTS (pendentives). Ceiling,  Presbytery, Oratory.
XXIV.  SETTECENTO. VILLA BAGLIONI. Massanzago. Battista TIEPOLO
180 IL TRIONFO D'AURORA, ceiling.
181 full view: FETONTE asking his father, APOLLO, to let him drive the chariot of the sun.
182 part: FETONE asking his father APOLLO to let him drive the chariot of the sun.
183 CADUTA DI FETONTE. The Heliads changed into poplar trees.
184 part CADUTA DI FETONTE.
XXV. SETTECENTO. Villa Loschi Zileri dal Verme. Biron di Monteviale. Battista TIEPOLO
185 full view: TIME REVEALING TRUTH AND CASTING OUT ENVY: staircase ceiling.
186 part. TIME REVEALING TRUTH & CASTING OUT ENVY: staircase ceiling
187 VIGILANCE triumphing over sleep -- staircase
188 Innocence casting out Deception -- staircase
189 full view, liberality dispensing gifts, main hall
190 particolare: liberality dispensing gifts, main hall
191 virtue crowning honour, main hall
192 -- humility casting out pride, main hall
193 -- full view: marital harmony, main hall
194 -- particolare: marital harmony, main hall
195 -- INTELLECT, detail, main hall, ceiling, main hall
196 -- VALORE -- detail, ceiling, main hall
197 -- GLORIA among the cardinal virtues -- ceiling -- main hall
XXVI. SETTECENTO. Villa POMPEI CARLOTTI. ILLASI. Ballestra
198 -- THE KILLING OF ACHILLE -- full view. Compartment
199 -- particolare: THE KILLING OF ACHILLE -- compartment
200 -- IL RATTO D'ELENA -- full view -- compartment
201 -- IL RATTO D'ELENA -- particolare -- compartment
202 -- Cupido's chariot -- particolare
XXVII. SETTECENTO. Palazzo SAGREDO. VENEZIA. LONGHI
203 -- THE FALL OF THE GIANTS, ceiling
204 – part.: the fall of the giants -- GIOVE
205 – part.: the fall of the giants
206 – part.: the fall of the giants
XXVIII.. SETTECENTO. Palazzo LABIA. VENEZIA. Battista Tiepolo.
207 -- full view, ballroom
208 -- meeting of ANTONIO E CLEOPATRA
209 -- banquet of ANTONIO E CLEOPATRA
210 -- particolare: meeting of ANTONIO E CLEOPATRA
211 -- particolare: banquet of ANTONIO E CLEOPATRA
212 -- PERSEFONE rapita da PLUTONE -- ceiling
213 -- NOBILITA conquering ENVY, ceiling
214 -- BELLEROFONTE ascending toward glory and eternity, ceiling
XXIX. SETTECENTO . Villa VALMARANA ai Nani. Vicenza. Domenico TIEPOLO
225 -- ORLANDO FURIOSO -- room -- full view
226 -- sacrifizio d'IFIGENIA -- entrance hall
227 -- detail with the stage -- sacrifizio d'IFIGENIA -- entrance hall
228 -- detail with AGAMMENONE -- sacrifizio d'IFIGENIA -- entrance hall
229 -- particolare -- the Greek fleet in AULIS --
230 -- particolare -- the Greek fleet in AULIS.
231 -- MINERVA restraining ACHILLE from killing Agammemnon -- room of the ILIAD
232 -- EURYBATES and TALTHYBIUS leading BRASEIS away from Agamemnon -- room of the ILIAD
233 -- Landscape with CUPID -- room of the ILIAD
234 -- THETIS consoling ACHILLE -- room of the ILIAD
235 -- ANGELICA and MEDORO taking leave of the peasants -- room of ORLANDO FURIOSO
236 -- MEDORO -- particolare: ANGELICA e MEDORO taking leave of the peasants -- room of ORLANDO FURIOSO
237 -- ANGELICA COMING TO THE AID OF THE WOUNDED MEDORO -- room of ORLANDO FURIOSO
238 -- particolare: peasant -- ANGELICA COMING TO THE AID OF THE WOUNDED MEDORO -- room of Orlando Furioso
239 -- RUGGERO FREEING ANGELICA -- Room of ORLANDO FURIOSO
240 -- Angelica carving Medoro's name into a tree -- room of ORLANDO FURIOSO
241 ENEA presents CUPID, disguised as ASCANIO, to DIDONE -- room of ENEIDE
242 -- particolare: DIDONE: ENEA presents ASCANIO (disguised as CUPIDO) to DIDONE -- room of ENEIDE
243 -- MERCURIO exhorts ENEA to leave CARTHAGO -- room of ENEIDE
244 VENERE's farewell to ENEA -- room of ENEIDE
245 RINALDO ed ARMIDA surprised by UBALDO AND GUELFO -- Room of Gerusalemme liberate --
246 RINALDO ABANDONS ARMIDA. Room of Gerusalemme liberata
247 ARMIDA ABDUCTS the sleeping RINALDO. room of GERUSALEMME liberata
248 RINALDO ashamed of his past Room of GERUSALEMME liberata.
249 Guest quarters -- full view, room of the gothic pavilion
250 guest quarters. the offering of fruit to a lunar deity. Chinese room. full view
251 guest quarter. the offering of fruit to a lunar deity. Chinese room – part.
252 guest quarters -- the mandarin's walk -- Chinese room
253 guest quarters -- the textile merchant -- Chinese room
254 guest quarters. the peasant family's table. room of country scenes. full view
255 guest quarters. he peasant family's table. room of country scenes – part.
256 guest quarters -- the peasants' repose -- room of country scenes
257 guest quarters -- three peasants seen from the back -- room of country scenes
258  guest quarters. the winter walk -- room of the gothic pavilion
259 -- guest quarters. the summer walk, part. room of the gothic pavilion
260  guest quarters.  the new world, part. room of the carnival scenes
261 guest quarter.  the charlatan, detail, room of the carnival scenes
262 guest quarters. Moorish servant with a tray. room of the carnival scenes.
XXX.. SETTECENTO: CA' REZZONICO. Venezia . Battista TIEPOLO. Domenico TIEPOLO (frescos transferred from his own villa).
263 -- Battista TIEPOLO -- MERIT, particolare, nuptial allegory, room of the nuptial allegory
264 -- Battista TIEPOLO -- full view: nuptial allegory, ceiling, room of the nuptial allegory
265 -- Battista TIEPOLO -- full view: MERIT accompanied by NOBILITY and VIRTU ascends to the temple of IMMORTAL GLORY -- room of the throne.
266 -- Battista TIEPOLO -- particolare: FEDE -- MERIT, accompanied by NOBILITA and VIRTU, ascends to the tempoe of IMMORTAL GLORY, room of the throne.
267 -- Battista TIEPOLO -- central detail: merit accompanied by nobility and virtue ascends to the temple of immortal glory, room of the throne.
268 -- Battista TIEPOLO -- detail of putto holding the golden book: MERIT, accompanied by nobility and virtue ascends to the temple of immortal glory, room of the throne.
307 Domenico TIEPOLO -- The new world, portego
308 -- Domenico TIEPOLO -- the nobles's stroll at the villa, portego
309 Domenico TIEPOLO -- the nobles's minuet at the villa, portego
310 -- Domenico TIEPOLO. The unchinellos's swing. Ceiling -- room of punchinells
311 Domenico TIEPOLO. Punchinello in love. Rom of punchinellos
312 -- Domenico TIEPOLO -- Punchinello and the acrobats -- room of punchinellos
313 Domenico TIEPOLO -- the departure of the punchinellos -- room of punchinellos
XXXI.  SETTECENTO. Villa Marcello. LEVADA DI PIOMBINO DESE. CROSATO
269 -- full view, ballroom
270 -- the marriage of ALESSANDRO and ROXANE
271 -- Alessandro before the corpse of DARIO
272 -- the family of DARIO before Alessandro, particolare.
273 part. APELLES making a portrait of Campaspe
274 -- the family of DARIO before Alessandro -- particolare
275 -- APELLES making a portrait of CAMPASPE
276 -- full view of the ceiling, with OLIMPO.
XXXII. SETTECENTO. Villa WIDMANN. MIRA. ANGELI
277  SACRIFIZIO d'IFIGENIA
278 -- RATTO D'ELENA, particolare
279 -- RATTO D'ELENA
280 full view of ceiling: THE GLORY OF THE WIDMANN FAMILY
281 -- COROLIANO accepts the command of the Roman troops against Hannibal.
282 -- CURTIUS RUFUS on his horse, falling into a chasm.
283 -- SCIPIONE combats the Carthaginians
284 -- MUCIUS SCAEVOLA before PORSENA.
XXXIII. SETTECENTO. Villa VENDRAMIN Grimani Calergi -- Noventa Padovana. URBANI.
285 -- Swan attacked by dogs -- particolare. ROOM of Astrea
286 -- landscape in the portego
287 -- landscape in the portego
288 -- landscape in the portego
289 -- landscape in the portego
290 -- the mandarin's procession, Chinese room
291 -- the judgment of the mandarin, Chinese room
292 – parti. with figure of mandarin -- the judgement of the mandarin -- Chinese room
293 part.: elefante -- the mandarin's procession -- the Chinese room
294 swan attacked by dogs -- room of Astrea
295 EROS w/putto & doves in a starry landscape. room of Astrea
296 -- ceiling, ASTREA, Room of Astrea.
XXXIV. SETTECENTO. Palazzo GRASSI. Venezia. MORLAITER
297 -- Venetian reception, wall opposite the grand staircase
298 -- particolare, Venetian reception
299 -- particolare: Venetian reception
300 -- particolare: Venetian reception
301 -- particolare: Venetian reception
302 -- particolare: Venetian reception
XXXV.. SETTECENTO. Palazzo dell'OSPEDALETTO. Venezia.- GUARANA
303 -- full view of ceiling, IL TRIONFO DELLA MUSICA
304 -- Apollo directing the orchestra of putte.
305 -- particolare: putte -- Apoll directing the orchestra of putte
306 -- Putte watching the concert.