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Pietro Mascagni and his operas - Page 241
books.google.com.arAlan Mallach - 2002 - 378 pages - Preview
The premiere was set for May 2. It had been a difficult opera to cast.
Not only does it have a typically taxing Mascagni tenor role as well as highly demanding roles for soprano and bass, but it also calls for two first-rate baritones ...
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Mascagni: an autobiography
books.google.com.arPietro Mascagni, David Stivender - 1988 - 372 pages - Snippet view
DE LUCIA:
Italian tenor. Born
in Naples, he made his debut at the San Carlo in Faust (1883). He soon became one of Italy's most admired singers.
He created no less than four Mascagni tenor roles:
Fritz ("Di primavera somiglia a un fiore fragrante e roseo")
Giorgio Rantzau,
Silvano and
Osaka ---> "Apre la tua finestra"
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Pietro Mascagni: a bio-bibliography - Page 204
books.google.com.arRoger Flury - 2001 - 414 pages - Preview
Martinelli suggests that Mascagni's notoriously high
tenor parts were partly due to the fact that
the maestro had a high speaking voice. See also D266. B177 Marvin, G. Pietro Mascagni, appimti biografici. Palermo, l904.
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Fernando De Lucia: son of Naples : 1860-1925
books.google.com.arMichael Edward Henstock, Michael Edward Henstock - 1990 - 505 pages - Snippet view
J9 Mascagni's tenor roles are characterised by their high tessitura.TM
Although, unlike those of Bellini and Donizetti, they do not abound in very high notes, they often stay for relatively long periods above the stave as, for example, ...
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Mascagni's Cavalleria rusticana: Rustic chivalry. Leoncavallo's I ... - Page 53
books.google.com.arBurton D. Fisher - 2005 - 120 pages - Preview
Principal Characters in I Pagliacci Canio, leader of a traveling company of actors Tenor Nedda, Canio's wife Soprano Tonio, a hunchbacked actor in the company Baritone Silvio, a local villager and secret lover of Nedda Baritone Beppe, ...
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Musical compositions: Part 3
books.google.com.arLibrary of Congress. Copyright Office - 1912 - No preview
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The rough guide to opera
books.google.com.arMatthew Boyden, Nick Kimberley, Joe Staines - 2002 - 735 pages - Preview
For Mascagni, it was ideal.
L' amico Fritz could hardly be less like Cavalleria: it is a benign comedy, ... Fritz himself is unrealistically wholesome but
his high-lying tenor is a gem of a part - and he has the distinction of being one ...
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The Opera Lover's Companion - Page 205
books.google.com.arCharles Osborne - 2007 - 640 pages - Preview
PIETRO MASCAGNI (b. Livorno, 1863 - d. Rome, 1945)
Cavalleria rusticana (Rustic Chivalry) opera in one act (approximate length: 1 hour, 15 minutes) Santuzza, a young peasant woman soprano Turiddu, a young peasant tenor Alfio, ...
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The gramophone: Volume 80, Issues 957-961; Volume 80, Issues 957-961
books.google.com.arSir Compton Mackenzie, Christopher Stone, Sir Compton Mackenzie - 2002 - Snippet view
The main parts are the tenor-lover and baritone- husband, the latter adequately sung until it comes to the climax of his principal solo where something altogether more opulent is needed.
Mascagni had his own way of writing for tenor, ...
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Gramophone: Volume 80, Issues 958-961; Volume 80, Issues 958-961
books.google.com.ar2002 - Snippet view
The main parts are the tenor-lover and baritone- husband, the latter adequately sung until it comes to the climax of his principal solo where something altogether more opulent is needed. Mascagni had his own way of writing for tenor, ...
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