Speranza
Copies of classical sculpture
Ancient Roman copyists at
Baiae
Squarcione's casts for artists in 15th century Padova
Early
collections of classical sculpture in Italia
Italian travellers in Greek
lands
'Antiquities Gardens'
Engravings of classical sculpture
The earliest collections of classical art in ENGLAND Inghilterra
Henry
VIII and Nonsuch Palace
William Camden, Robert Cotton and early academies
Prince Henry's cabinet
King Charles I and his court
Arundel,
Rubens, and Peiresc
Castiglione's Il Libro del Cortegiano and Peacham's
Compleat Gentleman
Bodley's benefaction and Oxford's 'Picture Gallery'
Evelyn and the Arundel Marbles
Tradescant, Ashmole and the Ashmolean
Museum
Preparation for the Grand Tour
Early guide books
The Richardsons
Sir Roger Newdigate (1719-1806) and his era
The first Grand Tour 1738-1740
The Tribuna of the Uffizi
Buying casts from Cipriani in Florence 1739
Arbury Hall and the
Duchess of Pomfret
The Pomfret Benefaction 1755
Classical
archaeology 1740-1774
The second Grand Tour 1774-1775
Buying
casts from Traballese in Florence
Displaying casts at Arbury Hall
The Queen's College and Newdigate's Wild Boar
The Radcliffe
Library and 'Piranesi's Candlesticks'
Newdigate's 'temple for classical
art'
The Newdigate Prize
Continental cast collections before
1800
British cast collections before 1800
The early
nineteenth century: an introduction
The Duncan brothers, John
Shute and Philip Bury 140
The Radcliffe Library and antique busts
149
Bodleian 'Picture Gallery', Henning's casts and Fouquets' models
150
Radcliffe Library and plaster casts from the antique 152
The Duncans
as patrons of classical art 152
12.The University Galleries 1839-1845
155
Dr Francis Randolph and Sir Robert Taylor 171
Charles Robert Cockerell
(1788-1863) 172
Design of Taylor's Library 173
Design of the exhibition
areas in the University Galleries 173
Cockerell's 'Great Niche'
174
Duncans' Muses 174
13.Sir Francis Chantrey 177
Lady Chantrey's
benefaction 183
Chantrey as a collector of antique casts 184
Chantrey's
casts from the antique 185
Museums in mid-nineteenth century Oxford
189
Burgon's Remarks on Art 194
Ruskin and the Drawing School
195
Charles Newton and his Oxford lectures 196
15.The Classical Museum
199
16.The Great Exhibition and the Cast Courts of the Crystal Palace
201
17.Museums in Oxford 1860-1884 205
The University Museum
205
The Ashmolean Museum and John Henry Parker 205
Parliamentary
Commission of 1877 206
German museums and German scholarship 207
Walter
Pater's lectures on Greek art 207
18.Cambridge 1870-1884
209
19.Benjamin Jowett's Vice-Chancellorship 1882-1886 211
Pelham and
the Cast Committee 216
Casts ordered in 1884 217
20.Archaeological
research in Europe before 1884 219
21.Archaeological research in Oxford
before 1884 225
Part II
1.Introduction 231
2.Establishment
of the Professorship 233
Lincoln College and Mark Pattison 233
Ancient
History and Archaeology 233
3.Percy Gardner (1887-1925) 237
The
Gardner brothers 255
Percy's Inaugural Lecture 255
Casts ordered
256
The Chantrey casts 258
The 'Sunk Court' and the apparatus 260
Casts
on the move 260
The Evanses 263
Arthur Evans and Fortnum 263
University
Galleries and Ashmolean Museum 1894 264
Casts ordered in 1894 265
The
'Sunk Court' and the Chantrey casts 268
Newton's books and the Archaeological
Library 269
Warren and Marshall 271
Gardner's first decade 271
Portrait
busts 272
Barracco's Museo di Scultura antica 275
Gardner, Richards and
Beazley 275
Amalgamation of the collections 1908 277
Warren and Beazley
278
Hogarth's master plan 279
The Great War 1913-1918 280
Warren,
Marshall and the 'Boston Throne' 280
Gardner's Guide to the casts 281
The
Hope sale 282
Post-war 283
The Coin Room 284
Gardner's Progress in
Classical Archaeology 285
4.John Davidson Beazley (1925-1956)
287
Early years at Oxford 291
Testimonials for the Professorship
291
Beazley and the casts 292
The 1930s 297
War and destruction of
Duncan and Chantrey casts 298
Beazley's A Catalogue of Casts 299
Post-War
299
Oxford Monographs on Classical Archaeology 299
Planning for the future
300
5.Bernard Ashmole (1956-1961) 303
Early years and photography
307
London years, Inaugural Lecture Value of Casts 308
'Persuaded' to
Oxford 308
The new Cast Gallery 308
Cleaning the casts 309
6.Martin
Robertson (1961-1979) 311
Early years and Beazley 313
The University's
purchase and Beazley's gift 314
Departure of the Ruskin School of Drawing
314
7.John Boardman (1979-1994) 317
Reader for Ashmole and Robertson
329
Artists and exhibitions in the Cast Gallery 329
The Baiae casts
330
Midas and Philip 330
Electronic documentation of the casts
331
Impressions of engraved gems and cameos 332
The Wellcome Benefaction
333
Chronological chart 341
Catalogue of casts, compiled by Florence
Maskell 383
List of abbreviations
Bibliography
Index (general)
Index
of persons
Index of museums
Friday, August 3, 2012
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