Copies of classical sculpture |
1
| |
Ancient Roman copyists at Baiae |
1
| |
Squarcione's casts for artists in 15th century Padua |
2
| |
2.
| Early collections of classical sculpture in Italy |
5
|
Italian travellers in Greek lands |
18
| |
'Antiquities Gardens' |
18
| |
Engravings of classical sculpture |
19
| |
3.
| The earliest collections of classical art in Britain |
21
|
Henry VIII and Nonsuch Palace |
38
| |
William Camden, Robert Cotton and early academies |
39
| |
Prince Henry's cabinet |
40
| |
King Charles I and his court |
41
| |
Arundel, Rubens, and Peiresc |
41
| |
Castiglione's Il Libro del Cortegiano and Peacham's Compleat Gentleman |
43
| |
Bodley's benefaction and Oxford's 'Picture Gallery' |
45
| |
Evelyn and the Arundel Marbles |
46
| |
Tradescant, Ashmole and the Ashmolean Museum |
47
| |
4.
| Preparation for the Grand Tour |
49
|
Early guide books |
49
| |
The Richardsons |
50
| |
5.
| Sir Roger Newdigate (1719-1806) and his era |
53
|
The first Grand Tour 1738-1740 |
77
| |
The Tribuna of the Uffizi |
78
| |
Buying casts from Cipriani in Florence 1739 |
79
| |
Arbury Hall and the Duchess of Pomfret |
80
| |
The Pomfret Benefaction 1755 |
80
| |
6.
| Classical archaeology 1740-1774 |
85
|
7.
| The second Grand Tour 1774-1775 |
103
|
Buying casts from Traballese in Florence |
117
| |
Displaying casts at Arbury Hall |
117
| |
The Queen's College and Newdigate's Wild Boar |
118
| |
The Radcliffe Library and 'Piranesi's Candlesticks' |
118
| |
Newdigate's 'temple for classical art' |
120
| |
The Newdigate Prize |
121
| |
8.
| Continental cast collections before 1800 |
123
|
9.
| British cast collections before 1800 |
127
|
10.
| The early nineteenth century: an introduction |
133
|
11.
| The Duncan brothers, John Shute and Philip Bury |
140
|
The Radcliffe Library and antique busts |
149
| |
Bodleian 'Picture Gallery', Henning's casts and Fouquets' models |
150
| |
Radcliffe Library and plaster casts from the antique |
152
| |
The Duncans as patrons of classical art |
152
| |
12.
| The University Galleries 1839-1845 |
155
|
Dr Francis Randolph and Sir Robert Taylor |
171
| |
Charles Robert Cockerell (1788-1863) |
172
| |
Design of Taylor's Library |
173
| |
Design of the exhibition areas in the University Galleries |
173
| |
Cockerell's 'Great Niche' |
174
| |
Duncans' Muses |
174
| |
13.
| Sir Francis Chantrey |
177
|
Lady Chantrey's benefaction |
183
| |
Chantrey as a collector of antique casts |
184
| |
Chantrey's casts from the antique |
185
| |
14.
| Museums in mid-nineteenth century Oxford |
189
|
Burgon's Remarks on Art |
194
| |
Ruskin and the Drawing School |
195
| |
Charles Newton and his Oxford lectures |
196
| |
15.
| The Classical Museum |
199
|
16.
| The Great Exhibition and the Cast Courts of the Crystal Palace |
201
|
17.
| Museums in Oxford 1860-1884 |
205
|
The University Museum |
205
| |
The Ashmolean Museum and John Henry Parker |
205
| |
Parliamentary Commission of 1877 |
206
| |
German museums and German scholarship |
207
| |
Walter Pater's lectures on Greek art |
207
| |
18.
| Cambridge 1870-1884 |
209
|
19.
| Benjamin Jowett's Vice-Chancellorship 1882-1886 |
211
|
Pelham and the Cast Committee |
216
| |
Casts ordered in 1884 |
217
| |
20.
| Archaeological research in Europe before 1884 |
219
|
21.
| Archaeological research in Oxford before 1884 |
225
|
Part II
| ||
1.
| Introduction |
231
|
2.
| Establishment of the Professorship |
233
|
Lincoln College and Mark Pattison |
233
| |
Ancient History and Archaeology |
233
| |
3.
| Percy Gardner (1887-1925) |
237
|
The Gardner brothers |
255
| |
Percy's Inaugural Lecture |
255
| |
Casts ordered |
256
| |
The Chantrey casts |
258
| |
The 'Sunk Court' and the apparatus |
260
| |
Casts on the move |
260
| |
The Evanses |
263
| |
Arthur Evans and Fortnum |
263
| |
University Galleries and Ashmolean Museum 1894 |
264
| |
Casts ordered in 1894 |
265
| |
The 'Sunk Court' and the Chantrey casts |
268
| |
Newton's books and the Archaeological Library |
269
| |
Warren and Marshall |
271
| |
Gardner's first decade |
271
| |
Portrait busts |
272
| |
Barracco's Museo di Scultura antica |
275
| |
Gardner, Richards and Beazley |
275
| |
Amalgamation of the collections 1908 |
277
| |
Warren and Beazley |
278
| |
Hogarth's master plan |
279
| |
The Great War 1913-1918 |
280
| |
Warren, Marshall and the 'Boston Throne' |
280
| |
Gardner's Guide to the casts |
281
| |
The Hope sale |
282
| |
Post-war |
283
| |
The Coin Room |
284
| |
Gardner's Progress in Classical Archaeology |
285
| |
4.
| John Davidson Beazley (1925-1956) |
287
|
Early years at Oxford |
291
| |
Testimonials for the Professorship |
291
| |
Beazley and the casts |
292
| |
The 1930s |
297
| |
War and destruction of Duncan and Chantrey casts |
298
| |
Beazley's A Catalogue of Casts |
299
| |
Post-War |
299
| |
Oxford Monographs on Classical Archaeology |
299
| |
Planning for the future |
300
| |
5.
| Bernard Ashmole (1956-1961) |
303
|
Early years and photography |
307
| |
London years, Inaugural Lecture Value of Casts |
308
| |
'Persuaded' to Oxford |
308
| |
The new Cast Gallery |
308
| |
Cleaning the casts |
309
| |
6.
| Martin Robertson (1961-1979) |
311
|
Early years and Beazley |
313
| |
The University's purchase and Beazley's gift |
314
| |
Departure of the Ruskin School of Drawing |
314
| |
7.
| John Boardman (1979-1994) |
317
|
Reader for Ashmole and Robertson |
329
| |
Artists and exhibitions in the Cast Gallery |
329
| |
The Baiae casts |
330
| |
Midas and Philip |
330
| |
Electronic documentation of the casts |
331
| |
Impressions of engraved gems and cameos |
332
| |
The Wellcome Benefaction |
333
| |
Chronological chart |
341
| |
Catalogue of casts, compiled by Florence Maskell |
383
| |
List of abbreviations | ||
Bibliography | ||
Index (general) | ||
Index of persons | ||
Index of museums |
Friday, August 3, 2012
Statuaria romana
Speranza
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment