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| Antonio Sacchini |
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It takes the form of a "tragedia lirica" in four acts (later revised to a three act version).
It was first performed on 18 September 1784, and subsequently on 30 November of the same year.
The libretto was adapted by Nicolas-François Guillard from that by Charles-Antoine Leclerc de La Bruère, which had already been set to music by Jean-Philippe Rameau in his earlier opera of the same name.
Although "the title-page of the printed score reads only 'paroles de M. Guillard', [in fact] most of the text is by La Bruère". Guillard's interventions mainly consisted in "[omitting] the Prologue, [altering] the order of events in Act 3, and skilfully [compressing] Acts 4 and 5".
The librettist "justified his redoing the subject ... [by explaining] that his aim was to tighten the plot and create better motivation for the characters".
The dancing divertissement was done by Pierre Gardel.
The opera was not successful at its first appearance and had no more than six performances.
Both Maillard, who played Iphise, and Larrivée, who played Teucer, were regarded as inadequate, the latter having to be replaced by Moreau after the second performance.
The melodrama as a whole was deeply involved in the growing hostility towards Queen Marie Antoinette's predilection for foreigners, Sacchini being her favourite.
She herself had introduced the musician to the king in 1783, when he had been celebrated at court along with another Italian composer Piccinni, when they had both been granted substantial pensions on account of their recently staged operas, Didone and Chimène.
Sacchini and Guillard later decided to revise Dardano, reducing it to three acts and introducing new choreography by Gaetano Vestris.
The new version was given at Fontainebleau on 20 October 1785 and was later brought to the stage of the Paris Opera on 17 January 1786, enjoying a total of 25 performances in 1786/1787. "It was [later] mounted annually between 1800 and 1808, and it was sung on 28 dates in these nine years",[6] before being definitively dropped.
Roles
| Role | Voice type | Premiere Cast, 18 September 1784[7] before the French sovereigns, Louis XVI and Marie Antoinette (Conductor: ) |
|---|---|---|
| Iphise | soprano | Marie Thérèse Maillard |
| Dardanus | tenor | Étienne Lainez |
| Arcas | haute-contre | Dufrenaye (also spelled Dufresnay)[8] |
| Anténor | taille | François Lays |
| Teucer | bass-baritone | Henri Larrivée[9] |
| Isménor | bass-baritone | Augustin-Athanase Chéron |
| Un officier du palais | bass-baritone | M. Moreau |
| Deux coryphées | sopranos | Adealaïde Gavaudan, cadette/Mlle Joinville |
| Deux confidentes | sopranos | Gertrude Girardin/Aurore (chorus-singers) |
| Warriors, magicians, sylphs, spirits: choir | ||
ballerinas: Marie-Madeleine Guimard, Victoire Saulnier; male dancers: Pierre Gardel, Auguste Vestris | ||
Recordings[edit]
Music from Dardanus was used in the film Jefferson in Paris. Extracts from the opera appeared on the soundtrack CD, conducted by William Christie with Jean-Paul Fouchécourt singing the title role.Two arias for Iphise (Il me fuit...Rien peut émouvoir and Cesse, cruel Amour, de régner sur mon âme) were recorded by Véronique Gens on the album Tragédiennes 2, accompanied by the orchestra Les Talens Lyriques conducted by Christophe Rousset (Virgin Classics, 2009).
References[edit]
Notes[edit]
- Jump up ^ Grove, Pitou, Lajarte
- ^ Jump up to: a b Grove
- Jump up ^ Pitou, p. 143
- ^ Jump up to: a b c Lajarte
- Jump up ^ David DiChiera, Sacchini, Antonio (Maria Gasparo Gioacchino), in Stanley Sadie (ed.), The New Grove Dictionary of Opera, Grove (Oxford University Press), New York, 1997, III, p. 114, ISBN 978-0-19-522186-2
- Jump up ^ Pitou, p. 142
- Jump up ^ Source: original libretto.
- Jump up ^ Dufresnay, "a young seminarian from Évreux", had been engaged in 1782 to sing the haute-contre as a double ((French) Youri Carbonnier, Le personnel musical de l'Opéra de Paris sous le règne de Louis XVI, p. 186, in «Histoire, économie et société», 2003, 22-2, 177-206 - accessed online in Persée, 3 February 2011)
- Jump up ^ from the third performance, Jean-Pierre Moreau
Sources[edit]
- (French) Original libretto: Dardanus , tragédie en trois actes ; représentée devant leurs majestés, à Trianon, le 18 septembre 1784, Paris, Ballard, 1784 (accessible for free online in Gallica, Bibliothèque Nationale de France)
- (French) Adolphe Jullien, La Cour et l'Opéra sous Louis XVI. Marie-Antoinette et Sacchini Salieri Favart et Gluck. D'après des documents inédits conservés aux Archives de l'État et à l'Opéra, Paris, Librairie Académique (Didier),1878 (accessible for free online in OpenLibrary.org), accessed 3 February 2011
- Julian Rushton, Dardanus (ii), in Stanley Sadie (ed.), The New Grove Dictionary of Opera, Grove (Oxford University Press), New York, 1997, I, p. 1079, ISBN 978-0-19-522186-2
- (French) Théodore de Lajarte, Bibliothèque Musicale du Théatre de l'Opéra. Catalogue Historique, Chronologique, Anecdotique, Paris, Librairie des bibliophiles, 1878, Tome I (accessible for free on-line in scribd.com – accessed 3 February 2011, ad nomen, pp. 345-46)
- Spire Pitou, The Paris Opéra. An Encyclopedia of Operas, Ballets, Composers, and Performers – Rococo and Romantic, 1715-1815 (article: Dardanus, pp. 142-43), Greenwood Press, Westport/London, 1985 (ISBN 0-313-24394-8)
- ItalianOpera.org (Italian), accessed 3 February 2011
- Amadeus Almanac (Italian), accessed 8 September 2009
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