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"L'Orestea" is an melodramma in three parts, eight tableaux, with music by Sergei Taneyev, composed during 1887-1894.
The composer titled this work, his only opera, a "musical trilogy." The Russian libretto was adapted by A.A. Wenkstern from the The Oresteia of Aeschylus. The opera was premiered on October 29 [O.S. October 17] 1895 at the Mariinsky Theatre. Nikolai Rimsky-Korsakov wrote that soon after the premiere, the Mariinsky management made cuts to the opera, which angered Taneyev.[1]
The best-known excerpt from Oresteia is the entr'acte played before the second tableau of Part III, "The Temple of Apollo at Delphi." This passage, as well as other themes from the opera, figured into one of Taneyev's other works, namely, his orchestral overture entitled Oresteia (1889). This overture—not included in the printed score of this opera—constitutes a separate 18-minute-long symphonic poem based on themes from the trilogy.
Harlow Robinson has noted that the opera avoids dramatic treatment of the murders of Agamemnon, Cassandra, Clytemnestra and Aegisthus, depicting those events off-stage.[1]
Tableau 2: An olive grove
Tableau 3: Setting as in Part 1
Tableau 2: Interior of Apollo's temple at Delphi
Tableau 3: Athens
The composer titled this work, his only opera, a "musical trilogy." The Russian libretto was adapted by A.A. Wenkstern from the The Oresteia of Aeschylus. The opera was premiered on October 29 [O.S. October 17] 1895 at the Mariinsky Theatre. Nikolai Rimsky-Korsakov wrote that soon after the premiere, the Mariinsky management made cuts to the opera, which angered Taneyev.[1]
The best-known excerpt from Oresteia is the entr'acte played before the second tableau of Part III, "The Temple of Apollo at Delphi." This passage, as well as other themes from the opera, figured into one of Taneyev's other works, namely, his orchestral overture entitled Oresteia (1889). This overture—not included in the printed score of this opera—constitutes a separate 18-minute-long symphonic poem based on themes from the trilogy.
Harlow Robinson has noted that the opera avoids dramatic treatment of the murders of Agamemnon, Cassandra, Clytemnestra and Aegisthus, depicting those events off-stage.[1]
Roles[edit]
| Role | Voice type | Premiere cast (Conductor: - ) |
|---|---|---|
| Agamemnon, king of Argos | bass | |
| Clytemnestra, his wife | alto | |
| Aegisthus, his first cousin | baritone | |
| Cassandra, a Trojan prisoner | soprano | |
| A Guard | bass | |
| Elektra, daughter of Agamemnon and Clytemnestra | soprano | |
| Orestes, son of Agamemnon and Clytemnestra | tenor | |
| Apollo Loxias | baritone | |
| Pallas Athena | soprano | |
| Areopagite | bass | |
| Libation-Bearer | bass | |
| Part 1: People, female servants of Clytemnestra, warriors, captives, bodyguards. Part 2: Female servants of Clytemnestra. Part 3: Furies, Athenian people, areopagites participating in the pan-Athenian procession | ||
Synopsis[edit]
Argos, before the Atrides palace.Part 1: Agamemnon[edit]
Part 2: The Libation Bearers[edit]
Tableau 1: The interior of the Atrides palaceTableau 2: An olive grove
Tableau 3: Setting as in Part 1
Part 3: The Eumenides[edit]
Tableau 1: A deserted place on the seashoreTableau 2: Interior of Apollo's temple at Delphi
Tableau 3: Athens
Selected recordings[edit]
- Deutsche Grammophon 2709 097 (original LP issue): Victor Chernobayev, Lydia Galushkina, Anatoly Bokov, Nelli Tkachenko, Tamara Shimko, Ivan Dubrovin, Arkady Savchenko, Ludmilla Ganestova, Stanislav Frolov, Mikhail Pushkariev; Chorus and Orchestra of the Belorussian State Opera and Ballet; Tatyana Kolomizheva, conductor[1][2]
References[edit]
- ^ Jump up to: a b c Robinson, Harlow (1991). "The Oresteia. Sergei Taneyev". The Opera Quarterly 8 (1): 159–161. doi:10.1093/oq/8.1.159. Retrieved 2007-09-16.
- Jump up ^ Norris, Geoffrey, Review of Taneyev's Oresteia (1980). The Musical Times, 121 (1644): p. 109.
Bibliography[edit]
- 100 опер: история создания, сюжет, музыка. [100 Operas: History of Creation, Subject, Music.] Ленинград: Издательство "Музыка," 1968, pp. 426–432.
- Anastasia Belina. ‘Representation of Clytemnestra and Cassandra in Taneyev’s
- Oresteia.’Studies in Musical Theatre 2:1, 2008, pp. 61–81.
External links[edit]
- Piano-vocal score in PDF format at the International Music Score Library Project.
- The Russian libretto in HTML
- The Russian libretto in a .zip file for Word
- Review (in English) of a concert performance of Taneyev's 'Oresteia' in St. Petersburg, 2006
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