Tiziano e la mascolinità

Speranza

Titian’s David and Goliath and The Santo Spirito Cycle

Why Masculinity?

The Artist as Poet

Textual Aberration

The Power of Images

Gendered Meaning in a Religious Setting

Artistic Enmity in Late Renaissance Italy

Titian’s Tarquin and Lucretia

Femininely Masculine

Masculinely Feminine

Contemporary Ideals

Gender Constructs in Titian’s Il Bravo: The Triumph of the Feminized Male

A Visual Hypothesis

The Power of Contrast

Christ as Metaphor

Contemporary Concerns