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By studying Titian’s
paintings of
David and Goliath, Tarquin and Lucretia and Il Bravo, three images that
explore the merits of the feminized male, our research outlines how Titian’s art depicts a
radically different expression of idealized masculinity, one that can be interpreted as
repudiating previous models of masculinity that were experienced as violent and
oppressive, in favour of a more natural representation.
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