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Tuesday, July 10, 2012

The representations of the male naked body: manifesting masculinities in Italian statuary

Speranza

Femininity and masculinity in eighteenth-century art and culture - Pagina 145


books.google.comGillian Perry, Michael Rossington - 1994 - 262 pagine - Anteprima
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n a long commentary on the sculpture in his Lettres sur I'ltalie (1788), translated as Sentimental Letters on Italy (1789), ... with the concepts of strength and masculinity; the second exemplifies an alternative form of unrestrained masculinity, ...

Who's Who in Gay and Lesbian History: From Antiquity to World War II - Pagina 82


books.google.comRobert Aldrich, Garry Wotherspoon - 2002 - 528 pagine - Anteprima


He spent a brief period in Rome (where he helped restore one of MICHELANGELO'S statues), then lived in Paris between 1927 and 1933 ...

These ideal types of fierce Germanic masculinity, by the prominent display of their sexual attributes, are subliminally homo-erotic ... several dozen larger than life-size statues of naked athletes (each representing an Italian city or region) pointing to the Duce's ambition ...

Bodybuilding: reforming masculinities in British art 1750-1810


books.google.comMartin Myrone, Paul Mellon Centre for Studies in British Art - 2005 - 384 pagine - Anteprima

This original book explores the radical transformation of the heroic male body in late eighteenth-century British art.

Handbook of studies on men and masculinities - Pagina 276


books.google.comMichael S. Kimmel, Jeff Hearn, Raewyn Connell - 2005 - 505 pagine -






Poggi t1997) analyzed representations of men's and women's hodies in the sculptures. paintings. novels and poems of early-20th- century. male Italian futurists. Poggi argued that the aesthetics of this avant-garde group displayed a "system of ...

The body emblazoned:

dissection and the human body in Renaissance ... - Pagina 302


books.google.comJonathan Sawday - 1996 - 327 pagine - Anteprima


It is as if a programme was evolving in the Loggia which unambiguously traced the mythos of masculinity which Cellini had encountered in Fontainebleau.
See John Pope-Hennessy, Italian High Renaissance and Baroque Sculpture (1963, rpt.

Diva: Defiance and Passion in Early Italian Cinema - Pagina 186


books.google.comAngela Dalle Vacche - 2008 - 310 pagine - Anteprima
Defiance and Passion in Early Italian Cinema Angela Dalle Vacche. Cinema was ... Because it is a traditional art form, sculpture is associated with masculinity, but also with cold marble. By contrast, sculpture in motion—the living faun—is a ...

Sculpture and the sculptor's art


books.google.comHerbert H. Stansfield - 1918 - 164 pagine - Visualizzazione snippet
 

Roman Holidays: American Writers and Artists in Nineteenth-Century ...


books.google.comRobert K. Martin, Leland S. Person - 2002 - 256 pagine - Google eBook - Anteprima
Featuring essays by twelve prominent American literature scholars, Roman Holidays explores the tradition of American travel to Italy and makes a significant contribution to the understanding of nineteenth-century American encounters with ...

Sculpture from the Sheldon Memorial Art Gallery - Pagina 26


books.google.comKaren O. Janovy, Daniel A. Siedell - 2005 - 246 pagine - Anteprima
These works were not shown in the United States until he moved to New York in 1910, but in 191 1 his statue of a tired boatman, Bottt ... from the Mormon Church, Young continued to explore themes of male experience, particularly ones emphasizing a
rugged masculinity. ... dagos, waps, hunkies, from Ireland, Germany, Italy, Poland, and southern Europe . . . dam' may become for them as honorable a ...

Encyclopedia of Italian Literary Studies: Volume 1 - Pagina 441


books.google.comGaetana Marrone - 2006 - 1169 pagine - Anteprima
The Treatises of Benvenuto Cellini on Goldsmithing and Sculpture, translated by C. R. Ashbee, 1967; rpt. ... Gallucci, Margaret A., Benvenuto Cellini: Sexuality, Masculinity, and Artistic Identity in Renaissance Italy, New York: Palgrave ...

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