Larry Hamberlin
Associate Professor of Music
Larry Hamberlin teaches courses in Western classical music, American music, jazz, rock, and musical theater. His publications include:
Tin Pan Opera Rag: Operatic Novelties in the Ragtime Era (Oxford University Press, 2011)
“The Beethoven Allusions in ‘Auf dem Strom’ (D.928),” in Unknown Schubert, ed. Barbara Reul (Ashgate, 2008)
“Visions of Salome: The Femme Fatale in American Popular Songs before 1920,” JAMS (2006)
“National Identity in Snyder and Berlin’s ‘That Opera Rag’” American Music (2004)
In 2004 the Society of American Music awarded the Mark Tucker Prize to his paper
“Caruso and His Cousins: Portraits of Italian Americans in the Operatic Novelty Songs of Edwards and Madden.”
Hamberlin has presented several papers, on topics ranging from music at the 1893 Chicago World’s Fair to Puccini’s influence on American popular song, at meetings of the International and American Musicological Societies, the Society for American Music, and the International Association for the Study of Popular Music (U.S. branch), and has been an invited speaker at the universities of Michigan, Indiana, Iowa, and Columbia and at the College of William and Mary.
Hamberlin previously taught as a visiting assistant professor at Williams College and Tufts University.
In the summer he directs the town band and gives pre-concert talks for a chamber music concert series in Rochester, Vermont.
Courses
Courses offered in the past four years.▲ indicates offered in the current term
▹ indicates offered in the upcoming term[s]
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