Grisotto: Theories of dialogue in Grice and the late Italian renaissance -- la teoria del dialogo: Grice ed il rinascimento italiano

Luigi Speranza

Writing the scene of speaking: theories of dialogue in the late Italian Renaissanceby Jon R. Snyder | Papers by Jon R.
Stanford: Stanford University Press, 1989.

The "rediscovery" in sixteenth-century Italy of Aristotle's POETICS marks a crucial moment in the development of Western thought about literature, for the flood of new and controversial works that accompanied this event laid the foundations of modern literary criticism and theory.

Snyder's is a study of the main literary theories of the late Italian Renaissance that seek to define a poetics of "dialogue".

Snyder contends that dialogue -- among the most popular of all prose forms in the Renaissance -- presents a unique challenge to sixteenth-century efforts in Italy to develop a new theory of literature, because it seems to subvert the conventional Renaissance understanding of what is literary and what is not.

With its close ties to dialectic and to Platonic philosophy on the one hand, and its equally vital links to imaginative fiction on the other, dialogue in the Renaissance stands

at the crossroads of the discourses of cognition and fiction.

This book examines the different solutions offered by sixteenth-century theorists to the problem posed by the hybrid textuality of dialogue, and sets them in the context of a culture in a dramatic state of transition.

Some of the writers, critics and theorists discussed in the book include

Carlo Sigonio,
Sperone Speroni,
Torquato Tasso,
Lodovico Castelvetro,
G.B. Manso, and
Pietro Sforza Pallavicino.