CROCIATA operistica: cronologia

Speranza

Operas set in the Crusades.

1612. Cesare Marotta, Intermezzo on the imprisonment, enchantment and liberation of Rinaldo, Roma. 1615. "Il Tancredi" by Girolamo Giacobbi, su libretto da Rodolfo Campeggi, tratto da Tasso, La Gerusalemme liberata, Bologna. Thi dates from a time when opera was still in its infancy and performed only in private palaces or court theatres. 1623. Francesca Caccini, "Rinaldo innamorato", Firenze; libretto after Tasso's La Gerusalemme liberata (music lost) 1624. Monteverdi, "Il combattimento di Tancredi e Clorinda", Venezia. 1629. Giovanni Rovetta, "Le lagrime d'Erminia". 1633. Erminia sul Giordano, Rome, composed by Michelangelo Rossi; libretto by Giulio Rospigliosi, after Tasso's La Gerusalemme liberata 1637. Domenico Mazzocchi, "Olindo e Sofronia" 1639. L'Armida (1639, Venice) composed by Benedetto Ferrari; libretto by Benedetto Ferrari, after Tasso's La Gerusalemme liberata L'Amore trionfante dello sdegno (1641, Ferrara) composed by Marco Marazzoli; libretto after Tasso's La Gerusalemme liberata Armide (1686, Paris) composed by Jean-Baptiste Lully; libretto by Philippe Quinault, after Tasso's La Gerusalemme liberata La Gerusalemme liberata (1687, Venice) composed by Carlo Pallavicino; libretto by Vincenzo Grimani and Girolamo Frisari, after Tasso's La Gerusalemme liberata Gli avvenimenti di Erminia e di Clorinda (1693, Venice) composed by Carlo Francesco Pollarolo; libretto by Giulio Cesare Corradi, after Tasso's La Gerusalemme liberata (music lost) Gli amori e incanti di Rinaldo con Armida (1694, Rovigo) composed by Teofilo Orgiani; libretto by Giralomo Colatelli, after Tasso's La Gerusalemme liberata (music lost)[20] 1702. Tancredi (1702, Paris) by André Campra; libretto by Antoine Danchet, after Tasso's La Gerusalemme liberata Armida abbandonata (1707, Venice) composed by Giovanni Maria Ruggieri; libretto by Francesco Silvani, after Tasso's La Gerusalemme liberata Armida al campo (1708, Venice) composed by Giuseppe Boniventi; libretto by Francesco Silvani after Tasso's La Gerusalemme liberata Rinaldo (1711, London) composed by George Frideric Handel; libretto by Giacomo Rossi after Tasso's La Gerusalemme liberata Armida regina di Damasco (1711, Verona) composed by Teofilo Orgiani (music lost) Armida in Damasco (1711, Venice) composed by Giacomo Rampini; libretto by Grazio Braccioli Armida al campo d'Egitto (1718, Venice) composed by Antonio Vivaldi; libretto by Giovanni Palazzi, after Tasso's La Gerusalemme liberata Das eroberte Jerusalem, oder Armida und Rinaldo (1722, Braunschweig) composed by Georg Caspar Schurmann; libretto by Johann Samuel Müller, after Tasso's La Gerusalemme liberata Armida abbandonata (1725, Prague) composed by Antonio Bioni; libretto by Francesco Silvani, after Tasso's La Gerusalemme liberata Armida al campo (1726, Breslau) composed by Antonio Bioni; libretto by Francesco Silvani, after Tasso's La Gerusalemme liberata Il trionfo di Armida (1726, Venice) composed by Tomaso Albinoni; libretto by Girolamo Colatelli, after Tasso's La Gerusalemme liberata[21] L'abbandono di Armida (1729, Venice) composed by Antonio Pollarolo; libretto by Giovanni Boldini, after Tasso's La Gerusalemme liberata Armida (1751, Berlin) composed by Carl Heinrich Graun; libretto by Leopoldo di Villati, after Tasso's La Gerusalemme liberata La Armida aplacada (1750, Madrid) composed by Giovanni Battista Mele; libretto by Giovanni Ambrogio Migliavacca, after Tasso's La Gerusalemme liberata Armida (1761, Vienna) composed by Tommaso Traetta; libretto by Giacomo Durazzo after Tasso's La Gerusalemme liberata Armida abbandonata (1770, Naples) composed by Niccolò Jommelli; libretto by Francesco Saverio De Rogatis, after Tasso's La Gerusalemme liberata Armida (1771, Vienna) composed by Antonio Salieri; libretto by Marco Coltellini after Tasso's La Gerusalemme liberata Armide (1777, Paris) composed by Christoph Willibald Gluck; libretto by Philippe Quinault, after Tasso's La Gerusalemme liberata Armida (1777, Venice) composed by Gennaro Astarita; libretto by Giovanni Ambrogio Migliavacca and Giacomo Durazzo, after Tasso's La Gerusalemme liberata Armida (1780, Milan) composed by Josef Mysliveček; libretto by Giovanni Ambrogio Migliavacca after Philippe Quinault Armida (1784, Eszterháza) composed by Joseph Haydn; librettist unknown, after Tasso's La Gerusalemme liberata Richard Coeur-de-lion (1784, Paris) composed by André Grétry; libretto by Michel-Jean Sedaine, based on Richard I of England, a central commander in the Third Crusade Henriette Méric-Lalande who created the title role in Bellini's Zaira and Palmide in Meyerbeer's Il crociato in Egitto Sofronia ed Olindo (1793, Naples) composed by Gaetano Andreozzi; libretto by Carlo Sernicola, after Tasso's La Gerusalemme liberata Zaira (1797, Venice) composed by Sebastiano Nasolini; libretto by Mattia Butturini, after Voltaire's Zaïre [edit] 19th century operas La Zaira (1802, Lisbon) composed by Marcos Antônio Portugal; libretto by Mattia Butturini, after Voltaire's Zaïre Zaira ossia Il trionfo della religione composed by Vincenzo Federici; libretto by Mattia Butturini, after Voltaire's Zaïre Zaira (1805) composed by Peter Winter; libretto by Filippo Pananti, after Voltaire's Zaïre Gabriella di Vergy (1816, Naples) composed by Michele Carafa; libretto by Andrea Leone Tottola, based on the tragedy Gabrielle de Vergy (1777) by Dormont De Belloy. Fayel (1817, Florence) composed by Carlo Coccia; libretto by Andrea Leone Tottola, based on the tragedy Gabrielle de Vergy (1777) by Dormont De Belloy. Armida (1817, Naples) composed by Gioaccino Rossini; libretto by Giovanni Schmidt, after Tasso's La Gerusalemme liberata Ricciardo e Zoraide (1818, Naples) composed by Gioachino Rossini; libretto by Francesco Berio de Salsa, after Niccolò Forteguerri's epic poem, Il Ricciardetto [22] Pietro l'eremita (1822, London) composed by Gioachino Rossini; libretto by Andrea Leone Tottola, a version of Rossini's Mosè in Egitto with the plot changed to one based on Peter the Hermit [23] Il crociato in Egitto (1824, Venice) composed by Giacomo Meyerbeer; libretto by Gaetano Rossi, after Jean-Antoine-Marie Monperlier's Les Chevaliers de Malte set in the Sixth Crusade.[24] Gabriella di Vergy (1826, first performed 1869, Naples) composed by Gaetano Donizetti; libretto by Andrea Leone Tottola, based on the tragedy Gabrielle de Vergy (1777) by Dormont De Belloy.[25] Le comte Ory (1828, Paris) composed by Gioacchino Rossini; libretto by Eugène Scribe and Charles-Gaspard Delestre-Poirson [26] Gabriella di Vergy (1828, Lisbon) composed by Saverio Mercadante; libretto by Antonio Profumo, based on the tragedy Gabrielle de Vergy (1777) by Dormont De Belloy Zaira (1829, Parma) composed by Vincenzo Bellini; libretto by Felice Romani, after Voltaire's Zaïre Zaira (1829) composed by Alessandro Gandini; libretto by Felice Romani, after Voltaire's Zaïre Il talismano, ovvero La terza crociata in Palestina (1829, Milan) composed by Giovanni Pacini; libretto by Gaetano Barbieri, after Sir Walter Scott's novel, The Talisman Der Templer und die Jüdin (The Templar and the Jewess) (1829, Leipzig) composed by Heinrich August Marschner, libretto by Wilhelm August Wohlbrück, after Sir Walter Scott's novel, Ivanhoe Zaira (1831, Naples) composed by Saverio Mercadante; libretto by Felice Romani, after Voltaire's Zaïre Emma d'Antiochia (1834, Venice) composed by Saverio Mercadante; libretto by Felice Romani [27] I Lombardi alla prima crociata (1843, Milan) composed by Giuseppe Verdi; libretto by Temistocle Solera, after Tommaso Grossi's 1829 epic poem of the same name [28] Die Kreuzfahrer (The Crusaders) (1844, Cassel) composed by Louis Spohr; libretto by Louis Spohr, after August von Kotzebue's play of the same name [29] Richard en Palestine (1844, Paris) composed by Adolphe Adam; libretto by Paul Foucher based on Richard I of England in the Third Crusade [30] Jaufre Rudel dying in the arms of Hodierna of Tripoli (13th century manuscript) Zaira (1845, Modena) composed by Antonio Mami; libretto by Felice Romani, after Voltaire's Zaïre Jérusalem (1847, Paris) composed by Giuseppe Verdi; libretto by Alphonse Royer and Gustave Vaëz [31] Aroldo (1857, Rimini) composed by Giuseppe Verdi; libretto by Francesco Maria Piave [32] Il talismano (1874, London) composed by Michael Balfe as The Knight of the Leopard and completed after his death by Michael Costa; libretto by Giuseppe Zaffira after Sir Walter Scott's novel, The Talisman Zaïre (1887, Lille) composed by Charles Edouard Lefebvre; libretto by Paul Collin, after Voltaire's Zaïre Zaïre (1890, Paris), composed by Paul Véronge de la Nux; libretto by Édouard Blau and Louis Besson, after Voltaire's Zaïre [edit] 20th century operas Flammen (1902, Vienna) composed by Franz Schreker; libretto by Dora Leen Armida (1904, Prague) composed by Antonín Dvořák; libretto by Jaroslav Vrchlický, after Tasso's La Gerusalemme liberata [33] Castle Agrazant (1929, Cincinnati) composed by Ralph Lyford; libretto by Ralph Lyford set in the aftermath of the Ninth Crusade[34] [edit] 21st century operas L'amour de loin (2000, Salzburg) composed by Kaija Saariaho; libretto by Amin Maalouf, loosely based on the life of the troubador, Jaufre Rudel, who died during the Second Crusade [35] Armida (2005, Channel 4 television) composed by Judith Weir; libretto by Judith Weir, loosely based on Tasso's La Gerusalemme liberata [36] The Children's Crusade (2009, Toronto) composed by R. Murray Schafer; libretto by R. Murray Schafer, based on the 13th century Children's Crusade.