Benvenuto Tisi, called il Garofalo, The Conversion of Saint Paul, ca. 1525. Oil on panel. Yale University Art Gallery, Leonard C. Hanna, Jr., Class of 1913, Fund

Speranza

Benvenuto Tisi, called il Garofalo, "The Conversion of Saint Paul", ca. 1525. Oil on panel. Yale University Art Gallery, Leonard C. Hanna, Jr., Class of 1913, Fund.

REFERENCES:

The articles on Saint Paul in the Cambridge Companion consider his biography and contributions to Church thought.
 

Dunkerton, Jill, Nicholas Penny, and Marika Spring.
“The Technique of Garofalo’s Paintings in the National Gallery.”
National Gallery Technical Bulletin 23, pp. 20–41.
Well illustrated and expertly dealing with the artist's working methods and materials.

Vasari, Giorgio. Lives of the Most Eminent Painters, Sculptors, and Architects.
Vol. 8: Bastiano to Taddeo Zucchero. Trans. Gaston du C. De Vere. London: Project Gutenberg, 1914.
Tanzi, Marco. “Garofalo.”
Grove Art Online. Gives a useful sumamry of the facts and has a good bibliography.

Freedberg, S. J.
Painting in Italy, 1500–1600. New York: Harmondsworth, 1971: 269–72, figs. 170–71.
 

Acts of the Apostles 9, 22, 26.
See also Epistles: 1 Thessalonians, 1 and 2 Corinthians, Galatians, Philippians, and Romans.

Dunn, James D. G., et al.
The Cambridge Companion to St. Paul. New York: Cambridge University Press, 2003. See, especially, Klaus Hacker, “Paul’s Life,” 19–33; and Robert Morgan, “Paul’s Enduring Legacy,” 242–55.