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Tuesday, June 5, 2012

Il "Rinaldo" di Dvorak

Speranza

Rinaldo ed Armida is an opera by Antonín Dvořák in four acts, set to a libretto by Jaroslav Vrchlický that was originally based on Torquato Tasso's epic La Gerusalemme liberata.

Dvorak's opera was first performed at Prague's National Theatre on 25 March 1904.

The score was published as opus 115 in 1941.

 In terms of genre, Armida represents the culmination of Dvorak's experimentation with a Wagnerian style of opera composition, though much of the music belongs to Dvorak's own genre.

Vrchlický's libretto parallels the one that Philippe Quinault wrote for Jean-Baptiste Lully in their opera of the same name.

Premiere Cast, 25 March 1904 (Conductor: - )

King Hydraot of Damascus, bass ... Emil Pollert Armida, his daughter, soprano ... Růžena Maturová Ismen, a prince and magician, baritone ... Bohumil Benoni Petr, a hermit bass Václav Kliment Bohumir, commander of the Franks baritone Václav Viktorin ************************ Rinaldo Este, principe crociato, tenore ... Bohumil Pták Dudo tenor Bedrich Bohuslav Sven tenor Adolf Krössing Roger tenor Hynek Svejda Gernand bass Robert Polák Ubald bass Frantisek Sír Hlasatel, a herald bass Otakar Chmel Muezin baritone Jan Vildner Siren soprano Marie Kubátová A nymph soprano Vilemína Hájková Choruses of Demons, Nymphs, Sirens, Sprites, Knights etc.

In the royal gardens of Damascus the call to prayer is heard. Ismen enters with news of the approaching Franks, but tries to dissuade the King from a confrontation: let him instead send his daughter (whose hand Ismen has been seeking) to sow dissention. She balks, but changes her mind when Ismen uses his magic to show her the enemy camp, recognizing Rinald as the knight she has just dreamed of. Armida arrives in the crusader's camp and meets Rinald, who brings her to into the council where she tells a story of an usurping uncle having blinded the king and chased her into the desert. Rinald cannot wait for the commander of an expedition to restore her kingdom to be chosen by lot and is caught leaving camp with her by the hermit Peter, but the lovers are aided in their escape by Ismen, driving a chariot pulled by dragons. Rinald and Armida are entertained in her garden by sirens and fairies. Ismen is disguised as an old man and tries to destroy the palace, but finding his powers no match for Armida's sorcery, he goes to Rinald's companions and claims to be a convert. Glad of his help, they accept from him the Archangel Michael's diamond shield, which they use to bring Rinald out of the palace, which collapses as soon as Armida gives way to grief. Rinald asks forgiveness for abandoning his comrades and his mission. As the crusaders advance on Damascus the battle passes through the camp and Rinald kills Ismen and faces a black knight, who drops his sword when he curses Armida's name. Only after stabbing her does he recognize her and baptise her as she dies in his arms.

References:

Jan Smaczny. "Armida (VII)", Grove Music Online, ed. L. Macy (accessed 25 September 2007), grovemusic.com (subscription access). Vocal score prepared by Karel Šolc, introduction by Otakar Šourek, Orbis (Prague) 1941. View page ratings Rate this page What's this? Trustworthy Objective Complete Well-written I am highly knowledgeable about this topic (optional) Submit ratings Help improve this page What's this? Did you find what you were looking for? Yes No Categories: Operas by Antonín Dvořák 1904 operas Operas Operas set in the Levant Operas based on works by Torquato Tasso Czech-language operas Log in / create account Article Talk Read Edit View history Main page Contents Featured content Current events Random article Donate to Wikipedia Interaction Help About Wikipedia Community portal Recent changes Contact Wikipedia Toolbox Print/export Languages Česky Galego This page was last modified on 29 February 2012 at 23:15.

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