Johann Anton Leisewitz | |
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He is best known for his play GIULIO DI TARANTO (1776), that inspired Friedrich Schiller and is considered the forerunner of Schiller's quintessential Sturm und Drang work I MASNADIERI (1781), set by Verdi, as translated by Maffei (Her Majesty's, Haymarket, under Levy, 1847, Londra).
Leisewitz went to Göttingen in 1770, and became a member of the circle of poets called Der Hainbund, which included Stolberg and Voss, and contributed two poems to the Göttinger Musenalmanach for 1775, both essentially dramatic and democratic in tone.
In 1775, at Brunswick, and later at Berlin and Weimar, he met and soon counted among his friends Eschenburg, Moses Mendelssohn, Lessing, Nicolai, Herder, and Goethe.
His single complete play, GIULIO DI TARANTO (1776), was written in Lessing's style and with much of the latter's dramatic technique.
The play was a favorite of Friedrich Schiller, and was frequently acted in Germany.
It also inspired Friedrich Maximilian Klinger, who was employed as playwright by Leisewitz' father-in-law Abel Seyler.
He married Sophie Marie Katharina Seyler (1762–1833) in Hamburg in 1781. She was the daughter of famed Swiss-born theatre director Abel Seyler and stepdaughter of actress Friederike Sophie Seyler, and grew up with her uncle J.G.R. Andreae in Hanover.
Her brother was banker Ludwig Erdwin Seyler, who became by marriage a member of the Berenberg-Gossler banking dynasty.[2]
Leisewitz was a distant relative of his wife on the Andreae side, and had been a frequent visitor in the Andreae home, with its large library, in his youth.
He would later refer to J.G.R. Andreae as his uncle.[3]
[edit] References
Wikimedia Commons has media related to: Johann Anton Leisewitz |
- ^ Johann Anton Leisewitz, Encyclopedia Britannica
- ^ Leisewitz, Johann Anton, Neue Deutsche Biographie
- ^ Paul Warren Noble, The life and works of Johann Anton Leisewitz, University of Wisconsin-Madison, 1976, p. 107
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