Tenors are a different
story. Their peculiar fascination for
women has long puzzled
Freudians and gland specialists.
The operatic chronique
scanddeuse knows many stories of
the temperamental primo
uomo. The tenor Luigi Ravelli
once got enraged in the
middle of the stage because Minnie
Hauk, the American
soprano, embraced him so passionately
that she choked his high
B flat. The audience considered
B.avellf s tantrums a
fine histrionic touch, and applauded
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