Grice
e Cazio – Roma – filosofia ialiana – Luigi Speranza (Roma). He is presented by Orazio as something of a philosophica dilettante
obsessed with food.
Grice
e Cazio: l’orto a Roma – filosofia italiana – Luigi Speranza (Roma). Catius insuber. Member of the Garden. He wrote four books in which he
set out the school’s teachings on the nature of the universe and the most
important hings in life. The books were aimed at making the teachings available
and accessible to a wide audience.
Grice e Cazzaniga: la ragione
conversazionale e l’implicatura conversazionale dell’iniziazione – You only get
first penetrated once – BACCHANALIUM – scuola di Torino – filosofia torinese –
filosofia piemontese -- filosofia italiana – Luigi Speranza, pel Gruppo di
Gioco di H. P. Grice, The Swimming-Pool Library (Torino). Filosofo
torinese. Filosofo piemontese. Filosofo Italiano. Torino, Piemonte. Grice: “I
like Cazzaniga – he shows that latitdunial unity is not a myth! He has researched on Cocconato – and he has seriously spoken of the
‘catene d’unione’ – the handshake – which is crosses the longitudinal and
latitudinal unities – consider Thatcher: “There’s no such thing as societies;
only individuals! The ‘catene d’unione’ is represented most easily by a
handshake, but this is in a catena usually a circle – need it be a close circle?
It should be! Perhaps Austin and the Play Group formed such a circle!” -- Gian
Mario Cazzaniga (Torino), filosofo. Studia a Milano. Si laurea a Pisa con
Massolo. Insegna a Pisa. Quaderno Rosso. Il potere operaio. Funzione e
conflitto. Forme e classi nella teoria marxista dello sviluppo, Napoli,
Liguori); La religione dei moderni, Pisa, ETS); Metamorfosi della sovranità:
fra stati nazionali e ordinamenti giuridici mondiali. Società geografica
italiana, Roma, Pisa, ETS); La democrazia come sistema simbolico "Belfagor”;
Le Muse in loggia. Massoneria e letteratura nel Settecento (Milano, UNICOPLI);
Storia d'Italia. Annali: La Massoneria, Torino, Einaudi) Storia d'Italia.
Annali 25: Esoterismo, Torino, Einaudi). C., “Massoneria e letteratura: Dalla
'République des lettres' alla lettera- tura nazionale,” in Le muse in Loggia,
ed. C. et al. (Milan: Unicopli), C., “Origine ed evoluzione dei rituali
carbonari italiani,” in C., La Massoneria, Chi anche in questa fine di
millennio continua a nutrire interesse per la storia delle vicende umane, per
la storia delle idee e dei tentativi messi in atto per concretarle -
soprattutto se le idee in questione sono quelle di libertà, fraternità,
uguaglianza - trova in libreria un testo di sicuro interesse: “La religione dei
moderni”. Convinto con Eraclito che per trovare oro è necessario scavare molta terra,
C. ha dissodato a fondo un terreno a prima vista assai ingrato: l'arcipelago
multiforme e delirante della massoneria e delle sue sette. Il risultato è però
la dimostrazione di come la nottola di Minerva possa tornare con un bottino non
solo erudito, ma capace anzi di rinnovare la nostra stessa auto-comprensione
spiccando con metodo il suo volo anche sulle strane isole e penisole culturali
in cui vivono illuminati, teofilantropi, filaleti, U.S.D. (leggasi: Uomini
Senza Dio) e come diavolo con nome di rigenerazione si sono ribattezzati i
mille e mille fratelli costruttori decisi ad erigere una carcere per il vizio e
un templi alla virtù. Tra loro spiccano in ogni caso alcuni tra i massimi
intellettuali italiani: e anche Lessing, Herder, Goethe, a Mirabeau, Condorcet,
Fichte, Heine. Chi indotto da recenti vicende italiche rischiasse di confondere
massoneria e piduismo, può finalmente scoprire momenti e figure assai più
nobili e rilevanti di questa istituzione e apprende come nella loggia e nato
praticamente ogni ideologia - liberalismo, democrazia cristiana, comunismo... -
risultati costituitivi della modernità occidentale. A chi si chiedesse cosa e
chi ha spinto allo studio dell'ambiente massonico un intellettuale lucido,
raffinato e dalla ben nota militanza nel movimento operaio come C., il saggui
non manca di rispondere. Da esso emerge netta l'opzione per una filosofia
curiosa dei luoghi storico-sociali capaci di generare il nuovo e attenta ai
valori della differenza, nutrita da quella passione per le radici culturali del
nostro mondo che già aveva indotto C. a esplorare "Fin'amors e cortezia
nella poesia trabadorica" quali matrici dello "spirito laico".
Nel caso attuale si aggiunge un'indicazione di Marx che, in compagnia di
Engels, criticava i "critici-critici" tedeschi alla luce delle
esperienze realizzate della critica pratica del cervello sociale messo in moto
dalla Rivoluzione Francese. C. stesso segnala il debito con i dioscuri
fondatori del moderno partito politico di massa. Lo fa con ironica signorilità
citando a conclusione del commento su Bonneville le parole che hanno costituito
l'input decisivo per l'avvio di un'indagine che, partita dal Cercle social indicato
dalle pagine della Sacra Famiglia quale origine del "movimento
rivoluzionario moderno", si è poi allargata all'intero mondo delle logge
rivelatosi uno dei luoghi più fecondi dell'attività mito-poietica alla base
della "invenzione" del legame sociale, soprattutto allorquando i
membri dell'istituzione muratoria si sono fatti "massoneria
pubblica", identificando il luogo di rifondazione del legame sociale nel
terreno dell'attività politica organizzata. Fenomeno che abbraccia l'Europa e
le due Americhe, la massoneria si rivela uno dei più rilevanti tentativi
moderni di fornire risposta alla crisi aperta nel fondamento del legame sociale
dalle guerre di religione. Per molti cittadini della République des Lettres la
massoneria più che società segreta è infatti una società che tratta segreti,
terreno embrionale di una nuova possibile convivenza inter-umana, progetto e
luogo possibile di rifondazione di quel legame sociale posto in crisi dalla
nascita dell'individuo come nuovo protagonista spirituale della storia europea
e dalla distinzione tra religione naturale e religioni positive. Con le sue
radici giusnaturalistiche e neo-stoiche, dal mondo classico il progetto
massonico recupera anzitutto l'idea di cittadinanza, primo grande esperimento
riuscito di costruzione artificiale di un legame sociale ispirandosene per
costruire, nella situazione di crisi dell'ancien régime, un progetto analogo.
Collocandosi da questa prospettiva la ricerca di C. trascende ampiamente la
storiografia auto-celebrativa intra-massonica e illumina di nuova luce origine
e natura della politica, identificata, in sintonia con Giarrizzo, come una
“religione”. L'elezione del mondo delle logge massoniche quale oggetto di
analisi avviene cioè in base alla convinzione storica-teorica circa il loro
carattere di "laboratorio" di nuove forme del vivere associato,
anzitutto a proposito del vero opus magnum ch'esse hanno contribuito ad
edificare, ovvero la costruzione di quella forma politica, sostenuta da partiti
di massa, che fu lo stato-nazione d’Italia. Che poi la nottola filosofica
spicchi il suo volo in condizioni oggi hegelianamente ideali, al tramonto
dell'egemonia organizzativa, culturale e morale dei partiti politici di massa,
per oltre un secolo protagonisti della democrazia rappresentativa e di una vita
politica basata sulla cittadinanza, insieme al tempismo di C. è dimostrazione
di come la sua fedeltà al marxismo intelligente non abbia spedito in soffitta
neppure quell'Hegel che qui, insieme a Heine, ottiene il tributo di due
splendidi saggi. Oggi la storia ha cominciato un capitolo nuovo e l'autore non
ha dubbi che si stia voltando pagina. Non condivide però la convinzione che ciò
significhi fine della modernità. Se le crepe nella sovranità degli stati
nazionali pongono in crisi partiti e sindacati, ovvero "i legami sociali
artificiali sui cui la modernità ha costruito la propria storia", la
transizione in atto "lungi dall'essere una negazione dei principi
costitutivi della modernità, è in realtà "un'affermazione radicale di
essa". E la prospettiva indicata da Marx non è affatto radiata in secula
seculorum dalla storia. Il comunismo resta all'ordine del giorno, solo che se
ne riprospetti il nucleo vivo e fondamentale non costituito né
dall'eguaglianza, né dalla giustizia sociale, né tantomeno dal recupero di una
dimensione comunitaria solidaristica, ma dalla capacità progettuale collettiva,
dal controllo consapevole del ricambio con l'ambiente naturale, dalla
possibilità storica che si apre per la società e per i singoli, in rapporto
alla rivoluzione scientifica e tecnologica, di essere finalmente padroni del
proprio destino. Nessun dubbio per noi che qui l'impeccabile storico di questa
religione riveli la sua personale cifra
ideologica e la passione per il marxismo. E' l'unico luogo in cui la sua prosa,
peraltro sobria, cede a frasi fatte come la padronanza del destino. Una
espressione, questa, inerente, più che alla politica, a un ambito
filosofico-esistenziale, a tematiche, cioè, con cui questa religione deve forse
ancora imparare a cimentarsi. THE MASCULINE
CROSS t PHALLIC WORSHIP PHALLIC
WORSHIP A DESCRIPTION OF THE MYSTERIES OF THE
SEX WORSHIP OF THE ANCIENTS WITH THE HISTORY OF THE
MASCULINE CROSS AN ACCOUNT OF PRIMITIVE SYMBOLISM,
PHALLICISM, BACCHIC FESTIVALS, SEXUAL RITES, AND THE MYSTERIES OF
THE ANCIENT FAITHS LONDON. The present somewhat slight sketch of a most
interesting subject, whilst not claiming entire originality, yet
embraces the cream, so to speak, of various learned works of great
cost, some of which being issuedfor private circulation only, are
almost unobtainable. During the past few years several books
have been written upon Phallicism in conjunction with other kindred
matters, but not devoting themselves entirely to one ancient mystery,
the writers have only partially ventilated the subject. The present work
seeks to obviate this failing by confining its attention entirely to the
Sex Worship or Phallicism of the ancient world. Many of the
topics have received only slight treatment, being little more than
indicated ; but the work will enable the reader to understand and possess
the truth concerning the Phallic Worship of the Ancients.
Those who desire to know more, or to authenticate the statements
and facts given in this book, should consult the large and important
works of Payne Knight, Higgins, Dulaure, Kolle, Inman, and other
writers. It was intended to give with this volume a list of
works and miscellaneous pieces written on the subject, but the
length of the list prevented its being added. PHALLIC
WORSHIP NATURE AND SEX WORSHIP Sex Worship has prevailed among
all peoples of ancient times, sometimes contemporaneous and often mixed
with Star, Serpent, and Tree Worship. The powers of nature were
sexualised and endowed with the same feelings, passions, and performing
the same functions as human beings. Among the ancients,
whether the Sun, the Serpent, or the Phallic Emblem was worshipped, the
idea was the same—the veneration of the generative principle. Thus
we find a close relationship between the various mythologies of the
ancient nations, and by a comparison of the creeds, ideas, and symbols,
can see that they spring from the same source, namely, the worship of the
forces and operations of nature, the original of which was doubtless Sun
worship. It is not necessary to prove that in primitive times the Sun
must have been worshipped under various names, and venerated as the
Creator, Light, Source of Life, and the Giver of Food. In the
earliest times the worship of the generative power was of the most simple
and pure character, rude in manner, primitive in form, pure in idea, the
homage of man to the supreme power, the Author of life.
Afterwards the worship became more depraved, a religion of feeling,
sensuous bliss, corrupted by a priesthood who were not slow to take advantage
of this state of affairs, and inculcated with it profligate and
mysterious ceremonies, union of gods with women, religious prostitution
and other degrading rites. Thus it was not long before the emblems lost
their pure and simple meaning and became licentious statues and debased
objects. Hence we have the depraved ceremonies at the worship
of Bacchus, who became, not only the representative of the creative
power, but the God of pleasure and licentiousness. The corrupted
religion always found eager votaries, willing to be captives to a
pleasant bondage by the impulse of physical bliss, as was the case in
India and Egypt, and among the Phoenicians, Babylonians, Jews and
other nations. Sex worship once personified became the supreme
and governing deity, enthroned as the ruling God over all; dissent
therefrom was impious and punished. The priests of the worship compelled
obedience; monarchs complied to the prevailing faith and became willing
devotees to the shrines of Isis and Venus on the one hand, and of
Bacchus and Priapus on the other, by appealing to the most
animating passion of nature. This is the worship of the reproductive
powers, the sexual appointments revered as the emblems of the
Creator. The one male, the active creative power; the other the female or
passive power ; ideas which were represented by various emblems in
different countries. These emblems -were of a pure and sacred
character, and used at a time when the prophets and priests spoke
plain speech, understood by a rude and primitive people ; although
doubtless by the common people the emblems were worshipped themselves,
even as at the.present day in Roman Catholic countries the more ignorant,
in many cases, actually worship the images and pictures themselves,
while to the higher and more intelligent minds they are only symbols of a
hidden object of worship. In the same manner, the concealed meaning or
hidden truth was to the ignorant and rude people of early times
entirely unknown, while the priests and the more learned kept
studiously concealed the meaning of the ceremonies and symbols. Thus, the
primitive idea became mixed with profligate, debased ceremonies, and
lascivious rites, which in time caused the more pure part of the
worship to be forgotten. But Phallicism is not to be judged from
these sacred orgies, any more than Christianity from the religious
excitement and wild excesses of a few Christian sects during the Middle
Ages. In a work on the “ Worship of the Generative Powers
during the Middle Ages,” the writer traces the superstition westward, and
gives an account of its prevalence throughout Southern and Western Europe
during that period. The worship was very prevalent in Italy, and
was invariably carried by the Romans into the countries they
conquered, where they introduced their own institutions and forms of
worship. Accordingly, in Britain have been found numerous relics and
remains; and many of our ancient customs are traced to a Phallic
origin. “ When we cross over to Britain,” says the writer, “ we
find this worship established no less firmly and extensively in that
island; statuettes of Priapus, Phallic bronzes. pottery covered with
obscene pictures, are found wherever there are any extensive remains of
Roman occupation, as our antiquaries know well. The numerous
Phallic figures in bronze found in England are perfectly identical
in character with those that occur in France and Italy.” All
antiquaries of any experience know the great number of obscene subjects
which are met with among the fine red pottery which is termed Samian
ware, found so abundantly in all Roman sites in our island. “ They
represent erotic scenes, in every sense of the word, with figures of
Priapus and Phallic emblems.” The Phallus, or Lingam, which stood for the
image of the male organ, or emblem of creation, has been worshipped
from time immemorial. Payne Knight describes it as of the greatest
antiquity, and as having prevailed in Egypt and all over Asia.
The women of the former country carried in their re¬ ligious
processions, a movable Phallus of disproportionate magnitude, which Deodorus
Siculus informs us signified the generative attribute. It has also been
observed among the idols of the native Americans and ancient
Scandinavians, while the Greeks represented the Phallus alone, and
changed the personified attribute into a distinct deity, called
Priapus. Phallus, or privy member (membrum virile),
signifies, “ he breaks through, or passes into.” This word survives
in German pfahl, and pole in English. Phallus is supposed Phallic
Worship ii to be of Phoenician origin, the Greek word pallo,
or phallo, “ to brandish preparatory to throwing a missile,” is so
near in assonance and meaning to Phallus, that one is quite likely to be
parent of the other. In Sanskrit it can be traced to phal, “ to burst,” “
to produce,” “ to be fruitful ” ; then, again, phal is “ a ploughshare,”
and is also the name of Siva and Mahadeva, who are Hindu deities.
Phallus, then, was the ancient emblem of creation: a divinity who was
companion to Bacchus. The Indian designation of this idol was Lingam,
and those who dedicated themselves to its service were to observe
inviolable chastity. “ If it were discovered,” says Crawford, “ that they
had in any way departed from them, the punishment is death. They go
naked, and being considered as sanctified persons, the women
approach without scruple, nor is it thought that their modesty should be
offended by it.” The Phallus and its emblems were representative of
the gods Bacchus, Priapus, Hercules, Siva, Osiris, Baal, and Asher,
who were all Phallic deities. The symbols were used as signs of the great
creative energy or operating power of God from no sense of mere animal
appetite, but in the highest reverence. Payne Knight, describing
the emblems, says : Forms and ceremonials of a religion are not always to
be understood in their direct and obvious sense, but are to be considered
as symbolical representations of some hidden meaning extremely wise and
just, though the symbols themselves, to those who know not their
true signification, may appear in the highest degree absurd and
extravagant. It has often happened that avarice and superstition have
continued these symbolical representations for ages after their original
meaning has been lost and forgotten; they must, of course, appear
nonsensical and ridiculous, if not impious and extravagant. Such is the
case with the rite now under consideration, than which nothing can be
more monstrous and indecent, if considered in its plain and obvious
meaning, or as part of the Christian worship ; but which will be found to
be a very natural symbol of a very natural and philosophical system
of religion, if considered according to its original use and
intention.” The natural emblems were those which from their
character were most suitable representatives; such as poles, pillars,
stones, which were sacred to Hindu, Egyptian, and Jewish
divinities. Blavalsky gives an account of the Bimlang Stone,
to be found at Narmada and other places, which is sacred to the
Hindu deity Siva; these emblem stones were anointed, like the stone
consecrated by the Patriarch Jacob. Blavalsky further says
that these stones are “ identical in shape, meaning, and purpose with the
* pillars ” set up by the several patriarchs to mark their adoration of
the Lord God. In fact, one of these patriarchal lithoi might even
now be carried in the Sivaitic processions of Calcutta without its Hebrew
derivation being suspected.”The Pole was an emblem of the Phallus, and with
the serpent upon it, was a representative of its divine wisdom and
symbol of life. The serpent upon the tree is the same in character, both
are representative of the tree of life. The story of Moses will well
illustrate this, when he erected in the wilderness this effigy, which
stood as a sign of hope and life, as the cross is used by the
Catholics of the present day ; the cross then, as now, being simply
an emblem of the Creator, used as a token of resurrection or
regeneration. iEsculapius, as the restorer of health, has a rod or
Phallus with a serpent entwined. The Rev. M. Morris has shown that
the raising of the May-pole is of Phallic origin, the remains of a custom
of India or Egypt, and is typical of the fructifying powers of
spring. The May festival was carried on with great
licentious¬ ness by the Romans, and was celebrated by nearly all
peoples as the month consecrated to Love. The May-day in England was the
scene of riotous enjoyment, very nearly approaching to the Roman
Floralia. No wonder the Puritans looked upon the May-pole as a relic
of Paganism, and in their writings may be gleaned much of the
licentious character of the festival. Philip Stubbes, a Puritan
writer in the reign of Elizabeth, thus describes a May-day in England: “
Every parishe, towne, and village assemble themselves together,
bothe men, women, and children, olde and younge even indiffer¬
ently ; and either goyng all together, or devidyng themselves into
companies, they go some to the woods and groves, some to one place, some
to another, where thei spend all the night in pleasant pastymes; and in
the mornyng they returne, bryngyng with them birch bowes and
branches of trees, to deck their assemblies withall. But their cheerest
jewell thei bryng from thence is their Maie pole, whiche thei bryng home
with great veneration, as thus : thei have twentie or fortie yoke
of oxen, every oxe havyng a sweet nosegaie of flowers placed on the tippe
of his homes, and these oxen drawe home this Maie pole (this stinckyng
idoll rather), which is covered all over with flowers and hearbes,
bound rounde aboute with strynges from the top to the bottome, and
sometyme painted with variable colours, with two or three hundred men,
women, and children, foliowyng it with great devotion. And thus beyng
reared up, with handekerchiefes and flagges streamyng on the top,
thei strawe the grounde aboute, binde greene boughes aboute it,
sett up sommer haules, bowers, and arbours hard by it. And then fall thei
to banquet and feast, to leape and daunce aboute it, as the heathen
people did at the dedication of their idols, whereof this is a perfect
patterne, or rather the thyng itself.” The ceremony was almost identical
with the Roman festival, where the Phallus was introduced with
garlands. Both were attended with the same licentiousness, for
Stubbes gives a further account of the depravity attending the festivities. PILLARS Another
type of emblem was the stone pillar, remains of which still exist in the
British Isles. These pillars or so called crosses generally consist of a
shaft of granite with a carved head. In the West of England crosses are
very common, standing in the market and receiving the name of “ The
Cross.” These stone pillars were first erected in honour of
the Phallic deity, and on the introduction of Christianity were not
destroyed, but consecrated to the new faith, doubtless to honour the
prejudices of the people. These monolisks abound in the Highlands, they
are stones set up on end, some twenty-four or thirty feet high,
others higher or lower and this sometimes where no such stones are
to be quarried. We learn that the Bacchus of the Thebans was a
pillar. The Assyrian Nebo was represented by a plain pillar,
consecrated by anointing with oil. Arnobius gives an account of this
practice, as also does Theophrastus, who speaks of it as a custom for a
superstitious man, when he passed by these anointed stones in the streets
to take out a phial of oil and pour it upon them and having fallen
on his knees to make his adorations, and so depart. In various
parts of the Bible the Pillar is referred to as of a sacred character, as
in Isaiah xix. 19, 20, “In that day shall there be an altar to Jehovah in
the midst oi the land of Egypt, and a pillar at the border thereof to
Jehovah, and it should be for a sign and a witness to the Lord.”
The Orphic Temples were doubtless emblems of the same principle of
the mystic faiths of the ancients, the same as the Round Towers of
Ireland, a history of which was collected by O’Brien, who describes the
Towers as “ Temples constructed by the early Indian colonists of
the country in honour of the 'Fructifying principle of nature, emanating
as was supposed from the Sun, or the deity of desire instrumental in that
principle of universal generativeness diffused throughout all
nature.”According to the same author these towers were very ancient, and
of Phoenician origin, as similar towers have been found in Phoenicia. “
The Irish themselves,” says O’Brien, “ designated them ‘ Bail-toir,’ that
is the tower of Baal. Baal was the name of the Phallic deity, and
the priest who attended them * Aoi Bail-toir ’ or superinendent of Baal
tower.” This Baal was worshipped wherever the Phoenicians went, and was
represented by a pillar or stone or similar objects. The stone that
Jacob set up, and anointed as a rallying place for worship, became
afterwards an object of worship to the Phoenicians. The earliest
navigators of the world were the Phoenicians, they founded colonies and
extended their commerce first to the isles of the Mediterranean, from
thence to Spain, and then to the British Isles. Historians have
accorded to them the settlements of the most remote localities. They
formed settlements in Cyprus, and Atticum, according to Josephus, was the
principal settle¬ ment of the Tyrians upon this island. Strabo’s
testimony is, that the Phoenicians, even before Homer, had
possessed themselves of the best part of Spain. Where the
Phoenicians settled, there they introduced their religion, and it is in
these countries we find the remains of ancient stone and pillar
worship. Loggin stones are by Payne Knight considered as Phallic
emblems. “ Their remains,” he says, “ are still extant, and appear to
have been composed of a crone set into the ground, and another placed
upon the point of it and so nicely balanced that the wind could move
it, though so ponderous that no human force, unaided by machinery,
can displace it; whence they are called * logging rocks * and * pendre
stones,’ as they were anciently * living stones ’ and * stones of God,’
titles which differ very little in meaning from that on the Tyrian
coins. Damascius saw several of them in the neighbourhood of Heliopolis
or Baalbeck, in Syria, particularly one which was then moved by the
wind; and they are equally found in the Western extremities of
Europe and the Eastern extremities of Asia, in Britain, and in
China.” Bryant mentions it as very usual among the Egyptians
to place with much labour one vast stone upon another for a religious
memorial. Such immense masses, being moved by causes seeming
so inadequate, must naturally have conveyed the idea of spontaneous
motion to ignorant observers, and persuaded them that they were animated
by an emanation of the vital spirit, whence they were consulted as
oracles, the responses of which could always be easily obtained by
interpreting the different oscillatory movements into nods of approbation
or dissent. Phallic emblems abounded at Heliopolis in Syria,
and many other places, even in modern times. A physician, writing
to Dr. Inman, says : “ I was in Egypt last winter (1865-66), and there
certainly are numerous figures of gods and kings, on the walls of the
temple at Thebes, depicted with the male genital erect. The great
temple at Karnak is, in particular, full of such figures, and the
temple of Danclesa likewise, though that is of much later date, and built
merely in imitation of old Egyptian art. The same inspiring bas-reliefs
are pointed out by Ezek. B 14. I remember one scene of a king
(Rameses II) returning in triumph with captives, many of whom were
undergoing the process of castration.” Obelisks were also
representative of the same emblem. Payne Knight mentions several terminating
in a cross, which had exactly the appearance of one of those
crosses erected in churchyards and at cross roads for the adoration
of devout persons, when devotions were more prevalent than at present.
Stones, pillars, obelisks, stumps of trees, upright stones have all the same
signification, and are means by which the male element was
symbolised. The Triune idea is to be found in the system of almost
every nation. All have their Trinity in Unity, three in one, which can be
distinctly recognised in the cross. The Triad is the male or triple, the
constitution of the three persons of most sacred Trinity forming the
Triune system. In the analysis of the subject by Rawlinson, we find
the Trinity consisted of Asshur or Asher, associated with Anu and Hea or
Hoa. Asshur, the supreme god of the Assyrians, represents the Phallus or
central organ or the Linga, the membrum virile. The cognomen Anu
was given to the right testis, while that of Hea designated the
left. It was only natural that Asshur being deified, his
appendages should be deified also. “ Beltus,” says Inman, “ was the
goddess associated with them, the four together made up Arba or Arba-il,
the four great gods,” the Trinity in Unity. The idea thus broached
receives great confirmation when we examine the particular stress
laid in ancient times respecting the right and left side of the body in
connection with the Triad names given to offspring mentioned in the
scriptures with the titles given to Anu and Hea. The male or active
principle was typified by the idea of “solidity ” and “ firmness,” and
the females or passive by the principles of “ water,” “
soft¬ ness,” and other feminine principles. Thus the goddess
Hea was associated with water, and according to Forlong, the Serpent, the
ruler ot the Abyss, was sometimes repre¬ sented to be the great Hea,
without whom there was no creation or life, and whose godhead embraced
also the female element water. Rawlinson also gives a similar
conclusion, and states as far as he could determine the third divinity or
left side was named Hea, and he considered this deity to correspond
to Neptune. Neptune was the presiding deity of the deep, ruler of the
abyss, and king of the rivers. As Darwin and his coadjutors teach,
mankind, in common with all animal life, originally sprung from the sea ;
so physiology teaches that each individual had origin in a pond of
water. The fruit of man is both solid and fluid. It was natural to
imagine that the two male appendages had a distinct duty, that one formed
the infant, the other water in which it lived, that one generated the
male, the other the female offspring; and the inference was then drawn
that water must be feminine, the emblem of all possible powers of
creation. It will be seen that the names and signification of
the gods and their attributes had no ideal meaning. Thus in Genesis
xxx. 13, we find Asher given as a personality, which signifies “ to be
straight,” “ upright,” “ fortunate,” “ happy.” Asher was the supreme god
of the Assyrians, the Vedic Mahadeva, the emblem of the human male
structure and creative energy. The same idea of the creator is still to
be seen in India, Egypt, Phoenicia, the Mediterranean, Europe, and
Denmark, depicted on stone relics. To a rude and ignorant
people, enslaved with such a religion, it was an easy step from the crude
to the more refined sign, from the offensive to a more pictured and
less obnoxious symbol, from the plain and self-evident to the mixed,
disguised, and mystified, from the unclothed privy member to the
cross. THE CROSS The Triad, or Trinity, has been
traced to Phoenicia, Egypt, Japan, and India; the triple deities Asshur,
Anu, and Hea forming the “ tau.” This mark of the Christians,
Greeks, and Hebrews became the sign or type of the deities representing
the Phallic trinity, and in time became the figure of the cross. It
is remarked by Payne Knight that “ The male organs of generation are
sometimes found represented by signs of the same sort, which
properly should be called the symbol of symbols. One of the most
remarkable of these is a cross, in the form of the letter (T), which thus
served as the emblem of creation and generation before the Church adopted
it as a sign of salvation.” Another writer says, “ Reverse the
position of the triple deities Asshur, Anu, Hea, and we have the
figure of the ancient c tau ’ of the Christians, Greeks, and
ancient Hebrews. It is one of the oldest conventional forms of the cross. It is also met with in Gallic,
Oscan, Arcadian, Etruscan, original Egyptian, Phoenician, Ethiopic,
and Pelasgian forms. The Ethiopic form of the * tau ’ is the exact
prototype and image of the cross, or rather, to state the fact in order
of merit and time, the cross is made in the exact image of the Ethiopic *
tau.’ The fig-leaf, having three lobes to it, became a symbol of the
triad. As the male genital organs were held in early times to
exemplify the actual male creative power, various natural objects were
seized upon to express the theistic idea, and at the same time point to
those parts of the human form. Hence, a similitude was recognised in a
pillar, a heap of stones, a tree between two rocks, a club between
two pine cones, a trident, a thyrsus tied round with two ribbons with the
two ends pendant, a thumb and two fingers, the caduceus. Again, the
conspicuous part of the sacred triad Asshur is symbolised by a single
stone placed upright—the stump of a tree, a block, a tower, spire,
minaret, pole, pine, poplar, or palm tree, while eggs, apples, or
citrons, plums, grapes, and the like represented the remaining two
portions, altogether called Phallic emblems. Baal-Shalisha is a name
which seems designed to perpetuate the triad, since it signifies * my
Lord the Trinity,’ or * my God is three.’ ” We must not omit to
mention other Phallic emblems, such as the bull, the ram, the goat, the
serpent, the torch, fire, a knobbed stick, the crozier; and still further
per¬ sonified, as Bacchus, Priapus, Dionysius, Hercules, Hermes,
Mahadeva, Siva, Osiris, Jupiter, Moloch, Baal, Asher, and others.
If Ezekiel is to be credited, the triad, T, as Asshur, Anu, and
Hea, was made of gold and silver, and was in his day not symbolically
used, but actually employed; for he bluntly says “ whoredom was committed
with the images of men,” or, as the marginal note has it, images of
“ a male ” (Ezek. xvi. 17). It was with this god-mark —a cross in the
form of the letter T—that Ezekiel was directed to stamp the foreheads of
the men of Judata who feared the Lord (Ezek. ix. 4). That the
cross, or crucifix, has a sexual origin we determine by a similar rule of
research to that by which comparative anatomists determine the place and
habits of an animal by a single tooth. The cross is a metaphoric
tooth which belongs to an antique religious body physical, and that
essentially human. A study of some of the earliest forms of faith will
lift the veil and explain the mystery. India, China, and
Egypt have furnished the world with a genus of religion. Time and culture
have divided and modified it into many species and countless
varieties. However much the imagination was allowed to play upon
it, the animus of that religion was sexuality—worship of the generative
principle of man and nature, male and female. The cross became the emblem
of the male feature, under the term of the triad —three in one. The
female was the unit ; and, joined to the male triad, con¬ stituted a
sacred four. Rites and adoration were sometimes paid to the male,
sometimes to the female, or to the two in one. So great was
the veneration of the cross among the ancients that it was carried as a
Phallic symbol in the religious processions of the Egyptians and
Persians. Higgins also describes the cross as used from the
earliest times of Paganism by the Egyptians as a banner, above
which was carried the device of the Egyptian cities. The cross was
also used by the ancient Druids, who held it as a sacred emblem. In Egypt
it stood for the significa¬ tion of eternal life. Schedeus describes it
as customary for the Druids “ to seek studiously for an oak tree,
large and handsome, growing up with two principal arms in the form
of a cross, besides the main stem upright. If the two horizontal arms are
not sufficiently adapted to the figure, they fasten a cross-beam to it.
This tree they consecrate in this manner: Upon the right branch
they cut in the bark, in fair characters, the word ‘ Hesus ’; upon
the middle, or upright stem, the word ‘ Taranius ’; upon the left branch
‘ Belenus ’; over this, above the going off of the arms, they cut the
name of the god Thau ; under all, the same repeated, Thau.” YONI
There is in Hindostan an emblem of great sanctity, which is known
as the “ Linga-Yoni.” It consists of a simple pillar in the centre of a
figure resembling the outline of a conical ear-ring. It is expressive of
the female genital organ both in shape and idea. The Greek letter “
Delta ” is also expressive of it, signifying the door of a house.
Yoni is of Sanskrit origin. Yanna, or Yoni, means (1) the vulva,
(2) the womb, (3) the place of birth, (4) origin, (5) water, (6) a mine,
a hole, or pit. As Asshur and Jupiter were the representatives of the
male potency, so Juno and Venus were representatives of the female
attribute. Moore, in his “ Oriental Fragments,” says : “ Oriental writers
have generally spelled the word, * Yoni,’ which I prefer to write ‘
IOni.’ As Lingam was the vocalised cognomen of the male organ, or
deity, so IOni was that of hers.” Says R. P. Knight: “ The female
organs of generation were revered as symbols of the generative powers of
nature or of matter, as those of the male were of the generative powers
of God. They are usually represented emblematically by the shell
Concoa Veneris, which was therefore worn by devout persons of antiquity,
as it still continues to be by the pilgrims of many of the common people
of Italy ” (“ On the worship of Priapus,” p. 28). If Asshur,
the conspicuous feature of the male Creator, is supplied with types and
representative figures of himself, so the female feature is furnished
with substitutes and typical imagery of herself. One of these
is technically known as the sistrum of Isis. It is the virgin’s symbol.
The bars across the fenestrum, or opening, are bent so that they cannot
be taken out, and indicate that the door is closed. It signifies
that the mother is still virgo intacta —a truly immaculate female—if the
truth can be strained to so denominate a mother. The pure virginity of
the Celestial Mother was a tenet of faith for 2,000 years before the
accepted Virgin Mary now adored was born. We might infer that Solomon
was acquainted with the figure of the sistrum, when he said, “ A garden
enclosed is my spouse, a spring shut up, a fountain sealed ” (Song of
Sol. iv. 12). The sistrum, we are told, was only used in the
worship of Isis, to drive away Typhon (evil). The Argha is a
contrite form, or boat-shaped dish or plate used as a sacrificial cup in
the worship of Astarte, Isis, and Venus. Its shape portrays its own
significance. The Argha and crux ansata were often seen on Egyptian
monuments, and yet more frequently on bas-reliefs. Equivalent to Iao, or
the Lingam, we find Ab, the Father, the Trinity; Asshur, Anu, Hea,
Abraham, Adam, Esau, Edom, Ach, Sol, Helios (Greek for Sun),
Dionysius, Bacchus, Apollo, Hercules, Brahma, Vishnu, Siva,
Jupiter, Zeus, Aides, Adonis, Baal, Osiris, Thor, Oden; the cross,
tower, spire, pillar, minaret, tolmen, and a host of others ; while the
Yoni was represented by IO, Isis, Astarte, Juno, Venus, Diana, Artemis,
Aphrodite, Hera, Rhea, Cybele, Ceres, Eve, Frea, Frigga ; the queen of
Heaven, the oval, the trough, the delta, the door, the ark, the ship,
the chasm, a ring, a lozenge, cave, hole, pit. Celestial Virgin,
and a number of other names. Lucian, who was an Assyrian, and visited the
temple of Dea Syria, near the Euphrates, says there are two Phalli
standing in the porch with this inscription on them, “ These Phalli I,
Bacchus, dedicate to my step-mother Juno.” The Papal religion
is essentially the feminine, and built on the ancient Chaldean basis. It
clings to the female element in the person of the Virgin Mary.
Naphtali (Gen. xxx. 8) was a descendant of such worshippers, if
there be any meaning in a concrete name. Bear in mind, names and pictures
perpetuate the faith of many peoples. Neptoah is Hebrew for “ the vulva,”
and, A 1 or El being God, one of the unavoidable renderings of Naphtali
is “ the Yoni is my God,” or “ I worship the Celestial Virgin.” The
Philistine towns generally had names strongly connected with sexual
ideas. Ashdod, aisb or esb, means “ fire, heat,” and dod means “ love, to
love,” “ boiled up,” “ be agitated,” the whole signifying “ the
heat of love,” or “ the fire which impels to union.” Could not those
people exclaim . Our “ God is love ” ? (i John iv. 8).
The amatory drift of Solomon’s song is undisguised. 26
Phallic Worship though the language is dressed in the
habiliments of seem¬ ing decency. The burden of thought of most of it
bears direct reference to the Linga-Yoni. He makes a woman say, “
He shall lie all night betwixt my breasts ” (S. of S. i. 13). Again, of
the Phallus, or Linga, she says, “I will go up the palm-tree, I will take
hold of the boughs thereof”. Palm-tree and boughs are euphemisms of
the male genitals. The nations surrounding the Jews practising
the Phallic rites and worshipping the Phallic deities, it is not to
be supposed that the Jews escaped their influence. It is indeed certain
that the worship of the Phallics was a great and important part of the
Hebrew worship. This will be the more plainly seen when we bear
in mind the importance given to circumcision as a covenant between
God and man. Another equally suggestive custom among the Patriarchs was
the act of taking the oath, or making a sacred promise, which is
commented upon by Dr. Ginsingburg in Kitto’s Cyclopedia. He says :
“ Another primitive custom which obtained in the patriarchal age was,
that the one who took the oath put his hand under the thigh of the
adjurer (Gen. xxiv. 2, and xlvii. 29). This practice evidently arose from
the fact that the genital member, which is meant by the euphe¬
mistic expression thigh, was regarded as the most sacred part of the
body, being the symbol of union in the tenderest relation of matrimonial
life, and the seat whence all issue proceeds and the perpetuity so much
coveted by the ancients. Compare Gen. xlvi. 26; Exod. i. 5 ; Judges
vii. 30. Hence the creative organ became the symbol of the Creator, and
the object of worship among all nations of antiquity. It is for this
reason that God claimed it as a sign of the covenant between
himself and his chosen people in the rite of circumcision. Nothing
therefore could render the oath more solemn in those days than touching
the symbol of creation, the sign of the covenant, and the source of that
issue who may at any future period avenge the breaking a compact made
with their progenitor.” From this we learn that Abraham, himself a
Chaldee, had reverence for the Phallus as an emblem of the Creator. We
also learn that the rite of circumcision touches Phallic or Lingasic
worship. From Herodotus we are informed that the Syrians learned circumcision
from the Egyptians, as did the Hebrews. Says Dr. Inman: “I do not know
anything which illustrates the difference between ancient and
modern times more than the frequency with which circumcision is
spoken of in the sacred books, and the carefulness with which the subject
is avoided now.” The mutilation of male captives, as practised by
Saul and David, was another custom among the worshippers of Baal,
Asshur, and other Phallic deities. The practice was to debase the victims
and render them unfit to take part in the worship and mysteries. Some
idea can be formed of the esteem in which people in former times
cherished the male or Phallic emblems of creative power when we note the
sway that power exercised over them. If these organs were lost or
disabled, the unfortunate one was unfitted to meet in the congregation of
the Lord, and disqualified to minister in the holy temples.
Excessive 28 Phallic Worship punishment
was inflicted upon the person who had the temerity to injure the sacred
structure. If a woman were guilty of inflicting injury, her hand was cut
off without pity (Deut.). The great object of veneration in the Ark
of the Covenant was doubtless a Phallic emblem, a symbol of the
preservation of the germ of life. In the historical and
prophetic books of the Old Testament we have repeated evidence that the
Hebrew worship was a mixture of Paganism and Judaism, and that
Jehovah was worshipped in connection with other deities. Hezekiah is
recorded in 2 Kings xviii. 3, to have “ removed the high places, and
broken the images, and cut down the groves (Ashera), and broken in
pieces the brazen serpent that Moses had made, for unto those days
the children of Israel did burn incense to it.” The Ashera, or sacred
groves here alluded to are named from the goddess Ashtaroth, which Dr.
Smith describes as the proper name of the goddess ; while Ashera is
the name of the image of the goddess. Rawlinson, in his Five Great
Monarchies of the Ancient World, describes Ashera to imply something that
stood straight up, and probably its essential element was the stem of a
tree, an analogy suggestive of the Assyrian emblem of the Tree of
Life of the Scriptures. This stem, which stood for the emblem of life,
was probably a pillar, or Phallus, like the Lingi of the Hindus,
sometimes erected in a grove or sacred hollow, signifying the Yoni and
Lingi. We read in 2 Kings xxi. 7, that Manasseh “ set up a graven
image in the grove,” and, according to Dr. Oort, the older reading is in
2 Chron. xxxiii. 7, 15, where it is an image or pillar. During the reigns
of the Jewish kings, the worship of Baal, the Priapus of the Greeks and
Romans, Phallic Worship 2 9 was
extensively practised by the Jews. Pillars and groves were reared in his
name. In front of the Temple of Baal, in Samaria, was erected
an Ashera (i Kings xvi. 31, 32) which even survived the temple itself,
for although Jehu destroyed the Temple of Baal, he allowed the Ashera to
remain (2 Kings x. 18, 19; xiii. 6). Bernstein, in an important work on
the origin of the legends of Abraham, Isaac, and Jacob, undoubtedly
proves that during the monarchial period of Israel, the sanguinary wars
and violent conflicts between the two kingdoms of Judah and Israel were
between the Elohistic and Jehovahic faiths, kept alive by the
priesthood at the chief places of worship, concerning the true patriarch,
and each party manufacturing and inserting legends to give a more ancient
and important part to its own faith. It is not at all
improbable that the conflict was between the two portions of the Phallic
faith, the Lingam and Yoni parties. The cause of this conflict was the
erection of the consecrated stones or pillars which were put up by
the Hebrews as objects of Divine worship. The altar erected by Jacob at
Bethel was a pillar, for according to Bernstein the word altar can only
be used for the erection of a pillar. Jacob likewise set up a Matzebah,
or pillar of stone, in Gilead, and finally he set one up upon the
tomb of Rachel. A great portion of the facts have been suppressed
by the translators, who have given to the world histories which
have glossed over the ancient rites and practices of the Jews.
An instance is given by Forlong on the important word “ Rock or
Stone,” a Phallic emblem to which the Jews addressed their devotions. He
says, “ It should not be, but I fear it is, necessary to explain to mere
English readers of the Old Testament that the Stone or Rock Tsur
was the real old god of all Arabs, Jews, and Phoenicians, that this would
be clear to Christians were the Jewish writings translated according to
the first ideas of the people and Rock used as it ought to be, instead of
‘ God,’ * Theos,’ £ Lord,’ etc., being written where Tsur occurs .
Numerous instances of this are given in Dr. Ort’s worship of Baal in
Israel, where praises, addresses, and adorations are addressed to the
Rock, instance, Deut. xxxii. 4, 18. Stone pillars were also used by the
Hebrews as a memorial of a sacred covenant, for we find Jacob setting up
a pillar as a witness, that he would not pass over it. Connected with
this pillar worship is the ceremony of anointing by pouring oil upon the
pillar, as practised by Jacob at Bethel. According to Sir W. Forbes, in
his Oriental Memoirs, the “pouring of oil upon a stone is practised
at this day upon many a shapeless stone throughout
Hindostan.” Toland gives a similar account of the Druids as
practising the same rite, and describes many of the stones found in
England as having a cavity at the top made to receive the offering. The
worship of Baal like the worship of Priapus was attended with
prostitution, and we find the Jews having a similar custom to the
Babylonians. Payne Knight gives the following account of it in
his work: “ The women of every rank and condition held it to be an
indispensable duty of religion to prostitute themselves once in their
lives in her temple to any stranger who came and offered money, which,
whether little or much, was accepted, and applied to a sacred
purpose. Women sat in the temple of Venus awaiting the selection of
the stranger, who had the liberty of choosing whom he liked. A woman once
seated must remain until she has been selected by a piece of silver being
cast into her lap, and the rite performed outside the temple.”
Similar customs existed in Armenia, Phrygia, and even in Palestine,
and were a feature of the worship of Baal Peor. The Hebrew prophets
described and denounced these excesses which had the same characteristics
as the rites of the Babylonian priesthood. The identical custom is
referred to in i Sam. ii. 22, where “ the sons of Eli lay with the women
that assembled at the door of the tabernacle of the congregation.”
Words and history corroborate each other, or are apt to do so if
contemporaneous. Thus kadesh, or kaesh, designate in Hebrew “ a
consecrated one,” and history tells the unworthy tale in descriptive
plainness, as will be shown in the sequel. That the religion
was dominating and imperative is determined by Deut. xvii. 12, where
presumptuous refusal to listen to the priest was death to the
offender. To us it is inconceivable that the indulgence of passion
could be associated with religion, but so it was. Much as it is covered
over by altered words and substituted expressions in the Bible—an example
of which see men for male organ, Ezek. xvi. 17—it yet stands out
offensively bold. The words expressive of “ sanctuary,” “ conse¬
crated,” and “ Sodomite,” are in the Hebrew essentially the same. They
indicate the passion of amatory devotion. It is among the Hindus of
to-day as it was in Greece and Italy of classic times ; and we find that
“ holy women ” is a title given to those who devote their bodies to be
used for hire, the price of which hire goes to the service of the
temple. As a general rule, we may assume that priests who
make or expound the laws, which they declare to be from God, are
men, and, consequently, through all time, have thought, and do think, of
the gratification of the masculine half of humanity. The ancient and
modern Orientals are not exceptions. They lay it down as a
momentous fact that virginity is the most precious of all the
possessions of a woman, and, being so, it ought, in some way or
other, to be devoted to God. Throughout India, and also through the
densely inhabited parts of Asia, and modern Turkey there is a class
of females who dedicate themselves to the service of the deity whom they
adore; and the rewards accruing from their prostitution are devoted to
the service of the temple and the priests officiating therein.
The temples of the Hindus in the Dekkan possessed their
establishments. They had bands of consecrated dancing-girls called the
Women of the Idol, selected in their infancy by the priests for the
beauty of their persons, and trained up with every elegant accomplishment
that could render them attractive. We also find David and the
daughters of Shiloh per¬ forming a wild and enticing dance ; likewise we
have the leaping of the prophets of Baal. It is again
significant that a great proportion of Bible names relate to "
divine,” sexual, generative, or creative power; such as Alah, “ the
strong one ” ; Ariel, “ the strong Jas is El ” ; Amasai, “ Jah is firm ”
; Asher, “ the male ” or “ the upright organ ” ; Elijah, “ El is
Jah ” ; Eliab, “ the strong father ” ; Elisha, “ El is upright ” ; Ara, “
the strong one,” “ the hero ” ; Aram, “ high,” or, “ to be uncovered ” ;
Baal Shalisha, “ my Lord the trinity,” or “ my God is three ” ;
Ben-zohett, “ son of firmness ” ; Camon, “ the erect One ” ;
Cainan, “ he stands upright
” ; these are only a few of the many names of a similar
signification. It will be seen, from what has been given, that the
Jews, like the Phoenicians (if they were not the same), had the
same ceremonies, rites, and gods as the surrounding nations, but enough
has been said to show that Phallic worship was much practised by the
Jews. It was very doubtful whether the Jehovah-worship was not of a
monotheistic character, but those who desire to have a further insight
into the mysteries of the wars between the tribes should consult
Bernstein’s valuable work. EARTH MOTHER The following interesting chapter
is taken from a valuable book issued a few years ago anonymously :
“ Mother Earth ” is a legitimate expression, only of the most
general type. Religious genius gave the female quality to the earth with
a special meaning. When once the idea obtained that our world was
feminine, it was easy to induce the faithful to believe that natural
chasms were typical of that part which characterises woman. As at
birth the new being emerges from the mother, so it was supposed that
emergence from a terrestrial cleft was equivalent to a new birth. In
direct proportion to the resemblance between the sign and the thing
signified was the sacredness of the chink, and the amount of virtue
which was imparted by passing through it. From natural caverns being
considered holy, the veneration for apertures in stones, as being equally
symbolical, was a natural transition. Holes, such as we refer to, are still
to be seen in those structures which are called Druidical, both in
the British Isles and in India. It is impossible to say when these first
arose; it is certain that they survive in India to this day. We recognise
the existence of the emblem among the Jews in Isaiah li. i, in the charge
to look “ to the hole of the pit whence ye are digged.” We have
also an indication that chasms were symbolical among the same people in
Isaiah lvii. 5, where the wicked among the Jews were described as “ inflaming
themselves with idols under every green tree, and slaying the
children in the valleys under the clefts of the rocks.” It is
possible that the “ hole in the wall ” (Ezek. viii. 7) had a
similar signification. In modern Rome, in the vestibule of the
church close to the Temple of Vesta, I have seen a large perforated
stone, in the hole of which the ancient Romans are said to have placed
their hands when they swore a solemn oath, in imitation, or, rather, a
counterpart, of Abraham swearing his servant upon his thigh—that is
the male organ. Higgins dwells upon these holes, and says: “ These stones
are so placed as to have a hole under them, through which devotees passed
for religious purposes. There is one of the same kind in Ireland,
called St. Declau’s stone. In the mass of rocks at Bramham Crags there is
a place made for the devotees to pass through. We read in the accounts of
Hindostan that there is a very celebrated place in Upper India, to which
immense numbers of pilgrims go, to pass through a place in the mountains
called “ The Cow’s Belly.” In the Island of Bombay, at Malabar Hill,
there is a rock upon the surface of which there is a natural crevice,
which communicates with a cavity opening below. This place is used
by the Gentoos as a purification of their sins, which they say is effected
by their going in at the opening below, and emerging at the cavity
above—“ born again.” The ceremony is in such high repute in the
neighbouring countries that the famous Conajee Angria ventured by
stealth, one night, upon the Island, on purpose to perform the ceremony,
and got off undiscovered. The early Christians gave them a bad name, as
if from envy; they called these holes “ Cunni Diaboli ” ( Anacalypsis). The
Romans call the feasts of Bacchus, Bacchanalia and Liberalia, because
Bacchus and Liber, while two names for the same god, the festivals were
celebrated at different times and in a somewhat different
manner. The Liberalia is celebrated on the 17th of March, with the
most licentious gaiety, when an image of a Phallus is carried openly
in triumph. These festivities are more particularly celebrated among the
rural or agricultural population, who, when the preparatory labour of the
agriculturist is over, celebrate with joyful activity Nature’s
reproductive powers, which in due time is to bring forth the
fruits. During the festival, a car containing a huge phallus is
drawn along accompanied by its worshippers, who indulge in rather obscene songs
and dances of wild and extravagant character. The gravest and proudest
matron suddenly lays aside her decency and runs screaming among the
woods and hills half-naked, with dishevelled hair, interwoven with which
were pieces of ivy or vine. The Bacchanalian feasts are celebrated in the
latter part of October when the harvest is completed. Wine and figs
are carried in the procession of the Bacchants, and lastly come the
Phalli, followed by honourable virgins, called canephora, who carry baskets
of fruit. These were followed by a company of men who carry poles, at
the end of which are figures representing the organ of generation.
The men sing the Phallica and are crowned with violets and ivy, and have their
faces covered with other kinds of herbs. These are followed by some
dressed in women’s apparel, striped with white, reaching to their ancles,
with garlands on their heads, and wreaths of flowers in their hands,
imitating by their gestures the state of inebriety. The priestesses run
in every direction shouting and screaming, each with a thyrsus in
their hands. Men and women all intermingle, dancing and frolicking
with suggestive gesticulations. Deodorus says the festivals are carried
into the night, and it is then frenzy reaches its height. Deodorus says,
“ In performing the solemnity virgins carry the thyrsus, and run
about frantic, halloing ‘ Evoe ’ in honour of the god; then the
women in a body offer the sacrifices, and roar out the praises of Bacchus
in song as if he were present, in imitation of the ancient Mamades, who
accompanied him.” These festivities are carried into the night, and as
the celebrators become heated with wine, they degenerate into
extreme licentiousness. Similar enthusiastic frenzy is
exhibited at the Lupercalian Feasts instituted in honour of the god Pan
(under the shape of a Goat) whose priests, according to Owen in his
Worship of Serpents, on the morning of the Feast run naked through the streets,
striking the women they met on the hands and belly, which is held as
an omen promising fruitfulness. The nymphs performing the same
ostentatious display as the Bacchants at the festival of
Bacchanalia. The festival of Venus is celebrated towards the
beginning of April, and the Phallus is again drawn in a car, followed by
a procession of Roman women to the temple of Venus. Says a writer, “ The
loose women of the town and its neighbourhood, called together by the
sounding of horns, mix with the multitude in perfect nakedness, and
excite their passions with obscene motions and language until the
festival ends in a scene of mad revelry, in which all restraint is laid
aside.” It is said that these festivals take their rise from
Egypt, from whence they were brought into Greece by Metampus, where
the triumph of Osiris was celebrated with secret rites, and from thence
the Bacchanals drew their original; and from the feasts instituted by
Isis came the orgies of Bacchus. It seems not at all
improbable that the deities wor¬ shipped by the ancient Britons and the
Irish, were no other then the Phallic deities of the ancient Syrians
and Greeks, and also the Baal of the Hebrews. Dionysius Periegites,
who lived in the time of Augustus Caesar, states that the rites of
Bacchus were celebrated in the British Isles ; while Strabo, who lived in
the time of Augustus and Tiberius, asserts that a much earlier
writer described the worship of the Cabiri to have come
originally from Phoenicia. Higgins, in his History of the Druids,
says, the supreme god above the rest was called Seodhoc and Baal. The
name of Baal is found both in Wales, Gaul, and Germany, and is the same
as the Hebrew Baal. The same god, according to O’Brien, was the
chief deity of the Irish, in whose honour the round towers were
erected, which structures the ancient Irish themselves designated
Bail-toir, or the towers of Baal. In Numbers, xxii, will be found a
mention of a similar pillar consecrated to Baa]. Many of the same customs
and superstitions that existed among the Druids and ancient Irish,
will likewise be found among the Israelites. On the first day of
May, the Irish made great fires in honour of Baal, likewise offering him
sacrifices. A similar account is given of a custom of the Druids by
Toland, in an account of the festival of the fires ; he says :—“ on
May-day eve the Druids made prodigious fires on these earns, which
being everyone in sight of some other, could not but afford a glorious
show over a whole nation.” These fires are said to be lit even to the
present day by the Aboriginal Irish, on the first of May, called by
them Bealtine, or the day of Belan’s fire, the same name as given
them in the Highlands of Scotland. A similar practice to this will
be noticed as mentioned in the II Book of Kings, where the Canaanites in
their worship of Baal, are said to have passed their children through
the fire of Baal, which seems to have been a common practice, as
Ahaz, King of Israel, is blamed for having done the same thing. Higgins
in his Anacalypsis, says this super¬ stitious custom still continues, and
that on “ particular days great fires are lighted, and the fathers taking
the children in their arms, jump or run through them, and thus pass
their children through them; they also light two fires at a little
distance from each other, and drive their cattle between them.” It will
be found on reference to Deuteronomy, that this very practice is
specially for¬ bidden. In the rites of Numa, we have also the
sacred fire of the Irish; of St. Bridget, of Moses, of Mithra, and
of India, accompanied with an establishment of nuns or vestal virgins. A
sacred fire is said to have been kept burning by the nuns of Kildare,
which was established by St. Bridget. This fire was never blown with
the mouth, that it might not be polluted, but only with bellows;
this fire was similar to that of the Jews, kept burning only with peeled
wood, and never blown with the mouth. Hyde describes a similar fire which
was kept burning in the same way by the ancient Persians, who kept
their sacred fire fed with a certain tree called Hawm Mogorum; and
Colonel Vallancey says the sacred fire of the Irish was fed with the wood
of the tree called Hawm. Ware, the Romish priest, relates that at
Kildare, the glorious Bridget was rendered illustrious by many
miracles, amongst which was the sacred fire, which had been kept burning
by nuns ever since the time of the Virgin. The earliest
sacred places of the Jews were evidently sacred stones, or stone circles,
succeeded in time by temples. These early rude stones, emblems of
the Creator, were erected by the Israelites, which in no way
differed from the erections of the Gentiles. It will be found that the
Jews to commemorate a great victory, or to bear witness of the Lord, were
all signfied by stones : thus, Joshua erected a stone to bear witness ;
Jacob put up a stone to make a place sacred ; Abel set up the same
for a place of worship; Samuel erected a stone as a boundary, which was
to be the token of an agreement made in the name of God. Even Maundrel in
his travels names several that he saw in Palestine. It is curious
that where a pillar was erected there, sometime after, a temple was
put up in the same manner that the Round Towers of Ireland were,—always
near a church, but never formed part of it. We find many instances in the
Scriptures of the erection of a number of stones among the early
Israelites, which would lead us to conclude that it was not at all
unlikely that the early places of worship among them, were similar to the
temples found in various parts of Great Britain and Ireland. It is
written in Exodus xxiv. 4, that Moses rose up early in the morning, and
builded an altar under the hill, and twelve pillars, according to
the twelve tribes of Israel, were erected. It is also given out that when
the children of Israel should pass over the Jordan, unto the land which
the Lord giveth them, they should set up great stones, and plaster
them with plaster, and also the words of the law were to be written
thereon. In many other places stones were ordered to be set up in the
name of the Lord, and repeated instances are given that the stones should
be twelve in number and unhewn. Stone temples seem to have
been erected in all countries of the world, and even in America, where,
among the early American races are to be found customs,
superstitions, and religious objects of veneration, similar to the
Phoenicians. An American writer says:—“ There is sufficient evidence that
the religious customs of the Mexicans, Peruvians and other American
races, are nearly identical with those of the ancient Phoenicians. . .
. We moreover discover that many of their religious terms have,
etymologically, the same origin.” Payne Knight, in his Worship of
Priapus, devotes much of his work to show that the temples erected at
Stonehenge and other places, were of a Phoenician origin, which was
simply a temple of the god Bacchus. Of all the nations of
antiquity the Persians were the most simple and direct in the worship of
the Creator. They were the puritans of the heathen world, and not
only rejected all images of God and his agents, but also temples and
altars, according to Herodotus, whose authority we prefer to any other,
because he had an opportunity of conversing with them before they
had adopted any foreign superstitions. As they worshipped the
ethereal fire without any medium of personification or allegory, they
thought it unworthy of the dignity of the god to be represented by any
definite form, or circumscribed to any particular place. The universe was
his temple, and the all-pervading element of fire his only symbol. The
Greeks appear originally to have held similar opinions, for they were
long without statues and Pausanias speaks of a temple at Siciyon, built
by Adrastus—who lived in an age before the Trojan war— which
consisted of columns only, without wall or roof, like the Celtic temples
of our northern ancestors, or the Phyroetheia of the Persians, which were
circles of stones in the centre of which was kindled the sacred fire,
the symbol of the god. Homer frequently speaks of places of worship
consisting of an area and altar only, which were probably enclosures like
those of the Persians, with an 42 Phallic
Worship altar in the centre. The temples dedicated to the
creator Bacchus, which the Greek architects called kypcethral, seem
to have been anciently of this kind, whence probably came the title (“
surround with columns ”) attributed to that god in the Orphic litanies.
The remains of one of these are still extant at Puzznoli, near Naples,
which the inhabitants call the temple of Serapis ; but the
ornaments of grapes, vases, etc., found among the ruins, prove it
to have been of Bacchus. Serapis was indeed the same deity worshipped
under another form, being usually a personification of the sun. The
architecture is of the Roman times ; but the ground plan is probably that
of a very ancient one, which this was made to replace—for it
exactly resembles that of a Celtic temple in Zeeland, published in
Stukeley’s Itinerary. The ranges of square buildings which enclose it are
not properly parts of the temple, but apartments of the priests, places
for victims and sacred utensils, and chapels dedicated to the sub¬
ordinate deities, introduced by a more complicated and corrupt worship
and probably unknown to the founder of the original edifice. The portico,
which runs parallel with these buildings, encloses the temenss, or area
of sacred ground, which in the pyratheia of the Persians was
circular, but is here quadrangular, as in the Celtic temple in Zeeland,
and the Indian pagoda before described. In the centre was the holy of
holies, the seat of the god, consisting of a circle of columns raised
upon a basement, without roof or walls, in the middle of which was
probably the sacred fire or some other symbol of the deity. The
square area in which it stood was sunk below the natural level of the
ground, and, like that of the Indian pagoda, appears to have been
occasionally floated with water; the drains and conduits being still to
be seen, as also several fragments of sculpture representing waves,
serpents, and various aquatic animals, which once adorned the
basement. The Bacchus here worshipped, was, as we learn from the
Orphic hymn above cited, the sun in his character of extinguisher of the
fires which once pervaded the earth. He is supposed to have done this by
exhaling the waters of the ocean and scattering them over the land, which
was thus supposed to have acquired its proper temperature and
fertility. For this reason the sacred fire, the essential image of the
god, was surrounded by the element which was principally employed in
giving effect to the beneficial exertions of the great attribute.
From a passage of Hecatasus, preserved by Diodorus Siculus, it
seems evident that Stonehenge and all the monu¬ ments of the same kind
found in the north, belong to the same religion which appears at some
remote period to have prevailed over the whole northern hemisphere.
According to that ancient historian, the Hyperboreans inhabited an island
beyond Gaul, as large as Sicily, in which Apollo was worshipped in a
circular temple considerable for its si^e and riches. Apollo, we know, in
the language of the Greeks of that age, can mean no other than the
sun, which according to Caesar was worshipped by the Germans, when
they knew of no other deities except fire and the moon. The island can
evidently be no other than Britain, which at that time was only known to
the Greeks by the vague reports of the Phoenician mariners ; and so
uncertain and obscure that Herodotus, the most inquisitive and
credulous of historians, doubts of its existence. The circular temple of
the sun being noticed in such slight and imperfect accounts, proves that
it must have been some¬ thing singular and important; for if it had been
an inconsiderable structure, it would not have been mentioned at
all; and if there had been many such in the country, the historian would
not have employed the singular number. Stonehenge has
certainly been a circular temple, nearly the same as that already
described of the Bacchus at. Puzznoli, except that in the latter the nice
execution and beautiful symmetry of the parts are in every respect
the reverse of the rude but majestic simplicity of the former. In
the original design they differ but in the form of the area. It may
therefore be reasonably supposed that we have still the ruins of the
identical temple described by Hecatasus, who, being an Asiatic Greek,
might have received his information from Phoenician merchants, who
had visited the interior parts of Britain when trading there for tin.
Anacrobius mentions a temple of the same kind and form, upon Mount
Zilmissus, in Thrace, dedicated to the sun under the title of Bacchus
Sebrazius. The large obelisks of stone found in many parts of the
north, such as those at Rudstone, and near Boroughbridge, in
Yorkshire, belong to the same religion; obelisks being, as Pliny
observes, sacred to the sun, whose rays they represented both by their
form and name .—Pajne Knight’s Worship of Priapus. Says
Hyslop :—“ The hot cross-buns of Good Friday, and the dyed eggs of Pasch
or Easter Sunday, figured in the Chaldean rites just as they do now. The
buns known, too, by that identical name, were used in the worship of
the Queen of Heaven, the goddess Easter (Ishtar or Astarte), as
early as the days of Cecrops, the founder of Athens, 1,500 years before the
Christian era.” “ One species of bread,” says Bryant, “ ‘ which used to
be offered to the gods, was of great antiquity, and called Boun’
Diogenes mentioned * they were made of flour and honey.’ ” It
appears that Jeremiah the Prophet was familiar with this lecherous worship.
He says :—“ The children gather wood, the fathers kindle the fire, and
the women knead the dough to make cakes to the Queen of Heaven
(Jer. vii., 18). Hyslop does not add that the “ buns ” offered to
the Queen of Heaven, and in sacrifices to other deities, were framed in
the shape of the sexual organs, but that they were so in ancient limes we
have abundance of evidence. Martial distinctly speaks of such
things in two epigrams, first, wherein the male organ is spoken of,
second, wherein the female part is commemorated ; the cakes being
made of the finest flour, and kept especially for the palate of the
fair one. Wilford (“ Asiatic Researches) says :—“ When the people of
Syracuse were sacrificing to goddesses, they offered cakes called mulloi,
shaped like the female organ, and in some temples where the
priestesses were probably ventriloquists, they so far imposed on
the credulous multitude who came to adore the Vulva as to make them
believe that it spoke and gave oracles.” We can understand how such
things were allowed in licentious Rome, but we can scarcely comprehend
how they were tolerated in Christian Europe, as, to all innocent
surprise we find they were, from the second part of the “ Remains of the
Worship of Priapus ” : that in Saintonge, in the neighbourhood of La
Rochelle, small cakes baked in the form of the Phallus are made as
offerings at Easter, carried and presented from house to house.
Dulare states that in his time the festival of Palm Sunday, in the
town of Saintes, was called le fete des pinnes —feast of the privy
members—and that during its continuance the women and children carried in
the procession a Phallus made of bread, which they called a pinne, at the
end of their palm branches ; these pinnes were subsequently blessed
by priests, and carefully preserved by the women during the year. Palm
Sunday 1 Palm, it is to be remembered, is a euphemism of the male organ,
and it is curious to see it united with the Phallus in Christendom.
Dulare also says that, in some of the earlier inedited French books
on cookery, receipts are given for making cakes of the salacious
form in question, which are broadly named. He further tells us those
cakes symbolized the male, in Lower Limousin, and especially at Brives ;
while the female emblem was adopted at Clermont, in Auvergne, and
other places. THE ARK AND GOOD FRIDAY The ark of
the covenant was a most sacred symbol in the worship of the Jews, and like
the sacred boat, or ark of Osiris, contained the symbol of the principle
of life, or creative power. The symbol was preserved with great
veneration in a miniature tabernacle, which was considered the special
and sanctified abode of the god. In size and manner of construction the
ark of the Jews and the sacred chest of Osiris of the Egyptians
were exactly alike, and were carried in processions in a similar
manner The ark or chest of Osiris was attended by the
priests, and was borne on the shoulders of men by means of staves.
The ark when taken from the temple was placed upon a table, or stand,
made expressly for the purpose, and was attended by a procession similar
to that which followed the Jewish ark. According to Faber, the ark
was a symbol of the earth or female principle, containing the germ of all
animated nature, and regarded as the great mother whence all tilings
sprung. Thus the ark, earth, and goddess, were represented by common
symbols, and spoken of in the old Testament as the “ ashera.”
The sacred emblems carried in the ark of the Egyptians were the
Phallus, the Egg, and the Serpent; the first representing the sun, fire,
and male or generative principle —the Creator; the second, the passive or
female, the germ of all animated things—the Preserver; and the last
the Destroyer: the Three of the sacred Trinity. The Hindu women,
according to Payne Knight, still carry the lingam, or consecrated symbol
of the generative attribute of the deity, in solemn procession between
two serpents; and in a sacred casket, which held the Egg and the
Phallus in the mystic processions of the Greeks, was also a
Serpent. “ The ark,” says Faber, “ was reverenced in all the
ancient religions.” It was often represented in the form of a boat, or
ship, as well as an oblong chest. The rites of the Druids, with those of
Phoenicia and Hindostan, show that an ark, chest, cell, boat, or cavern,
held an important place in their mysteries. In the story of Osiris, like
that of the Siva, will be found the reason for the emblem being
carried in the sacred chest, and the explanation of one of
48 Phallic Worship the mysteries of the Egyptian
priests. It is said that Osiris was torn to pieces by the wicked Typhon,
who after cutting up the body, distributed the parts over the
earth. Isis recovered the scattered limbs, and brought them back to
Egypt; but, being unable to find the part which distinguished his sex,
she had an image made of wood, which was enshrined in an ark, and ordered
to be solemnly carried about in the festivals she had instituted in
his honour, and celebrated with certain secret rites. The Egg,
which accompanied the Phallus in the ark was a very common symbol of the
ancient faiths, which was considered as containing the generation of
life. The image of that which generated all things in itself. Jacob
Bryant says :—“ The Egg, as it contained the principles of life was
thought no improper emblem of the ark, in which were preserved the future
world. Hence in the Dionysian and in other mysteries, one part of the
nocturnal ceremony consisted in the consecration of an egg.” This
egg was called the Mundane Egg. The ark was likewise the symbol of
salvation, the place of safety, the secret receptacle of the divine
wisdom. Hence we find the ark of the Jews containing the tables of
the law; we find too that the Jews were ordered to place in the ark
Aaron’s rod, which budded, conveying the idea of symbolised fertility :
showing that the ark was considered as the receptacle of the life
principle—as an emblem of the Creator. With the Egyptians
Osiris was supposed to be buried in the ark, which represented the
disappearance of the deity. His loss, or death, constituted the first
part of the mysteries, which consisted of lamentations for his decease.
After the third day from his death, a procession went down to the
seaside in the night, carrying the ark with them. During the passage they
poured drink offerings from the river, and when the ceremony had been
duly performed, they raised a shout that Osiris had again risen—that the
dead had been restored to life. After this followed the second or
joyful part of the mysteries. The s imila rity of this custom with
the Good Friday celebrations of the death of Jesus, and the rejoicings on
account of his resurrection on Easter Sunday, will be at once observed.
It is further said that the missing part of Osiris was eaten by a fish,
which made the fish a sacred symbol. Thus we have the Ark, Fish, and
Good Friday brought together, also the Egg, for the origin of the
Easter eggs is very ancient. A bull is represented as breaking an egg
with his horn, which signified the liberating of imprisoned life at the
opening or spring of the year, which had been destroyed by Typhon.
The opening of the year at that time commenced in the spring, not
according to our present reckoning; thus, the Egg was a symbol of the
resurrection of life at the spring, or our Easter time. The author of the
“ Worship of the Generative Powers,” describes the origin of the hot
cross¬ bun at Easter, which is a further parallelism of the
Christian and Pagan festivals. The author also draws a further
conclusion—that the cakes or buns have in reality a Phallic origin, for
in France and other parts, the Easter cakes were called after the membrun
virile. The writer says :—“ In the primitive Teutonic mythology,
there was a female deity named in old German, Ostara, and in
Anglo-Saxon, Eastre or Eostre ; but all we know of her is the simple
statement of our father of history, Bede, that her festival was
celebrated by the ancient Saxons in the month of April, from which
circumstance that month was named by the Anglo-Saxons, Easter-mona or
Eoster- mona, and that the name of the goddess had been
frequently given to the Paschal time, with which it was identical.
The name of this goddess was given to the same month by the old
Germans and by the Franks, so that she must have been one of the most
highly honoured of the Teutonic deities, and her festival must have been
a very important one and deeply implanted in the popular feelings, or
the Church would not have sought to identify it with one of the
greatest Christian festivals of the year. It is understood that the Romans
considered this month as dedicated to Venus, no doubt because it was that
in which the productive powers of nature began to be visibly
developed. When the Pagan festival was adopted by the Church, it
became a moveable feast, instead of being fixed to the month of April.
Among other objects offered to the goddess at this time were cakes, made
no doubt of fine flour, but of their form we are ignorant. The
Christians when they seized upon the Easter festival, gave them the
form of a bun, which indeed was at that time the ordinary form of bread ;
and to protect themselves and those who ate them from any enchantment—or
other evil influences which might arise from their former heathen
character they marked them with the Christian symbol—the cross.
Hence we derived the cakes we still eat at Easter under the name of hot
cross-buns, and the superstitious feelings attached to them; for
multitudes of people still believe that if they failed to eat a hot
cross-bun on Good Friday, they would be unlucky all the rest of the
year.” The earliest capital seems to have been the bell or seed
vessel, simply copied without alteration, except a little expansion at
the bottom to give it stability. The leaves of some other plant were then
added to it, and varied in different capitals according to the
different meanings intended to be signified by the accessory
symbols. The Greeks decorated it in the same manner, with the
foliage of various plants, sometimes of the acanthus and sometimes of the
aquatic kind, which are, however, generally so transformed by excessive
attention to elegance, that it is difficult to distinguish them. The most
usual seems to be the Egyptian acacia, which was probably adopted
as a mystic symbol for the same reasons as the olive, it being equally
remarkable for its powers of reproduction. Theophrastus mentions a large
wood of it in the “ Thebaid,” where the olive will not grow, so
that we reasonably suppose it to have been employed by the Egyptians in
the same symbolical sense. From them the Greeks seem to have borrowed it
about the time of the Macedonian conquest, it not occurring in any
of their buildings of a much earlier date ; and as for the story of the
Corinthian architect, who is said to have invented this kind of capital
from observing a thorn growing round a basket, it deserved no credit,
being fully contradicted by the buildings still remaining in Upper
Egypt. The Doric column, which appears to have been the only
one known to the very ancient Greeks, was equally derived from the
Nelumbo; its capital being the same seed-vessel pressed flat, as it
appears when withered and dry—the only state probably in which it had
been seen in Europe. The flutes in the shaft were made to hold
spears and staves, whence a spear-holder is spoken of in the “ Odyssey ”
as part of a column. The triglyphs and blocks of the cornice were also
derived from utility, they having been intended to represent the
projecting ends of the beams and rafters which formed the roof.
The Ionic capital has no bell, but volutes formed in imitation of
sea-shells, which have the same symbolical meaning. To them is frequently
added the ornament which architects call a honeysuckle, but which seems
to be meant for the young petals of the same flower viewed horixontally,
before they are opened or expanded. Another ornament is also introduced
in this capital, which they call eggs and anchors, but which is, in fact,
composed of eggs and spear-heads, the symbols of female generation
and male destructive power, or in the language of mythology, of Venus and
Mars .—Payne Knight. Stripped, however, of all this splendour and
magnificence it was probably nothing more than a symbolical instrument,
signifying originally the motion of the elements, like the sistrum of
Isis, the cymbals of Cybele, the bells of Bacchus, etc., whence Jupiter
is said to have overcome the Titans with his aegis, as Isis drove
away Typhon with her sistrum, and the ringing of the bells and
clatter of metals were almost universally employed as a means of
consecration, and a charm against the destroying and inert powers. Even
the Jews welcomed the new moon with such noises, which the simplicity
of the early ages employed almost everywhere to relieve her during
eclipses, supposed then to be morbid affections brought on by the
influence of an adverse power. The title Priapus, by which the generative
attribute is distinguished, seems to be merely a corruption of Brt'apuos
(clamorous); the beta and pi being commutable letters, and epithets of
similar meaning, being continually applied both to Jupiter and Bacchus by
the poets. Many Priapic figures, too, still extant, have bells attached
to them, as the symbolical statues and temples of the Hindus are;
and to wear them was a part of the worship of Bacchus among the Greeks :
whence we sometimes find them of extremely small size, evidently meant to
be worn as amulets with the phalli, lunulas, etc. The chief priests
of the Egyptians and also the high priests of the Jews, hung them as
sacred emblems to their sacerdotal garments ; and the Brahmins still
continue to ring a small bell at the interval of their prayers,
ablutions, and other acts of devotion; which custom is still preserved in
the Roman Catholic Church at the elevation of the host. The
Lacedaemonians beat upon a brass vessel or pan, on the death of their
kings, and we still retain the custom of tolling a bell on such
occasions, though the reason of it is not generally known, any more than
that of other remnants of ancient ceremonies still existing. 1 It will
be observed that the bells used by the Christians very probably came
direct from the Buddhists. And from the same source are derived the beads
and rosaries of the Roman Catholics, which have been used by the
Buddhist 1 The above description is from Payne Knight’s “ Symbolical
Language of ancient Art and Mythology.” monks for over 2,000 years.
Tinkling bells were suspended before the shrine of Jupiter Ammon,
and during the service the gods were invited to descend upon the
altars by the ringing of bells ; they were likewise sacred to Siva. Bells
were used at the worship of Bacchus, and were worn on the garments of the
Bacchantes, much in the same manner as they are used at our carnivals
and masquerades.The following curious fable is given by Sir William
Jones, as one of the stories of the Hindus for the origin of Phallic
devotion:—“ Certain devotees in a remote time had acquired great renown
and respect, but the purity of the art was wanting, nor did their motives
and secret thoughts correspond with their professions and exterior
conduct. They affected poverty, but were attached to the things of
this world, and the princes and nobles were constantly sending their
offerings. They seemed to sequester them¬ selves from this world ; they
lived retired from the towns ; but their dwellings were commodious, and
their women numerous and handsome. But nothing can be hid from
their gods, and Sheevah resolved to put them to shame. He desired
Prakeety (nature) to accompany him; and assumed the appearance of a
Pandaram of a graceful form. Prakeety was herself a damsel of matchless
worth. She went before the devotees who were assembled with their
disciples, awaiting the rising of the sun, to perform their ablutions and
religious ceremonies. As she advanced the refreshing breeze moved her
flowing robe, showed the exquisite shape which it seemed intended to
conceal. With eyes cast down, though sometimes opening with a timid
but tender look, she approached them, and with a low enchanting voice
desired to be admitted to the sacrifice. The devotees gazed on her with
astonishment. The sun appeared, but the purifications were
forgotten; the things of the Poojah (worship) lay neglected; nor
was any worship thought of but that of her. Quitting the gravity of their
manners, they gathered round her as flies round the lamp at
night—attracted by its splendour, but consumed by its flame. They asked
from whence she came; whither she was going. ‘ Be not offended with
us for approaching thee, forgive us our importunities. But thou art
incapable of anger, thou who art made to convey bliss ; to thee, who
mayest kill by indifference, indignation and resentment are unknown. But
whoever thou mayest be, whatever motive or accident might have
brought thee amongst us, admit us into the number of thy slaves; let us
at least have the comfort to behold thee.’ Here the words faltered on the
lip, and the soul seemed ready to take its flight; the vow was
forgotten, and the policy of years destroyed. Whilst the devotees
were lost in their passions, and absent from their homes, Sheevah entered
their village with a musical instrument in his hand, playing and
singing like some of those who solicit charity. At the sound of his
voice, the women immediately quitted their occupation; they ran to see
from whom it came. He was as beautiful as Krishen on the plains of Matra.
Some dropped their jewels without turning to look for them ; others
let fall their garments without perceiving that they discovered
those abodes of pleasure which jealousy as well as decency had ordered to
be concealed. All pressed forward with their offerings, all wished to
speak, all wished to be taken notice of, and bringing flowers and
scattering them before him, said—‘ Askest thou alms ! thou who are made
to govern hearts. Thou whose countenance is as fresh as the
morning, whose voice is the voice of pleasure, and they breath like that
of Vassant (Spring) in the opening of the rose! Stay with us and we will
serve thee; not will we trouble thy repose, but only be zealous how
to please thee.’ The Pandaram continued to play, and sung the loves
of Kama (God of Love), of Krishen and the Gopia, and smiling the gentle
smiles of fond desire. But the desire of repose succeeds the waste of
pleasure. Sleep closed the eyes and lulled the senses. In the
morning the Pandaram was gone. When they awoke they looked round with
astonishment, and again cast their eyes on the ground. Some directed to
those who had formerly been remarked for their scrupulous manners,
but their faces were covered with their veils. After sitting awhile in
silence they arose and went back to their houses, with slow and troubled
steps. The devotees returned about the same time from their wanderings
after Prakeety. The days that followed were days of embarrass¬ ment
and shame. If the women had failed in their modesty, the devotees had
broken their vows. They were vexed at their weakness, they were sorry for
what they had done; yet the tender sigh sometimes broke forth, and
the eyes often turned to where the men first saw the maid—the women, the
Pandaram. “ But the women began to perceive that what the
devotees foretold came not to pass. Their disciples, in consequence, neglected
to attend them, and the offerings from the princes and nobles became less
frequent than before. They then performed various penances; they
sought for secret places among the woods unfrequented by man; and having
at last shut their eyes from the things of this world, retired within
themselves in deep meditation, that Sheevah was the author of their
misfortunes. Their understanding being imperfect, instead of bowing the
head with humility, they were inflamed with anger; instead of contrition
for their hypocrisy, they sought for vengeance. They performed new
sacrifices and incantations, which were only allowed to have effect in
the end, to show the extreme folly of man in not submitting to the will
of heaven. “ Their incantations produced a tiger, whose mouth
was like a cavern and his voice like thunder among the mountains. They
sent him against Sheevah, who with Prakeety was amusing himself in the
vale. He smiled at their weakness, and killing the tiger at one blow
with his club, he covered himself with his skin. Seeing them¬
selves frustrated in this attempt, the devotees had recourse to another,
and sent serpents against him of the most deadly kind; but on approaching
him they became harmless, and he twisted them round his neck. They
then sent their curses and imprecations against him, but they all
recoiled upon themselves. Not yet disheartened by all these
disappointments, they collected all their prayers, their penances, their
charities, and other good works, the most acceptable sacrifices ; and
demanding in return only vengeance against Sheevah, they sent a
fire to destroy his genital parts. Sheevah, incensed at this attempt,
turned the fire witti indignation against the human race; and mankind
would soon have been destroyed, had not Vishnu, alarmed at the
danger, implored him to suspend his wrath. At his entreaties Sheevah
relented ; but it was ordained that in his temples those parts should be
worshipped, which the false doctrines had impiously attempted to
destroy.” THE CROSS AND ROSARY The key which is still
worn with the Priapic hand, as an amulet, by the women of Italy appears
to have been an emblem of the equivocal use of the name, as the
language of that country implies. Of the same kind, too, appears to
have been the cross in the form of the letter tau, attached to a circle,
which many of the figures of Egyptian deities, both male and female,
carry in their left hand ; and by the Syrians, Phoenicians and other
inhabitants of Asia, representing the planet Venus, worshipped by them as
the emblem or image of that goddess. The cross in this form is
sometimes observable on coins, and several of them were found in a temple
of Serapis, demolished at the general destruction of those edifices by
the Emperor Theodosius, and were said by the Christian antiquaries
of that time to signify the future life. In solemn sacrifices, all the
Lapland idols were marked with it from the blood of the victims ; and it
occurs on many Runic ornaments found in Sweden and Denmark, which are of
an age long anterior to the approach of Christianity to those
countries, and probably to its appearance in the world. On some of the
early coins of the Phoenicians, we find it attached to a chaplet of beads
placed in a circle, so as to form a complete rosary, such as the Lamas of
Thibet and China, the Hindus, and the Roman Catholics now tell over
while they pray. BEADS Beads were anciently used to reckon
time, and a circle, being a line without termination, was the natural
emblem of its perpetual continuity ; whence we often find circles
of beads upon the heads of deities, and enclosing the sacred symbols upon
coins and other monuments. Perforated beads are also frequently found in
tombs, both in the northern and southern parts of Europe and Asia,
whence are fragments of the chaplets of consecration buried with the
deceased. The simple diadem, or fillet, worn round the head as a mark of
sovereignty, had a similar meaning, and was originally confined to the
statues of deities and deified personages, as we find it upon the
most ancient coins. Chryses, the priest of Apollo, in the “ Iliad,”
brings the diadem, or sacred fillet, of the god upon his sceptre, as the
most imposing and invocable emblem of sanctity ; but no mention is made
of its being worn by kings in either of the Homeric poems, nor of
any other ensign of temporal power and command, except the royal
staff or sceptre. THE LOTUS The double sex typified by
the Argha and its contents is by the Hindus represented by the “ Mymphoea
” or Lotus, floating like a boat on the boundless ocean, where the
whole plant signifies both the earth and the two principles of its
fecundation. The germ is both Meru and the Linga; the petals and
filaments are the mountains which encircle Meru, and are also a type of
the Yoni; the leaves of the calyx are the four vast regions to the
cardinal points of Meru ; and the leaves of the plant are the Dwipas or
isles round the land of Jambu. As this plant or lily was probably the most
celebrated of all the vegetable creation among the mystics of the ancient
world, and is to be found in thousands of the most beautiful and
sacred paintings of the Christians of this day—I detain my reader with a
few observations respecting it. This is the more necessary as it appears
that the priests have now lost the meaning of it; at least this is the
case with everyone of whom I have made enquiry ; but it is like many
other very odd things, probably understood in the Vatican, or the
crypt of St. Peter’s. Maurice says that among the different plants which
ornament our globe, there is not one which has received so much honour
from man as the Lotus or Lily, in whose consecrated bosom Brahma
was born, and Osiris delighted to float. This is the sublime, the hallowed
symbol that eternally occurs in oriental mythology, and in truth not
without reason, for it is itself a lovely prodigy. Throughout all the
northern hemispheres it was everywhere held in profound veneration,
and from Savary we learn that the veneration is yet continued among the
modern Egyptians. And we find that it still continues to receive the
respect if not the adoration of a great part of the Christian
world, unconscious, perhaps, of the original reason of this
conduct. Higgins's Anacalypsis. The following is an account given
of it by Payne Knight, in his curious dissertation on Phallic Worship : The
Lotus is the Nelumbo of Linnaeus. This plant grows in the water, among
its broad leaves puts forth a flower, in the centre of which is formed
the seed vessel. shaped like a bell or inverted cone, and perforated on
the top with little cavities or cells, in which the seeds grow. The
orifices of these cells being too small to let the seeds drop out when
ripe, they shoot forth into new plants in the places where tney are
formed : the bulb of the vessel serving as a matrix to nourish them,
until they acquire such a degree of magnitude as to burst it open and
release themselves, after which, likfe other aquatic weeds, they
take root wherever the current deposits them. This plant, therefore,
being thus productive of itself, and vegetating from its own matrix,
without being fostered in the earth, was naturally adopted as the symbol
of the productive power of the waters, upon which the active spirit
of the Creator operated in giving life and vegetation, to matter. We
accordingly find it employed in every part of the northern hemisphere,
where the symbolical religion, improperly called idolatry, does or ever
did prevail. The sacred images of rhe Tartars, Japanese, and
Indians are almost placed upon it, of which numerous instances
occur in the publications of Kcempfer, Sonnerat, etc. The Brahma of India
is represented as sitting upon his Lotus throne, and the figure upon the
Isaaic table holds the stem of this plant surmounted by the seed vessel
in one hand, and the Cross representing the male organs of
generation in the other; thus signifying the universal power, both active
and passive, attributed to that goddess. Nimrod says. The Lotus is a well-known
allegory, of which the expansive calyx represents the ship of the
gods floating on the surface of the water ; and the erect flower arising
out of it, the mast thereof. The one was the galley or cockboat, and the
other the mast of cockayne ; but as the ship was Isis or Magna Mater, the
female principle, and the mast in it the male deity, these parts of
the flower came to have certain other significations, which seem to have
been as well known at Samosata as at Benares. This plant was also used in
the sacred offices of the Jewish religion. In the ornaments of the temple
of Solomon, the Lotus or lily is often seen.” The figure of
Isis is frequently represented holding the stem of the plant in one hand,
and the cross and circle in the other. Columns and capitals resembling
the plant are still existing among the ruins of Thebes, in Egypt,
and the island of Pbilce. The Chinese goddess, Pussa, is represented
sitting upon the Lotus, called in that country Lin, with many arms,
having symbols signifying the various operations of nature, while
similar attributes are expressed in the Scandinavian goddess Isa or
Disa. The Lotus is also a prominent symbol in Hindu and
Egyptian cosmogony. This plant appears to have the same tendency with the
Sphinx, of marking the connection between that which produces and that
which is produced. The Egyptian Ceres (Virgo) bears in her hand the
blue Lotus, which plant is acknowledged to be the emblem of celestial
love so frequently seen mounted on the back of Leo in the ancient
remains. The following is a translation of the Purana relating to the
cosmogony of the Hindus, and will be found interesting as showing the
importance attached to the Lotus in the worship of the ancients: We find
Brahma emerging from the Lotus. The whole universe was dark and covered
with water. On this primeval water did Bhagavat (God), in a
masculine form, repose for the space of one Calpho (a thousand
years); after which period the intention of creating other beings for his
own wise purposes became pre¬ dominant in the mind of the Great Creator .
In the first Phallic Worship place, by his sovereign will was
produced the flower of the Lotus, afterwards, by the same will, was
brought to light the form of Brahma from the said flower ; Brahma,
emerging from the cup of the Lotus, looked round on all the four sides,
and beheld from the eyes of his four heads an immeasurable expanse of
water. Observing the whole world thus involved in darkness and submerged
in water, he was stricken with prodigious amazement, and began to
consider with himself, £ Who is it that produced me ? whence came I ? and where
am I ? Brahma, thus kept two hundred years in contem¬ plation, prayers,
and devotions, and having pondered in his mind that without connection of
male and female an abundant generation could not be effected—again
entered into profound meditation on the power of the Supreme, when,
on a sudden by the omnipotence of God, was produced from his right side
Swayambhuvah Menu, a man of perfect beauty; and from the Brahma’s left
side a woman named Satarupa. The prayer of Brahma runs thus :—‘ O
Bhagavat! since thou broughtest me from nonentity into existence for a
particular purpose, accomplish by thy benevolence that purpose.’ In
a short time a small white boar appeared, which soon grew to the
size of an elephant. He now felt God in all, and that all is from Him,
and all in Him. At length the power of the Omnipotent had assumed the body
of Vara. He began to use the instinct of that animal. Having
divided the water, he saw the earth a mighty barren stratum. He then took
up the mighty ponderous globe (freed from the water) and spread the earth
like a carpet on the face of the water; Brahma, contemplating the
whole earth, performed due reverence, and rejoicing exceedingly, began to
consider the means of peopling the renovated world.” Pjag, now Allahabad,
was the first land said to have appeared, but with the Brahmins it
is a disputed point, for many affirm that Cast or Benares was the sacred
ground. MERU The learned Higgins, an English judge,
who for some years spent ten hours a day in antiquarian studies,
says that Moriah, of Isaiah and Abraham, is the Meru of the Hindus,
and the Olympus of the Greeks. Solomon built high places for Ashtoreth,
Astarte, or Venus, which because mounts of Venus, mans veneris —Meru and
Mount Calvary—each a slightly skull-shaped mount, that might be
represented by a bare head. The Bible translators perpetuate the same
idea in the word “ calvaria.” Prof. Stanley denies that “ Mount Calvary ”
took its name from its being the place of the crucifixion of Jesus.
Looking elsewhere and in earlier times for the bare calvaria, we find
among Oriental women, the Mount of Venus, mons veneris, through motives
of neatness or religious sentiment, deprived of all hirsute appendage. We
see Mount Calvary imitated in the shaved poll of the head of a
priest. The priests of China, says Mr. J. M. Peebles, continue to shave
the head. To make a place holy, among the Hindus, Tartars, and people of
Thibet, it was necessary to have a mount Meru, also a Linga-Yoni,
or Arba. This marvellous work of excavation by the slow process of
the chisel, was visited by Capt. Seeley, who afterwards published a
volume describing the temple and its vast statues. The beauty of its
architectural ornaments, the innumerable statues or emblems, all hewn out
of solid rock, dispute with the Pyramids for the first place among
the works undertaken to display power and embody feeling. The stupendous
temple is detached from the neighbouring mountain by a spacious area all
round, and is nearly 25 o feet deep and 15 o feet broad, reaching to
the height of 100 feet and in length about 145 feet. It has
well-formed doorways, windows, staircases, upper floors, containing fine
large rooms of a smooth and polished surface, regularly divided by rows
of pillars ; the whole bulk of this immense block of isolated excavation
being upwards of 500 feet in circumference, and having beyond its
areas three handsome figure galleries or verandas supported by regular
pillars. Outside the temple are two large obelisks or phalli standing, “
of quadrangular form, eleven feet square, prettily and variously carved,
and are estimated at forty-one feet high; the shaft above the
pedestal is seven feet two inches, being larger at the base than
Cleopatra’s Needle.” In one oi the smaller temples was an image of
Lingam, “ covered with oil and red ochre, and flowers were daily
strewed on its circular top. This Lingam is larger than usual, occupying
with the altar, a great part of the room. In most Ling rooms a sufficient
space is left for the votaries to walk round whilst making the usual
invocations to the deity (Maha Deo). This deity is much frequented
by female votaries, who take especial care to keep it clean washed,
and often perfume it with oderiferous oils and flowers, whilst the
attendant Brahmins sweep the apartment and attend the five oil lights and
bell ringing.” This oil vessel resembled the Yoni (circular frame), into
which the light itself was placed. No symbol was more venerated or
more frequently met with than the altar and Ling, Siva, or Maha Deo. “
Barren women constantly resort to it to supplicate for children,” says
Seeley. The mysteries attended upon them is not described, but doubtless
they were of a very similar character to those described by the
author of the “ Worship of the Generative Powers of the Western Nations,”
showing again the similarity of the custom with those practised by the
Catholics in France. The writer says :—“ Women sought a remedy for
barren¬ ness by kissing the end of the Phallus ; sometimes they
appear to have placed a part of their body, naked, against the image of
the saint, or to have sat upon it. This latter trait was perhaps too bold
an adoption of the indecencies of Pagan worship to last long, or to be
practised openly ; but it appears to have been innocently represented
by lying upon the body of the saint, or sitting upon a stone,
understood to represent him without the presence of the energetic member.
In a corner in the church of the village of St. Fiacre, near Monceaux, in
France, there is a stone called the chair of St. Fiacre, which confers
fecundity upon women who sit upon it; but it is necessary nothing
should intervene between their bare skin and the stone. In the church of
Orcival in Auvergne, there was a pillar which barren women kissed for the
same purpose and which had perhaps replaced some less equivocal
object.” The principal object of worship at Elora is the stone,
so frequently spoken of ; “ the Lingam,” says Seeley, and he
apologises for using the word so often, but asks to be excused, “ is an
emblem not generally known, but as frequently met with as the Cross in
Catholic worship.” It is the god Siva, a symbol of his generative
character, the base of which is usually inserted in the Yoni. The
stone is of a conical shape, often black stone, covered with flowers (the
Bella and Asuca shrubs). The flowers hang pendant from the crown of the
Ling stone to the spout of the Argha or Yoni (mystical matrix) ; the
same as the Phallus of the Greeks. Five lamps are commonly used in
the worship at the symbol, or one lamp with five wicks. The Lotus is
often seen on the top of the Ling. The characteristic attribute of the
passive generative power was expressed in symbolical writing, by
different enigmatical representations of the most distinguished characteristic
of the female sex: such as the shell or Concha Veneris, the fig-leaf,
barley corn, and the letter Delta, all of which occur very frequently
upon coins and other ancient monuments in this sense. The same
attribute personified as the goddess of Love, or desire, is usually
represented under the voluptuous form of a beautiful woman, frequently
distinguished by one of these symbols, and called Venus, Kypris, or
Aphrodite, names of rather uncertain mythology. She is said to be
the daughter of Jupiter and Dione, that is of the male and female
personifications of the all-pervading Spirit of the Universe ; Dione
being the female Dis or Zeus, and therefore associated with him in the most
ancient oraculai temple of Greece at Dodona. No other genealogy
appears to have been known in the Homeric times ; though a
different one is employed to account for the name of Aphrodite in the “
Theogony ” attributed to Hesiod. The Genelullides or Genoidai were
the original and appropriate ministers or companions of Venus, who
was however, afterwards attended by the Graces, the proper and
original attendants of Juno; but as both these goddesses were occasionally
united and represented in one image, the personifications of their
respective sub¬ ordinate attributes were on other occasions added:
whence the symbolical statue of Venus at Paphos had a beard, and other
appearances of virility, which seems to have been the most ancient mode
of representing the celestial as distinguished from the popular goddess
of that name—the one being a personification of a general
procreative power, and the other only of animal desire or concupiscence.
The refinement of Grecian art, however, when advanced to maturity,
contrived more elegant modes of distinguishing them ; and, in a
celebrated work of Phidias, we find the former represented with her
foot upon a tortoise ; and in a no less celebrated one of Scopas,
the latter sitting upon a goat. The tortoise, being an androgynous
animal, was aptly chosen as a symbol of the double power ; and the goat
was equally appropriate to what was meant to be expressed in the other.
The same attribute was on other occasions signified by a dove or
pigeon, by the sparrow, and perhaps by the polypus, which often appears
upon coins with the head of the goddess, and which was accounted an
aphrodisiac, though it is likewise of the androgynous class. The fig
was a still more common symbol, the statue of Priapus being made of the
tree, and the fruit being carried with the Phallus in the ancient
processions in honour of Bacchus, and still continuing among the common
people of Italy to be an emblem of what it anciently meant: whence
we often see portraits of persons of that country painted with it in one
hand, to signify their orthodox elevation to the fair sex. Hence, also
arose the Italian expression far la fica, which was done by putting the
thumb between the middle and fore-fingers, as it appears in many Priapic
orna¬ ments extant; or by putting the finger or thumb into the
corner of the mouth and drawing it down, of which there is a representation
in a small Priapic figure of exquisite sculpture, engraved among the
Antiquities of Herculaneum. The same liberal and humane spirit still
prevails among those nations whose religion is founded on the same
principles. “ The Siamese,” says a traveller of the seventeenth century,
“ shun disputes and believe that almost all religions are good ” (“
Journal du Voyage de Siam ”). When the ambassador of Louis XIV asked
their king, in his master’s name, to embrace Christianity, he
replied, “ that it was strange that the king of France should interest
himself so much in an affair which concerns only God, whilst He, whom it
did concern, seemed to leave it wholly to our discretion. Had it been
agreeable to the Creator that all nations should have had the same
form of worship, would it not have been as easy to His omnipotence to
have created all men with the same sentiments and dispositions, and to have
inspired them with the same notions of the True Religion, as to endow
them with such different tempers and inclinations ? Ought they not
rather to believe that the true God has as much pleasure in being
honoured by a variety of forms and ceremonies, as in being praised and
glorified by a number of different creatures ? Or why should that beauty
and variety, so admirable in the natural order of things, be less
admirable or less worthy of the wisdom of God in the supernatural ?
” The Hindus profess exactly the same opinion. “ They would
readily admit the truth of the Gospel,” says a very learned writer long
resident among them, “ but they contend that it is perfectly consistent
with their Shastras. The Deity, they say, has appeared innumerable times
in many parts of this world and in all worlds, for the salvation of
his creatures ; and we adore, they say, the same God, to whom our several
worships, though different in form, are equally acceptable if they be
sincere in substance.” The Chinese sacrifice to the spirits of the
air the mountains and the rivers ; while the Emperor himself
sacrifices to the sovereign Lord of Heaven, to whom all these spirits are
subordinate, and from whom they are derived. The sectaries of Fohi have,
indeed, surcharged this primitive elementary worship with some of
the allegorical fables of their neighbours ; but still as their
creed—like that of the Greeks and Romans—remains undefined, it admits of
no dogmatical theology, and of course no persecution for opinion. Obscure
and sanguinary rites have, indeed, been wisely prescribed on many
occasions ; but still as actions and not as opinions. Atheism is said to
have been punished with death at Athens ; but nevertheless it may be
reasonably doubted whether the atheism, against which the citizens of
that republic expressed such fury, consisted in a denial of the
existence of the gods ; for Diagoras, who was obliged to fly for this
crime, was accused of revealing and calum¬ niating the doctrines taught
in the Mysteries ; and from the opinions ascribed to Socrates, there is
reason to believe that his offence was of the same kind, though he had
not been initiated. These were the only two martyrs to
religion among the ancient Greeks, such as were punished for actively
violating or insulting the Mysteries, the only part of their
worship which seems to have possessed any vitality; for as to the
popular deities, they were publicly ridiculed and censured with impunity
by those who dared not utter a word against the populace that worshipped
them; and as to the forms and ceremonies of devotion, they were
held to be no otherwise important, then as they were constituted a part
of civil government of the state; the Phythian priestess having
pronounced from the tripod, that whoever performed the rites of his
religion according to the laws of his country, performed them in a manner
pleasing to the Deity. Hence the Romans made no alterations in the
religious institutions of any of the conquered countries ; but allowed
the inhabitants to be as absurd and extravagant as they pleased, and to
enforce their absurdities and extravagances wherever they had any
pre-existing laws in their favour. An Egyptian magistrate would put
one of his fellow-subjects to death for killing a cat ora monkey; and
though the religious fanaticism of the Jews was too sanguinary and too
violent to be left entirely free from restraint, a chief of the synagogue
could order anyone of his congregation to be whipped for neglecting
or violating any part of the Mosaic Ritual. The principle underlying the
system of emanations was, that all things were of one substance, from
which they were fashioned and into which they were again dissolved,
by the operation of one plastic spirit universally diffused and expanded.
The polytheist of ancient Greece and Rome candidly thought, like the
modern Hindu, that all rites of worship and forms of devotion were
directed to the same end, though in different modes and through
different channels. “ Even they who worship other gods, says Krishna, the
incarnate Deity, in an ancient Indian poem ( Bhagavat-Gita ), “worship me
although they know it not ''— Payne Knight. Mario
Cazzaniga. Gian Mario Cazzaniga. Keywords: rito di passage, solo una volta, l’iniziazione,
massoneria, esoterismo, democrazia come sistema simbolico, sovranita, stato
nazionale, conflitto, liberta, fraternita, iguaglianza. Refs.: Luigi Speranza,
“Grice e Cazzaniga” – The Swimming-Pool Library. Cazzaniga.
Grice
e Cazzulani: l’implicature del deutero-esperanto – la scuola di Milano –
filosofia milanese – filosofia lombarda -- filosofia italiana – Luigi Speranza (Milano).
Filosofo milanese. Filosofo lombardo. Filosofo italiano. Roma, Lazio. Filosofo
ed ingegnere. Crea e brevetta una lingua universale semplice, logica,
accessibile per tutte le genti, senza che ha nulla in comune o di affine con
nessuna delle lingue esistenti, adottando questa impostazione. Ad ogni singola
parola avente in ogni singola lingua il medesimo significato corrisponde un
unico ed identico numero formato da una o più cifre, quindi tante parole di
tante lingue aventi un unico significato nella LINGUA UNIVERSALE un unico
numero. La trasformazione da lingua numerica in lingua alfabetica avviene
sulle seguenti basi: I II III IV V VI VII VIII IX X ba ca da fe le mo no po ru tu.
Così, la parola «madre», «mother», «mère», «Mutter», «mamà», ecc. come pure
ogni ideogramma o altra scrittura che significano «madre», è per la lingua
universale di C. equivalente al numero 81, che si pronuncia, po-ba. Il termine
«lingua universale», corrispondente ai numeri 214 736, si pronunciano: cabafe
nodamo. Oltre ai dieci accoppiamenti sopra-indicati e al vocabolario base
(composto da circa 1.500 parole), nella lingua universale di C. esistono XII
pre-fissi come «ve», prefisso di infinito verbale che indica il sostantivo di
riferimento del verbo. Ad esempio: amare = badatu; amore, o letteralmente ‘amazione’
= ve-badatu. Oppure come «GI-», pre-fisso che trasforma il singolare maschile
in singolare femmine. ‘Questo cavallo’= cale lefemo, mentre questa cavalla =
gicale lefemo. Questa lingua universale che è SENZA GRAMMATICA e senza
coniugazioni verbali, precisa C., non serve certo a tradurre la Divina Commedia
od a fare poesie in quanto la cosa non avrebbe senso, è una lingua essenziale
di concetti che al di fuori dall’elaborazioni lessicali, non indispensabili,
vuole fare in modo che finalmente l’umanità tutta possa comprendersi, e poiché
non richiede l’intervento di terzi per l’apprendimento consente a tutti di
essere auto-didatti. Francesco Pietro Cazzulani. Cazzulani. Keywords:
implicature del deutero-esperanto. Refs.: Luigi Speranza, “Grice e Cazzulani.”
Cazzulani.
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